It’s Tuesday afternoon, and for some reason I am finding myself in a bit of chill, relaxed mood. Helping my lunch time, laid back feelings is this new song called “Not There” from NYC based Sandy. It’s a synth heavy song falling into the electronic pop or bedroom electronica genre, but with a much more interesting beat than others in the genre. I also love the hushed vocals from Samantha Pathe as they intertwine beautifully with the catchy beats.
Lookout for the debut release from Sandy, entitled Trances, due out on October 25th via Geographic North.
[bandcamp width=100% height=42 album=2861844978 size=small bgcol=ffffff linkcol=0687f5 track=2383361326]
This Teen Blush tune has been floating around for a few weeks, and when I woke up this morning to prepare for some all day training, it kind of made it back into my listening world. Felt like it’s a great tune to find early in the morning; it has this sort of brood to it that drives the song forward, but beneath that, there’s this really positive mood. It’s like waking up, knowing your day’s going to be a bit of a struggle, so your down, but as the day unfolds things in the world start to shine on the bright side of things, giving you a slight bit of positivity. This young Chicago artist is just now making their name known, so go on, give it a listen.
A few weeks ago I shared some tunes by Denton based Wesley Jensen and his new project under the moniker PARACHUTER. After originally enjoying his first single, “Trouble Talking”, Jensen is back at it again today with this slick new track “Higher”. Similar to his previous offering, this one is again a bedroom pop labor of love. It’s super chillwave, yet also able to spark some solo dancing with a slick beat and tight feel. We’ll likely be hearing more from our neighbor up the road very soon.
Wanted to sort of kick off Tuesday with something playful that came across the old desk this week…a new track from Canadian Shawn Kim. He kind of teases the listener, sort of like Majical Cloudz, operating with this theatrical vocal riding atop a simple groove, a la the majority of classic bedroom pop. But, at the one minute mark, the beat drops in and the song begins to swell and blossom; it ends up fading back out through the song’s latter half, but that hook, however brief, really drove this song into my subconscious…like a bedroom version of Jens Lekman or something.
With vocals like Lissie and a sound sort of like Beach House, Swedish band Wy won me over with this new song “Tired II” today. It’s a beautiful song full of plenty of rises and falls, and of course powered by the insane lead vocals of Ebba. I’ve played it many time in a row and I’m sure you will be doing the same.
Wy will release new album Softie on April 30th. Pre-orders are up on the band’s bandcamp page.
We continue our regular column supporting all things Corey Cunningham by bringing you the latest single from his Business of Dreams project. I’m not sure how he’s been able to do it, but he’s topped his previous release, and is running nearly neck and neck with some of his other projects that I adore. I love the keyboard work in this track; it sort of gives this shining brightness from behind the mix, allowing for the wispy vocals to coolly wash over the listener. I don’t want to gush, except that I do. This song is just one example of everything that is great about the new album; there’s ten other examples on Ripe for Anarchy, out Feb 1st via Slumberland.
The end of the year is list time, so new tunes are pushed back, and I’m just out here creeping on the Internet trying to find some gems. That’s how I stumbled upon Unicorns at Heart…a bedroom pop outfit hailing from California. They just dropped a self-titled cassette via Hidden Bay last week, and I can’t stop playing “Stay.” It has this natural softness, almost like an Elliott Smith vibe, wrapped in a more modern guitar sound that fits the dreamier landscape. The whole collection is an intimate affair, allowing you to indulge your pop fancy as you see fit; it’s just you and your speakers and these Unicorns at Heart.
Back in 2017 Nana Grizol released the incredible Ursa Minor; it was one of my favorite releases that year, and one with staying power in my rotation. But, just this last week, the band put up some early recorded tracks from the group, some that made it onto later releases, and some not. I’ve been listening to these tracks pretty non-stop all evening with my daughter; it has this oddball charm that reminds me of my college years when I was looking for anything that could make me dance or laugh out loud. Seriously, this is how you should spend your morning, visiting Theo and his guitar in the early days of the band; you can grab Theo Zumm right HERE.
California native Henry Nowhere has spent the last several years as a member of Day Wave, and while a paycheck is all well and good, he couldn’t resist the opportunity to craft his own tunes. His first single has him working over this casual bedroom beat; it’s surprising how the mere mention of his locale evokes waves in the movement/propulsion of the beats. He throws in this light guitar line, more dreamy than jangle, though perhaps meeting in the middle ground of the two. Be on the lookout for his debut EP real soon…I’d happily take five more songs like this any day.
Late last year I talked a lot about how much I enjoyed Broken Spectre, the last full length from Lost Film. Just the other day Jim Hewitt upped some new tracks, in demo form, of course, to hold you over until we have news on a more finite release. Even in an unfinished ditty, you can tell Hewitt and co know their way around endearing numbers. Both singles have this charming lack of urgency, with the drums primarily utilized for pacing. Seems like the baseball themed track is currently the most popular of the two; it’s got synth work atop the aforementioned drumming with Hewitt crooning over it all; the special bit comes when that guitar line jumps into the fray. Just in an interesting step in the process, and hopefully we get to hear more real soon.