Tag: austin

Balmorhea Share Video for Range

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When Balmorhea drop a single, I’ve come to expect a stunning visual component to accompany said release, as the band cares a great deal about their conceptual vision. This go round, the visuals were created in partnership with Odd.Company, and it appears as if you have two pieces overlapping one another; at times, they seem to meld and shimmer and mold into one vision, only to move and shift in movement with the song, switching what your eyes see. Now musically, it says a lot that that band’s brevity on this single can still captivate, but whether that’s due to the visual or the tender tones of the song, I’m not sure. I am sure, however, that this piece will fit delicately into the greater vision the band have for their new album, Pendant World, out June 16th via Deutsche Grammophon.

Johanna Heilman Shares No Tomorrows Track

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I was really blown back by Johanna Heilman‘s opening single from When We Were Electric, and now, there’s an equally haunting number popping up on the debut LP. There’s an openness in this track’s songwriting, which I think has definitely benefitted the single, leaving this great wide open space for Heilman. Her performance is so moving that I had to be sure that it was in your ears immediately; there are just some tunes that you feel deep in your soul, and this is surely one of them. When We Were Electric is shaping up to be a magnificent listen; it drops on June 30th.

ATH DJ Night & Market @ Oddwood (5/25)

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Your friendly ATH crew has been booking all sorts of Vinyl DJ nights around town recently and Oddwood Brewing on the East Side has turned into one of our favorite spots to spin. This Thursday the crew will once again be set up at the brewery with all kinds of fire and heat emanating from the speakers. And as you know, our team plays only vinyl with no need for fancy streaming platforms. Sets by @nathanlankford, @photobriangray, and @djrayray_ath. Kicking off at 5pm and going till they tell us to leave (8 or 9ish).

While you enjoy the tunes and a cold one, you can also shop the new record and clothing stock from @DJRayRay_ath. Come on by and make a night of it.

Show Preview: En Attendant Ana @ Hotel Vegas (5.18)

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I wanted to run this preview yesterday, but seeing as I already had one Trouble in Mind post, I figured it could wait until today. So, tomorrow night, those inside the greater Austin area can catch Parisian outfit En Attendant Ana playing over at Hotel Vegas. They released the brilliant Principia earlier this year; it showed a lot of maturity in terms of allowing the empty space of their songs to have the same emotive pull as their more energetic bits do. It may seem like I’m talking trash here, but imagine taking a great guitar pop band like Alvvays and asking them to really stretch their sound beyond the confines of expectations for that style; it made Principia one of the more rewarding LPs of this year. Tickets are $10 at the door, which seems super reasonable, and they’ll be joined by Dorio, Exercise and Dmitri: Doors are at 9. You can grab the new LP HERE or at their show!

Being Dead Release Daydream Video

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I am really hoping that the genius and joy of Being Dead shines through and emerges into the greater musical realm outside of Austin; they feel like they’ve been our best band for years, and finally it seems everyone else is catching on to their act. Generally speaking, the band operate with lots of live humor and constant switches mid-tune. But, here, you get a little bit of their wit by way of their performance in the video, although the song is much more traditional in a sense. It’s got this natural warmth from Juli’s vocal performance, settling into the song once the galloping percussive element is peeled away. When it meets up with Cody’s voice, they build in this creamy psychedelia that pervades the whole tune. It’s time for you to be listening to Being Dead; they drop When Horses Would Run on July 14th via Bayonet Records. (Plus there are like five or so copies of their debut 7″ from ATH Records HERE.)

Feeling Small Shares The Room Acts Small

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This past Friday our friend Chase Weinacht, who currently is operating under his Feeling Small moniker, released another great single. His wordplay is perfect, and in a strange way, reminded me of the first time I listened to John K. Sampson. But, when I read through the credits, the song also encompasses one of the reasons I’ve really been digging his solo work…the community. This track features local Austin artists like Grace Rowland, Andrew Stevens and Santiago Dietche, all artists we’ve written about, but more importantly, all artists who are part of the lifeblood of the last decade plus of Austin music. It shows a level of trust in friends and in collaborators, which I know Chase values, so that makes me value him and his work all the more. Just listen already.

Balmorhea Share Latest Video, New Conditions

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Knowing that there is a new Balmorhea album on the horizon is always an exciting time of the year in Austin; you can expect the band to pop up somewhere interesting to share the album and the experience…which is always equally as special as the music. On this new single, I love the way the song builds in slowly, tinkering with pianos before you even get a bit of percussion to liven up the feel. Those moments are fleeting, and purposefully, letting the song ebb and flow, allowing the listener to sort of move in and out of consciousness as the song unfolds before them. Pendant World is out on June 16th via Deutsche Grammophon.

Show Preview: Cursive @ Mohawk (5.12)

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I feel like a majority of the people that stumble upon this site had a period in their life when they were so heavily into music that it accompanied them everywhere. For me, 1997-2004, it was my main companion. Walking to class, walking to work, driving in my car on long road trips…no matter where I went, there was something playing; I honestly cared more about music than most of my relationships at that time. And, a huge part of those years was the Saddle Creek discography, particularly Bright Eyes and Cursive. Well, this Friday, Cursive is coming to Austin and the Mohawk to play the entirety of their 2000 classic, Domestica. So, in anticipation, I wanted to do a track by track breakdown, 23 years down the road from when I first listened. If you haven’t gotten your ticket; you can grab them HERE.

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Tearjerk Release Face to Face EP

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The latest from Vanessa Jollay’s project, Tearjerk, just dropped a week or so ago, but I got in the Internet weeds, so didn’t have time to properly do the Face to Face EP justice. Through the six songs featured on the EP, you get to sample the various ways in which the band are taking traditional Texas spirits and mixing them into their own powerful sound. Take “Face to Face” for instance, where you can are greeted with this powerful bit of balladry, but where tradition might throw in more drawl and empty space, Tearjerk stomp on their pedals and fill your ears with this wall of punchy distortion, so you get Jollay’s sparkling vocals and the shimmering of dreamy noise! Perhaps you just want tradition, and that’s in here too by way of “Can’t You See I’m Changin” and “Blueberry,” both which show the Vanessa’s voice as the clear star. Please, do yourself a favor and spend a little time with Face to Face today!

Johanna Heilman Announces When We Were Electric: Shares Title Track

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Really getting lost in the moment these days, and when I hit play on Johanna Heilman‘s new single, it didn’t take long to get there. All of the guitar tones have this sort of lonesome dreaminess, like your watching your soul leave your body as the the notes trickle quietly through your speakers. Johanna’s voice has it’s own sparkle, feeling both fragile and seeping; it’s message about being weary of nostalgia tends to provide further depth as the notes seem to crest and fall at your feet. Another mesmerizing single from an Austin artist this week; look for When We Were Electric on June 30th.

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