New Bums – Voices In a Rented Room

new bumsRating: ★★★☆☆

Sitting in my room by the lamp light seems like a fitting way to listen to the new release from New Bums, though this room is paid for.  Going from song to song, Voices In a Rented Room is an album that truly fits best when you’re wrapped up in your own solitude, letting the tracks wash over you.  But, with that in mind, it’s also one of the things that might wear on the listener.

“Black Bough” is one of the best slow jams I’ve heard in a really long time; it deserves to make it onto any playlist you create. I love the way the vocals were recorded, seemingly entering your ears on the cusp of the wind. There’s a heavy-heart that arrives too via the solemn strumming of the guitar; it helps establish the forlorn characteristics that accompany the track throughout.  Moving forward into “Pigeon Town” you find more of the ornate guitar play that is associated with Ben Chasny and his earlier work with Six Organs of Admittance. But, while both these songs are carefully structured, including the string touches on the latter tune, it’s easy to see yourself getting stuck in the same listening space; there’s not a lot of movement sonically in Voices In a Rented Room.

For an audience new to the writing of these two, I think there’s several songs that you’ll find special.  I can’t tell if it’s the recording itself, but I love the sincerity that’s present in a track like “Mother’s Favorite Hated Son.” If you listen closely, you’ll hear a bit of a buzz coming through your speaker as the deeper notes are struck; it reminds me of listening to a record I’ve listened to far too many times, worn out by the needle. That same slight buzz is present on “It’s the Way,” but the vocals are definitely what attracted me to this number.  I love how the higher pitch in the vocal is matched by a slight string touch; it’s ever so gentle, but it adds the perfect listening sensation.

Therein lays both the strengths and weaknesses of going through this release from New Bums.  Every song seems to have purpose, and with that comes a great attention to each little detail, each shift in pitch.  Those artists’ brushstrokes give each track a redeemable quality, but it does make it hard for a passerby to fully grasp what is beneath the surface.  It’s not something you can rest with in the background, but a piece you have to immerse yourself into, maximizing your relationship between the emotional pull and the band’s intentions. If you’re willing to dig deep, you’ll find a great bit of happiness in hearing Voices In a Rented Room.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/01_Black_Bough.mp3]

Download: New Bums – Black Bough [MP3]

New Music from Scraper

scraperSeeing as there’s tons of punk rock all over town due to Chaos in Tejas, I think it’s only fitting that I put up some new rock n’ roll by Scraper.  The group has just signed on to release their debut 7″ on God?, which is the baby brother of Drag City.  It’s a fast paced jam, filled with discordant guitars, shouted lyrics and an old school bravado that I’ll always appreciate.   You want to unleash some pent up aggression? You’re not going to find a better track than this tune.

[audio:https://austintownhall.com/wp-content/uploads/2013/05/1-03-Electric-Hairpiece.mp3]

 

Yet Another New jam from Ty Segall

The hardest working man in indie rock is back at it again with yet another new single, this one preparing us for his upcoming record, Twins.  Personally, this is one of my favorite new Ty songs of the last year; I like the way it opens up with chilled female vocals before Ty bursts in with his usual squall of guitar noise.  And, while it would be easy for the female voice to disappear, Ty keeps it in there to counterbalance his own whaling.  This is probably the best he’s written in all year.  You can pick up Twins from Drag City on October 9th, or pick up the 7″ with this featured tune on September 4th.

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Old Jam (but new to many) from Silver Jews

Make no mistake about it, Silver Jews has definitely left a mark on the indie scene, especially considering the line-up of Dave Berman, Stephen Malkmus and Bon Nastanovich–they’re the only ones playing on this track.  Drag City is digging deep and releasing Early Times on June 19th, which is comprised of tracks from the group’s early EPs.  Just listening, you’ll notice the recording isn’t necessarily the best, but that’s what makes it such an interesting song, as it contains the talent the band went on to display, but also those tiny imperfections that endeared us to Berman and Malkmus in the first place. Hope you like it.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/1-06_Secret_Knowledge_of_Back_Roads.mp3]

Download:Silver Jews – Secret Knowledge of Back Roads [MP3]

New Music From Ty Segall & White Fence

It seems that we have another super group on our hands that everyone should be pumped about in the form of ATH favorites Ty Segall & White Fence.  The guys have an album coming out as a duo on April 24th via Drag City entitled Hair.  Until then, here’s a first taste of the new collaboration with this sweet new tune “I Am Not A Game”.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/02-I-Am-Not-A-Game-1.mp3]

Download: Ty Segall & White Fence – I Am Not A Game [MP3]

New Slow Jam from Ty Segall

I’ve raved about Ty Segall for quite some time, and many assumed he would take the place of dearly departed Jay Reatard.  All signs pointed to this, that is until recently when he began to mention a slower approach to his songwriting on the his new record.  Goodbye Bread will be out June 21st, and it will be his first for Drag City.  This first single from the album shows exactly what Ty promised, using a more drawn out garage sound, similar to the slew of T. Rex covers he tossed out not to long ago.  This track’s all well and good, but we’ll have to wait for the jury to return when the whole collection of songs hits the streets this summer. Give a listen to a less rambunctious Ty below.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/Ty-Segall-You-Make-the-Sun-Fry.mp3]

Download: Ty Segall – You Make the Sun Fry [MP3]

Bill Callahan – Apocalypse

Rating: ★★★★☆

Listening to a record from Bill Callahan can often be a daunting affair for all, as his songwriting is superb, but often overshadowed in his work by his abilities as a wordsmith.  Once you indulge in Apocalypse, it’s definitely going to be difficult to find your way out, which is precisely what makes this one of Bill’s strongest releases to date.

Kicking off the album is “Drover” and the lyric “the real people went away/I’ll find a better way someday.”  If you’re looking to unravel Bill’s meaning, especially in regards to the themes within, you’ll probably begin to think Callahan is trying to reclaim America for himself, for his types.  It’s such a beautiful idea, expressing hope amidst a country that’s possibly in decline.  Toss this in with the strumming of the guitar, the occasional string flourishes and light percussion, and surely you will recognize what a strong track this is.

“America!” doesn’t stray too far from this theme, though the discussion seems to reflect upon the great exports of our world from a man missing his homeland, though when referencing someone like David Letterman, it’s difficult to see how seriously we should take the lyrics.  The song itself uses sort of a carnivalesque stomp and some cascading guitar solos to move everything along, all the way to cacophonous end.  It’s odd, as it leads right into the softer “Universal Applicant,” a track that utilizes a hint of flute beneath a shaker of sorts, yet this isn’t the entire story of the track.  A light-hearted guitar chord takes over a few minutes in, with some extremely minimal drumming, providing the track with a bit of an emotional boost, while Callahan sort of walks his lyrics through the rest of the number.

After so many spins, it’s hard not to fall in the love with the latter-half of this album, one of the strongest statements of Bill’s career, in one man’s mind.  “Riding for the Feeling” sort of hovers over the guitar work, clinging to gentle stringing and some careful arrangements that bring the story of Bill’s world in the Apocalypse to life.  It’s pointless to influence you with thoughts on emotional meaning, as each listener will surely bring their own interpretation to the table, but regardless, you’ll want to play this song again and again. Then skip ahead to “One Fine Morning,” nearly 9 minutes of Bill Callahan writing at his best.  Heading out on his journey, Bill seems to be looking over the landscape of America just as much as he’s looking back over his life.  Amidst the quiet dance of guitar strumming and piano, he seems to realize that he, like us all, has to confront “the hardest part,” hoping that when it all comes to an end, there will be a little sun left on the horizon.  It wraps up a wonderful album, by wrapping up a wonderful track.

“One Fine Morning” serves as the final statement here on Apocalypse, and while the record might slowly fade into the background, you’ll reach over and immediately play it all over again.  Slower pacing seems to suit Bill Callahan, his voice especially, allowing him to give us an honest account of his thoughts in a way only he can pull off.  Nothing more needs to be said; it’s just an endearing listen from start to finish.

[audio:https://austintownhall.com/wp-content/uploads/2011/03/Bill-Callahan-Babys-Breath.mp3]

Download: Bill Callahan – Baby’s Breath [MP3]

Apocalypse is out on Drag City on 4/5.

New Music from Stereolab

So, while we were out performing our ACL duties, we neglected to notice that there were still things going on in the rest of the music world.  Luckily, I was able to catch up by heading over to MBV, and those kids had tossed up a new track by one of my faves, Stereolab. The group has a new record titled Not Music coming out November 16th on Drag City.  Rest assured, it is music, and if you’re a fan, you’ll have to admit, it’s pretty much always good music. You be the judge folks.

[audio:https://austintownhall.com/wp-content/uploads/2010/10/stereolab-sundemon.mp3]

Download: Stereolab – Sun Demon [MP3]

New Tunes from Bill Callahan

billWe know this is a few days late, but seeing as we were busy enjoying SXSW, we didn’t have time to throw this up right away, which is a shame because we love our fellow Austinite, Bill Callahan.  This track is off his forthcoming record Sometimes I Wish We Were an Eagle, which hits stores April 14th on Drag City. 

[audio:https://austintownhall.com/wp-content/uploads/2009/03/bill-callahan-eid-ma-clack-shaw.mp3]

Download: Bill Callahan – Eid Ma Clack Shaw [MP3]

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