Beachtape Return with Speakn

Brighton’s Beachtape made some waves with their Bigger Picture EP, and they look to pick up where that left off, as can be witnessed by the growing view count on their latest single. I’m indifferent to the hype, but I love this classic guitar pop sound, with the band admitting that they might have been “listening to too much Grandaddy at the time.” It’s crunchy in the right spots, and the vocals stretch to the high notes, all of it to come crashing down in this perfect shred at the 2.5 minute mark, or thereabouts. This tune appears on the group’s forthcoming LP, so we’ll keep you informed as we hear more about it!

CIEL Share Fine Everything

CIEL share their new track this week, and with that, they’ve announced a new EP on the horizon…but if you’re listening closely, you’ll also notice a more direct punch to their sound. This track doesn’t feel shrouded in that borderline territory between post-punk and dream pop; it’s a straight ahead ripper, albeit one punctuated by this incredible rhythmic pulse that helps cast the song’s hook deep inside your brain. They’re still hitting you with a nice bit of noise, but they’re not shying away from tying it in with melody and classic pop sensibility. This is our first taste, but already we’re thirsting for more from the Brighton bunch.

Hollow Hand Drop New Single

It is a bright, sunny day here in Austin, TX with many of us on vacation, or at the very least, putting in short days as we wind down a brief week. Though he isn’t exactly from the land of sunny mornings, Brighton based Max Kinghorn-Mills, under his recording moniker Hollow Hand, has the perfect new tune for clear skies and hopeful days. His latest, “One Last Summer”, features a sort of folk inspired pop sound harkening back to say CSNY but with more modern Americana vibes like Fruit Bats. Hopefully it brightens your morning.

Kinghorn-Mills reports that this track is the first taste of a new LP in the works. No release date as of yet.

Penelope Isles Deliver Another Hit

The Brighton based brother/sister songwriting duo Penelope Isles have long been a running favorite around the ATH offices, so naturally we are incredibly excited for their upcoming album. Hopefully you will share in our excitement with the band’s latest single entitled “Terrified” found below. For me, these new singles, and this new album, truly show a band growing into their sound with more pop sounds blended in with their already dreamy, sort of shoe gazy, indie rock vibe. This will likely be near the top of our year end lists.

Penelope Isles will release new album Which Way to Happy on November 5th via Bella Union. Pre-orders are live now.

Public Body Share Formica Single

There’s something in the water today down in Brighton, with this new track from Public Body being our second offering from the city today! This group is both exciting fun, seemingly crafting their own post-punk recipe with influences from the likes of Devo to Parquet Courts…and probably bits and pieces of everything in between. It’s the sort of tune that immediately feels like your thrust into the live setting, pogoing about with a huge shit-eating grin strung upon your face, looking around, and everyone feels the same…its a communal joyous rapture…and we’re grateful Public Body have provided. The group will be dropping their Flavour of Labour EP this December.

Breathe Panel Share Stretch

This week, Breathe Panel will release their new record, Lets It In, and they’ve opted to drop one more hint to entice you before we hit Friday’s release. Those of you with an inclination to love Hovvdy, Real Estate, or more recently Central Heat Exchange will certainly warm to the charms of this little ditty. It’s got this casual vocal style, the sort where you feel like your just riding your bike down the street with the breeze in your face, driving you forward with juxtaposed cool and warm sensations. Guitar notes are sharp, playfully dancing atop the rhythmic bounce of the drum work. And just as you fall in love, it ends, begging you to grab the LP from Fat Cat this Friday.

Keg Share Presidential Walk

We’ve found ourselves jamming to Keg quite a bit this year, and with a new EP on the horizon, perhaps we should share a bit of that joy with you. The Brighton outfit will surely get you some Shame comparisons, but there ability to flesh those sounds beyond is due to the group carrying 7 members in their pocket. You’ll get that angular post punk guidance, that sharp bob and weave delivery. But, the most exciting elements come when various members decide to toy with the song’s DNA, weaving in elements of jazz and post-rock into the band’s exploratory adventure. You’ll find this group on tour with Squid, where you can grab their Assembly EP, out October 22nd via Alcopop.

CIEL Share Pretty Face

CIEL had one of my favorite tracks of 2020, and they don’t seem like they want to lose that crown in 2021, dropping in this delightful new single full of dreamy charms. Michelle Hendriks’ voice will definitely encourage a recall to Alvvays, and that’s never a bad thing on this end. Musically, the band take a classic doo wop brand of sugary pop soda, then coat it with a little bit of fuzz to blankety you in melody. Guitars shred in the distance midway, proving the point that this is more than just a little treat for your ears. This is the dream pop jam you didn’t know you needed, but now you do!

HANYA Share Monochrome

I’ve really been enjoying this new HANYA tune today; it has bits and bits of good stuff, woven together to offer up this unique dreamy pop blanket you want to wrap around you. For me, Heathe Sheret’s voice has this subtle range that serves to knit all the little moments together; if the song goes towards shoegaze, she pulls it back in with the crystalline vocals; if it gets a little too pop, she flirts with the pitch, dropping it up and down in the mix to throw off the balance. Think you’ll be just as taken by this tune as I was, so be sure to keep an eye out for this Brighton outfit.

Public Body Share Table Manners

I’ll go out and say that sometimes I feel like the whole post-punk guitar organization has gotten stale, but there’s a few outfits that still manage to turn me on, musically. Public Body is one such act, as they seem to kind of pull in some extra flare that kind of moves them out of that traditional formula. For me, some of their angular guitar work really catches me ear, akin to acts like Omni (who I adore), but even further into art punk at times. Plus, they never deliver you that expected climactic punch, at least not in this format; they tend to deliver more of a meditative rock sermon, just holding you long enough to get you through the track before letting you venture off into the world a new human.

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