American Friend Drop Sound Under Rock

Austin’s American Friend have been around for a few years, though the pedigree of the musicians in the group goes way back in time. Today the trio drops their brand new Sound Under Rock EP, and perhaps you’ll join me in spending a little bit of your time with it today. Initially, Sarah’s bass grooves in the opener “Where I Came From” had me feeling nostalgic, leaning towards Adam’s other project, matched up against muted guitar notes with Jana’s voice toying with tone/inflection. They bring in the slow-core on “Greatest Mountain,” which definitely feels, to me, like a Jana excursion. But, it all seems like a set up, teasing tension before we get to the spirited performance in “Troubles.” That should prepare you for half your listen, but I don’t want to dive to deep and give away all the secrets. Find out for yourself!

American Friend Share His Energy Runs Backwards Video

Everyone has been raving about Jana Horn’s new album Optimism (you’ve check it out haven’t you? It’s HERE), but we shouldn’t forget that she began this summer for us by releasing a 7″ with her other project American Friend; the band is comprised of Jana and Adam Jones (of my fave Deep Time), at least for the 7″ recording. Over the weekend they shared a really striking video directed by another ATX local, Shannon Widermeyer, and it seems fitting that we share this track with you as a reminder of the release. One of the things I love about this recording, aside from Horn’s always mesmerizing vocals, are the tones of the guitars; it’s like they’re haunting every lyrical note, heavy with their own sentiment. If you’re digging it, you should grab it HERE.

 

American Friend Release Debut Single

For quite awhile now I’ve been touting Jana Horn (she dropped a song on Slack Capital 3 too) as one of Austin’s great voices. This past Friday, one of her projects, American Friend, released their debut single. She’s joined by Adam Jones, of Deep Time, for percussive elements, definitely building in some textures to thicken up the sound around her guitar and vocals. “His Energy Runs Backwards” might be the most traditional of the two tracks on this 7″, with the fragility of Horn’s voice carefully treading above the instrumentation; Jones jumps in the song’s latter half to join too. “Cancer City” shows the duo really moving beyond the boundaries of the genre, incorporating a squawking clarinet (courtesy of Carl Smith) to the intoxicating mixture of guitar and drums. Definitely something you should invest your time in today, if you so choose.

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