Tag: drag city

Bill Callahan Shares Another New Single

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It feels like hyping up a new Bill Callahan single is a no-brainer. You talk about his vocals; you talk about his lyrics; you talk about his history in the scene. Those things are all great, and I’m here for it, but I really love the way he can make a mini-opus feel like a brief adventure. This song stretches beyond seven minutes, but his matter-of-fact storytelling just makes it feel like you’re sitting around a campfire being serenaded by a classic troubadour, trading stories for food. In a sense, his work harkens to the oldest bards, mixing stories and song, making My Days of 58 a surefire necessity in your collection; it drops via Drag City on February 27th.

Bill Callahan Shares Lonely City Video

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When next February arrives, folks will be clamoring to get their hands on the new Bill Callahan LP; he crafts timeless ballads, buoyed by his distinctive voice that for many of us feels like coming home. On this new tune, there’s a slight shift when the instrumentation arrives subtly, adding a bit of life to the song. That said, the song folds and changes in the midst of itself, remaining one of the key elements that makes Callahan’s music so attractive. Below you’ll hear another reason to head over to Drag City to get a copy of My Days of 58.

Bill Callahan Announces My Days of 58

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I don’t think we all listen to enough of Bill Callahan; I’m not saying that he’s going to solve world issues, but hearing a new single immediately brings me to a place where I can find my own peace. When you press play below, you’re going to meet a deep-throated croon and lower octave strums; those heavier notes begin to embrace a lighter, hopeful strum, which in turn, changes Bill’s voice. For moments, he flirts with pop stardom, as string arrangements buoy his notes, only for Callahan to retreat into his more solemn delivery. Like all his work, it feels as if he’s operating as if each song has its own linear plot, twisting and turning until the tune hits a climactic moment that highlights his songwriting craft; the accents and nuance in the backing arrangements definitely highlight each little movement. Drag City will release My Days of 58, which comes out in February of next year!

Bitchin Bajas Announce Inland See

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When I first saw the title of the new Bitchin Bajas single, I was certainly intrigued, as the title is one of my favorite Horace Andy tracks. As the quiet opens up and textures are layer, there’s an electronic pulse that feels a bit like that stuttering skank guitar; I will admit that I almost thought it was guitar, forcing me to dive in really deep into the tune. There’s little bits of woodwind floating atop, with synthetic lines zigging and zagging, all of it sort of creating this dense soundscape that feels like a futuristic dub record. If this is any sign of things to come, Inland See will be out on September 26th via Drag City.

Cory Hanson Loves Lou Reed

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While we have all grown accustomed to Cory Hanson‘s work in Wand, I feel like the masses generally sleep on his solo stuff; I can’t believe he’s already up to his 4th solo LP. This new single drops in an elegant bit of balladry, working with a piano backbone that allows for negative space to be filled with string arrangements and saxophone work. There’s also a bit of dry humor too, while Hanson brings up Lou’s quirkier traits, such as his role as a “tai chi master.” Throughout, there’s this solemn reverence that you can feel in each note on the piano and in the quieted fragility of Cory’s voice. Really looking forward to the entirety of I Love People; it drops July 25th via Drag City.

Ty Segall Announces Posession

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I likely don’t jam to Ty Segall as much as I once did, but it’s always nice to check in on one of the most prolific artists progress, especially as he announces his new LP, Possession, today. Our opening listen sees him traveling back to the power ballads of classic rock, working on a bouncing organ and thumping bass to set the musical scene. It’s interesting to listen to a track where Ty’s guitar work is not the selling point, at least not in a lot of the verses, as that’s where I feel like he made his bread in the early days. That said, the latter half of the song sees him break into more of the expected jam territory, letting the guitar free into the world and driving forth with a bit of emphasis. His new album will be out on May 30th via Drag City.

Edith Frost Offers Nothing Comes Around

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Since we’re all indoors down here in Austin, with pseudo-snow coating the ground, feels like we should rep this new Edith Frost tune, since the artist is currently one of our own. Her first album in nearly 20 years reveals a songwriter who doesn’t seem to have lost a bit of the magic, still playing in between the lines of sharp guitar stabs, rolling drums and nuanced strokes. There are certain elements of her voice that recall the Breeders, though there’s this child-like exuberance in it, coyly turning notes into little treasures for the listener to open up. This new record, In Space, sounds magnificent, and in that, you should get your hands on it before its February 28th release via Drag City.

Six Organs of Admittance Shares Summer’s Last Rays

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If you listened to “The Mission,” you’re not going to get anything like it with the new single from Time is Glass, the new LP from Six Organs of Admittance. This new single is all about craftsmanship, it’s as if the guitar playing is done as an exercise in artistry, a need for life to spring from the strings. It builds slowly, with a faint sense of danger in the tones of the strings, moving forward for nearly two minutes. As guitar lines overlap, other textures begin to unfold, heightening that sense of unease that ebbed beneath the surface; it grows and grows until the end, where it just drops out, letting both the listener and Ben Chasny take a rest. Time is Glass hits on April 26th via Drag City.

Six Organs of Admittance Share The Mission + Announces Time is Glass

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It’s strange how the world works, as my brain definitely feels a bit like wandering about, kind of drifting. As I sit down this morning with that presence, the music in my inbox seems fittingly matched, particularly this new Six Organs of Admittance tune. Ben Chasny’s voice alone wins me over here, dripping with emotion as the hairs on your arms stand-up. Musically, and forgive me as my brain wanders, but this tune feels like being lost in some great expanse of nature, and from the hills you hear this song echoing, bounding down and calling you home, distant but all encompassing; it feels timeless, like the world has beckoned you to find your place of peace. Perhaps that is what Ben has found on his new record, Time is Glass, which drops on April 26th via Drag City.

Ty Segall Shares My Best Friend

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I’ll be the first to admit, that I’ve grown bored of Ty Segall over the last five years; he’s been a constant in the music scene, and at a certain point, I always wonder…what else is there? That’s not to say he’s not had great live shows; he’s like Thee Oh Sees in that manner…folks can never seem to get enough. That said, this new single from the forthcoming Three Bells does hold some intrigue and may entice me to get into the new LP. It’s got this sort of off-kilter, walking-the-guitar sort of craft to it; it feels like something out of the British art-pop scene a la Cate Le Bon. I love how he still breaks down into a jam, but even this feels muted and intimate, all the while the drums roll along in thunderous fashion. Ok Ty…I’m back in. Three Bells drops on January 26th via Drag City.

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