Show Preview: Cate Le Bon @ Mohawk (1/29)

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Date Wednesday, January 29th
Location Mohawk
Doors 9:00 PM
Tickets $8 from Mohawk


If you paid any attention to our year end list from 2013, you probably noticed that Cate Le Bon was on there for her wonderful, Mug Museum.  It’s actually one of those albums that grew on me more, even after I raved about it.  Plus, when she comes into town, she’ll be coming with Kevin Morby of Woods/Babies, who just released a pretty solid record of his own right at the end of 2013.  Both musicians will surely draw a large crowd, but don’t overlook local openers Love Inks, who’ve clearly done just fine with their own recent release, Generation Club.  It’s a great bill from start to finish, so be sure to show up early and join in the fun.

[audio:https://austintownhall.com/wp-content/uploads/2013/08/01-I-Think-I-Knew-feat.-Perfume-Genius.mp3]

Download: Cate Le Bon – I Think I Knew (feat. Perfume Genius) [MP3]

Top 50 Albums of 2013

albums banner 2013 procMaking our year-end list of Top Albums is never something we take lightly.  We realize that it’s rather arbitrary in the grand scheme of things, but we realize that our role is to at least toss out our opinion, however meaningless it may be. In the long run, we had to take the tastes of several people, and whittle it into a list of 50 great albums that we think are vital to your listening experience.  We know it’s a matter of personal tastes, but the records below are reflective of our tastes and our site, so don’t get mad, they’re just opinions. But, feel free to tell us where we went wrong, or what we might have missed.  If you click on the album titles, you can also read our full reviews of each album, save the ones that we didn’t get to in time. Sorry we don’t like Kanye.

50 – WampireCuriosity
49 – Dot DashHalf Remembered Dream
48 – Mantles  – Long Enough to Leave
47 – The Appleseed CastIllumination Ritual
46 – Bad SportsBras
45 – Part TimePDA
44 – Dick DiverCalendar Days
43 – Math and Physics ClubOur Hearts Beat Loud
42 – Veronica FallsWaiting for Something to Happen
41 – Eat Skull – III
40 – The Lonely WildThe Sun as It Comes
39 – The Love LanguageRuby Red
38 – Gun OutfitHard Coming Down
37 – Cate Le BonMug Museum
36 – Daughn GibsonMe Moan
35 – Andre ObinThe Arsonist
34 – ArpMore
33 – Gap DreamShine Your Light
32 – The Black WatchThe End of When
31 – Ty SegallSleeper
30 – The StevensA History of Hygeine
29 – Of MontrealLousy with Sylvianbriar
28 – Mirror TravelMexico
27 – Local NativesHummingbird
26 – Girls NamesThe New Life
25 – GRMLNEmpire
24 – Small BlackLimits of Desire
23 – AudacityButter Knife
22 – Mikal CroninMCII
21 – Chelsea WolfePain is Beauty
20 – FoalsHoly Fire
19 – Radical FaceFamily Tree: The Branches
18 – Youth LagoonWondrous Bughouse
17 – Terry MaltsNobody Realizes This is Nowhere
16 – Shout Out LoudsOptica
15 – Kurt VileWaking on a Pretty Daze
14 –  BraidsFlourish//Perish
13 – Crystal AntlersNothing is Real
12 – TyphoonWhite Lighter
11 – Ski LodgeBig Heart

10 – GamblesTrust

Admittedly, this album makes nods to folk troubadours of Christmas’ past, but what grabbed me from the moment I heard this record was the sincerity in what’s being created.  In leaving us with a stripped down listen of folk tunes and incredible poetry, we’re asked to look into the history of American songwriting tradition; it’s been awhile since it was executed so well.

9 – The GrowlersHung at Heart

I’d put this album on any list for one song alone, “Someday.”  But, it just so happens that the rest of the album maintains the sensation that’s established on the opening track.  I’ve heard it referenced as a surf-psych opus, but what’s been assured in my mine is what an incredible listen we’re all be treating to when we put Hung at Heart on our record players.

8 – Wax IdolsDiscipline & Desire

Hether Fortune seems to scare people.  Her work is in your face, never making an excuse for who she is or what she believes.  That attitude carries on into her music, allowing listeners to experience a musical world void of any pretense.  The songs on this album are angular, dark and abrasive; the vocals have Hether dominating the scene of modern lady rock warriors.  If you don’t dig it, she doesn’t care, but I do because this record rules.

7 – Parenthetical GirlsPrivilege

While many of the songs on this effort leaked out before under various EPs, the whole masterpiece exists in the way it was tied together as a complete work.  It’s operatic and grand at every corner, but it’s also undeniably a pop record.  The emphasis might revolve around the more artful spectrum of pop music, but this is an album you can play for everyone in your family, and they’ll all find themselves swept up in the wonderment of Privilege.

6 – The NationalTrouble Will Find Me

What else really needs to be said about The National.  They consistently make great albums that are lauded then often overlooked, but we didn’t want to do that to one of our favorite acts.  I mean, if they played 8 shows in 8 days, we’d be at every one, and the DJ set after party.  Their accolades and recognition are warranted, and it’s especially clear on this, their latest release.

5 – LegsPass the Ringo

When listening to Pass the Ringo, I thought of one thing: this is the sort of record that makes a small label, like Loglady Records, a household name. It’s spun around garage rock and psych rock structures, whilst still maintaining an accessibility that few people working in that genre achieve.  Some albums can play in the background of your house, and might be happy to do so, but Legs created something that made me stop and listen at every turn; I’m thankful for that.

4 – Warm SodaSomeone for You

Someone For You came our way in January.  On my record player, it hasn’t left since.  This is one of the most rewarding power-pop records I’ve gotten my hands on, and trust me, I’ve gotten my hands on a lot of great records. Each song is filled with innate hooks and garage rock grit, encouraging you to tap your toes for the entirety of the record.  You’d think after a full year our interest would have waned, but with time we’ve only grown to appreciate the record even more.

3 – Coma CinemaPosthumous Release

At the moment, there’s not too many people releasing music that’s the quality of Mathew Cothran and Coma Cinema. There are elements of the bizarre, similar to the work of early Elf Power, yet there’s this intimacy that artists like Eliott Smith were able to create with their listeners.  You wrap that up and put it in a package of pop sensibility, and you have an album that can’t be ignored.

2 – Bubblegum LemonadeSome Like it Pop

In today’s musical climate, we buy into the fact that artists have to be doing something strange, or something that’s vastly different from their peers.  But, in the grand scheme of things, we often forget what it’s like to take enjoyment out of the music.  This album was one of the many reminders that music, when it’s good, can be quite special.  Every song here is a single, and worth your time; it’s the best thing Laz has done, and I feel like he’s just really getting started.

1 – Magical CloudzImpersonator

This album is about Devon Welsh.  From the first instant I heard his voice, it took hold of me. Throughout the year, Impersonator, consistently played on my radio. His voice was mesmerizing, captivating audiences on several occasions in Austin, convincing us to be as quiet as a mouse, so as to hear every note.  The unique quality of the album will reward listeners for years to follow.  It made us believe in great music again.

 

Cate Le Bon – Mug Museum

cate_le_bon_mug_museumRating: ★★★★☆

This record feels more 1973 than 2013 and I love it.

Cate Le Bon may not be for everyone, but I think a lot of people are going to “get” Mug Museum. It’s quite a multifaceted record. Musically, Mug Museum is highly unpredictable, shifting between jangling chamber-pop and early indie rock with plenty of twists. Over all of this, Le Bon alternates between her sullen, jazzy low register and a strange, theatrical falsetto.

Although Cate Le Bon is from Wales, she recorded Mug Museum with Noah Georgeson (Joanna Newsom, Devendra Banhart) and Josiah Steinbrick in LA. The result is definitely her best sounding record to date, and one that still feels definitively British (partially due to Le Bon’s prominent Welsh accent).

Mug Museum is more instrumentally varied and more densely constructed than most of Cate Le Bon’s previous work. Smooth organs and synths set the tone for many of the more downbeat tunes such as “Mirror Me”. Assorted pianos, drums and horns fill in the gaps elsewhere. Great bass lines abound throughout the record, especially on “I Think I Knew” and “Sisters”.

Cate Le Bon is a supremely confident vocalist, holding her notes perfectly even when they’re not quite right. There’s something approaching ennui in her voice that reminds me strongly of Nico, although I think Le Bon is a more talented singer. Despite the fact that she writes all of her own songs, Le Bon has a very distant, detached way of delivering her lyrics. “I forget the detail but know the warmth,” she sings in the title track, and her music tends to make me do the same.

For the most part, this is a very easy album to listen to. Still, there are challenging moments like the one at the end of “Duke” when Le Bon pushes her voice past its upper limit in an almost comical way. The guitar work throughout Mug Museum is artfully careless, and it reaches its logical conclusion on the latter half of “Cuckoo through the Walls” in a mess of twangy noise and dissonance.

The title track, “Mug Museum”, is the slowest, jazziest tune on the album, and definitely my favorite. Give it a listen if you’ve got the time. “Mirror Me” and “Duke” are also worth checking out. Actually, just listen to the whole thing… It’s worth it.

Cate Le Bon Wins Again with New Single

cateI was amazed at the first live set I caught of Cate Le Bon a few years back.  I found her effort following that good too, but I get the feeling this new release is going to be pretty great.  On the latest single she takes a really laid back approach, allowing the groove to sit calmly in the foreground while her marvelous voice operates all around. Then there’s this angelic backing vocal that comes in just before the 3 minute mark; it’s just a beautiful touch.  Her latest effort Mug Museum will be out on November 12 via Wichita Recordings.

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Gentle Pop from Cate Le Bon

cateGod, I just absolutely love Cate Le Bon.  When I first caught her live, I was mesmerized by the strength in her voice, despite walking on stage with little more than a guitar and a microphone; it was a feeling I think was shared by many.  Cate’s back now with a brand new single, featuring the marvelous voice of Perfume Genius to accompany her.  It’s such an unassuming beauty that I think I’ll play it throughout the day, and I hope you do too.  She’s teamed up with Wichita Recordings to release her latest collection of songs, Mug Museum, which will see a release on November 12th; if it’s all this good, it’s going to be something truly special.

[audio:https://austintownhall.com/wp-content/uploads/2013/08/01-I-Think-I-Knew-feat.-Perfume-Geni]

Download: Cate Le Bon – I Think I Knew (feat. Perfume Genius) [Mp3}

Show Preview: Cate Le Bon @ Red 7 (9.29)

Date Saturday, September 29th
Location Red 7
Doors 900 PM
Tickets $10 from Transmission

For those of you fortunate enough to have caught St. Vincent last year at ACL Live, I hope you caught the beautiful songstress that is Cate Le Bon.  Personally, the Welsh musician enthralled me more than the headliner, but that’s just personal taste.  I’ve since been able to enjoy her CYRK album, and the CYRK II piece that accompanied it.  Although she I last caught her standing solo on stage, her presence was much larger, encouraging me to write the praise that I leave you with now.  Get there early to catch Troller, the opening act, who will help set the tone for the evening.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/01-01-What-Is-Worse.mp3]

Download:Cate Le Bon – What Is Worse [MP3]

Great New Tune from Cate Le Bon

I was fortunate enough to catch Cate Le Bon last year at ACL Live as an opening act, and ever since then I’ve clamored high and low for her music.  I dug CYRK, but now she’s readied the CYRK II EP, which comes out on August 21st.  Just listening to Cate, you can’t help but be completely swept away my her simple guitar work and incredible vocal prowess.  She seemed a bit timid live, but she’s definitely not playing that role any more.  You can tell that she’s ready to take on the world with this tune. Can’t wait to pick this one up.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/01-01-What-Is-Worse.mp3]

Download:Cate Le Bon – What Is Worse [MP3]

Cate Le Bon – CYRK

Rating: ★★★★☆

It’s possible that you haven’t yet heard of any work from Cate Le Bon, nor even heard of her, for that matter, as this is only her sophomore effort from her and her backing band. Some things you should know before we proceed: Yes that is a Welsh accent. Yes, Le Bon’s debut EP was a Welsh language release. Yes, her voice is exquisitely interesting. No, it is not the only thing worth talking about on CYRK.

Le Bon wastes no time what-so-ever in jumping straight into the jams. Forget intro tracks or minute long build-ups, “Falcon-Eyed” is everything, all at once without so much as a few seconds notice. It is roaring first track, quick and snappy in nature, filled with Le Bon’s swirling vocals, paired with racing drum beats and jangling, fast paced guitars. It comes across as one of the most ‘rock’ songs on this album, when viewed along with the others, and it leaves you thirsty for more when the two minutes and forty-nine seconds comes to a close.

Although the Speed Racer pace isn’t held for the next song, the slower, cooled “Puts Me To Work,” highlights the vocals as well as the instrumentation, while setting a more appropriate pace for the rest of the album. The smooth vocals combine with twang-y guitars to bring each element to a happy medium, while the drums and keys fill in the spaces. This continues to the title track, which spirals and twirls in an eerie fashion along to a methodic beat, which essentially carries through for the duration of the album; it’s easy to find yourself twirling along with Le Bon, lost in her ironically dreary lyrics in respect to her airy vocals.

Sure, the first thing that you will notice upon listening to CYRK is the vocals. When Le Bon strikes the opening notes, you are instantly drawn into whatever she is singing; her eerily bleak voice carrying the rhythm resides in the background. I mean, on first listen, you could really care less what is going on behind that enigma of sound. You are so focused on the oddly tender yet fierce voice that it’s easy to let the rest of the music just sort of fade away in your entranced state. While it is easy, and also sort of the point of this release, to be daunted by Cate Le Bon, give this album two listens; one to marvel at the vocals and another to appreciate the instruments backing them. What you’ll find is something darker than the whimsical vocals convey on the surface level, something distorted and fanciful, akin to the title’s translation of “circus posters.”

New (ish) Track from Cate Le Bon

I know this track’s been floating around for a little bit now, but I wanted to give it some love, as I really felt like Cate Le Bon won me, as well as many others, over during her recent performance opening for St. Vincent.  She’s solidified details for her upcoming record, CYRK, which will hit stores on January 17th. It’s great hearing her voice in this setting, as live, she seems so endearingly fragile, but you can clearly see her talent soar on this track.  Her voice sounds remarkable, and the arrangements that accompany the track really bring her songwriting to the forefront.  Give the gal a chance; it’ll be worth your time.

[audio:https://austintownhall.com/wp-content/uploads/2011/11/Cate_Le_Bon_Work.mp3]

Download: Cate Le Bon – Puts Me to Work [MP3]

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