Tag: debut album

Tim Koh Shares Fall Into Your Dream

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I remember the first time I saw Tim Koh on stage with Ariel Pink; he was this towering guitar wizard of hair that you couldn’t pull your eyes away from. He’s currently relocated to Europe, and now it seems he’s got his now solo album coming on the horizon courtesy of O’ Genesis Recordings. His creativity and musicianship is obvious in the song’s first minute, but then he settles into this propulsive vibe that seems to course through the song’s entirety. There’s a lyrical reference to his stomach ulcer, which resulted in emergency hospitalization while on tour in 2018, so perhaps this album’s been a long time coming. Whatever happens, a debut solo record from Tim is going to be something really special.

Haiku Hands Announce Debut Album

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In 2019, Australian outfit Haiku Hands brought their choreographed dance party to our shores during SXSW (RIP); I know we were all impressed, and anxiously awaiting news of an LP. Well, that news dropped yesterday, and the band remind me a lot of CSS in a lot of ways. For one, they have these satisfying dance club hits that always seem to get stuck in your head; this is music for people that want to enjoy living. Two, they work as a collective, curating and exploring art amongst their members. I have a feeling this song would be huge had it dropped in different circumstances, but lets hope it brings you all a little joy. Their debut drops in August via Mad Decent.

The Flatmates Announce Self-Titled Debut

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With singles dating all the way back to the mid-80s, it’s hard to believe that this year will mark the debut LP for Bristol outfit The Flatmates. They drop this new single today with the announcement of their self-titled album, and like the band, it seems to straddle decades of style in its sound. Opening with buzzsaw guitars and smashing drums it almost feels like they’re working in Ramones territory, but that’s before singer Lisa Bouvier comes into the picture. She’s got this voice that seems like its riding the edge of pop singer and punk; there’s a softness coated in a definite attitude that’s simply intoxicating. Their debut is being handled by HHBTM Records and The Subway Organization.

Welcome Back Tincho

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Having been some three years since I last heard from Seattle based Tincho, I was excited when they sent me some new music a few days ago. The new song, “I Got Home Today”, features a fairly straightforward tack on indie rock with chill guitars, quiet vocals, and a nicely executed progression. Think Beach Fossils if some of that washed out, shoegaze effect was lost and replaced with a cleaner, bright sound. It’s good stuff.

Tincho will be releasing a debut album sometime later this year. Stay tuned.

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Stella Donnelly Announces Debut

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If there’s one thing last year’s SXSW showed us it was that Stella Donnelly has a bright career in front of her. She could hold a room on her own with her presence, but more important was her biting wit. She’s not afraid to call people out in song, but she doesn’t do it in a fashion one would find laborious. In her first single from her debut, she’s calling out men and their inappropriate behavior; I appreciate how she approaches her views through a certain pop sensibility, stuck in your head all day and forcing you to listen to what she has to say. Beware of the Dogs will be out on March 8th via Secretly Canadian.

Surf Rock Is Dead Ready Their Debut

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Surf Rock is Dead have made appearance on our pages before, but what better reason to bring up the band than to share a new track from the band’s forthcoming LP. Like earlier tunes, the group has a knack for building in these hooks that wrap themselves around your ears again and again. At times, the track has this great bounce to it, like early stuff from the Drums, but other times, the duo (now three-o) just build in these pop rock anthemic moments that dwell in the region of new dream pop stylings, accented by sharp guitar notes. No release date as of yet, but we’ll keep you posted, as I’m sure we’ll be talking about these guys quite a bit.

Enjoy This New Ice Baths Tune

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Ice Baths definitely fit in the realm of any post-genre; there’s elements of post-punk or post-rock, but for me, they’re stretching out those styles. This latest single has those sharp guitar chords that ring discordantly while the rhythm section plods along; the vocals hang in the air, patiently. Then there’s a slight uptick in the energy, almost revealing psychedelic influences; they perhaps owe more to this genre than they’d like to admit, stretching the song beyond expected limits. Their debut album will drop on May 11th via Blank Editions.

Angular Pop from Deeper

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I’ve spent the great part of the last few years trying to convince everyone I know how great Omni is…looks like I can now add another like-minded act to that list with this new Deeper tune. It’s got angular chords seemingly working against the rhythm section at all times; the vocals are delivered in an almost spoken-word manner, meant to match syllables and beats. What’s really enthralling about this tune is how it seems to bounce between styles, dreamy at times, art rock at others…then closing with a little explorative indie rock. This tune appears on the band’s self-titled debut, which is being released via Fire Talk on May 25th.

 

Bouncy Post Punk from Ice Baths

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It’ll take a second for the throbbing bass to kick in on this number, as Ice Baths dare listeners to turn away with a noisy opening bit. But, hold on and you’ll be tapping your toes as the track pushes you forward. The vocals have this sort of indifference in their delivery, almost as if they’re an afterthought while the guitar chords spring and jangle through the heavier underbelly of the track. Not quite angry, not quite pop…but somewhere in that cavern of in between…that sweet spot we all love. Look for the group’s debut album to drop on May 11th via Blank Editions.

New Music from Wax Chattels

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New Zealand music in the United States often gets boiled down to the swirling guitar pop we adore, but Wax Chattels aren’t going that route, and in fact, they’re entirely guitar-free. Here we have the band crafting this spastic blast of noisy punk, off-setting rhythms, and rounds of noise alienating more pop-centric listeners. This track has the same punishing quality early DFA 1979 (or whatever they’re called nowadays) had, as if they could destroy anything in their wake just by the sheer madness/volume of their tunes. Perhaps this is wishful thinking, but when the group drop their self-titled LP in May via Captured Tracks.

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