Being Dead Release Nightvision Single

For those just now catching onto the Being Dead train (where ya been folks?), this new single is precisely one of the reasons we hold them in such high esteem. They tease you into their works, nearly 45 seconds of playful strum and vocal harmonizing to welcome you to the fun. Just then, that strum drops in with the perfect drum beat, and the song consumes you with this nostalgic bit of brooding pop; they don’t shy away from their natural inclination to have fun, painting little inside jokes between the masterful bend and break of Falcon Bitch’s performance. And, like many of their pieces, they don’t overindulge, giving you just enough of a taste that you walk away wanting more…and you’ll get more when they drop EELS on September 27th via Bayonet.

Being Dead Share Van Goes Video

Returning with another batch of tunes after last year’s excellent When Horses Would Run, Being Dead still seem to be growing in confidence and promise. This tune kicks off with this driving rhythmic push instantly caffeinating your listen; they work to indulge their whimsical side by interlocking the vocalists, trading hooks back and forth with one another, all of it to the song’s snappy beat. And, just as you think they’re pushing you towards the top of the musical hill, they take a wild left turn and change directions, forcing you to keep pace. This makes their musical craft interesting, but also allows for a lot of that playfulness to carry over into their live sets. EELS will be released on September 27th via Bayonet Records.

Being Dead Announce Eels

When Horses Would Run hasn’t even been out one year, yet Being Dead is ready to return with a brand new batch of tunes to bang out across America. Having watched the band for years (and maybe putting out a 7″), the first 45 seconds or so completely encapsulates why they’re so endearing; they pummel your ears with these huge riffs, yet while you rock, you’re completely caught off-guard by their ability to seamlessly blend in hook after hook after hook…just listen to the directional change at 52 second mark. They continue with their non-linear songwriting, moving in a more melodic folk group direction around the 1:02 mark, before soaring through those distorted metal riffs as cymbals shatter in the distance. It all melds into this slow draw that closes, giving the listener a moment to absorb and reflect. But, if you’re catching them live, as you’ll be able to this Fall, they won’t give you that rest, as they’ll be bounding off into another song before you can catch your breath. Look for Eels via Bayonet on September 27th.

Last Week’s Jams (3.25 – 3.29)

A lot of really great stuff popped up last week, and we did our best to be on top of as much as we could, though admittedly, it’s a bit of a busy season on our parts (life wise). We were stoked to hear some stuff from Austin homies in the Juniper Berries and Strand of Oaks, both offering great new music you’ll love. Zero Point Energy dropped another tune from their exciting debut, as well as new music from Writhing Squares that sees them stretching our expectations of their sound. Plus, got to finally circle back on some things that had been waiting, like Crumbs, System Exclusive and Climax Landers. Oh, and we ran a Rock n Recipes with our friends in Outer World, so be sure to check it. A few acts like Goosewind and Jetstream Pony didn’t have their stuff up on streaming, so be sure to give it a listen if you’d like.

Eels Shares Goldy Single

I know this new Eels track popped up yesterday, but I’m circling back on this one as it gives some of the songwriting credit to my good old pal Tyson Ritter. Mark E. says Ritter has become one of his ‘favorite, weird, eccentric and imaginative collaborators,” which resonates as I remember a teenage Ty spending hours watching Super Furry Animal videos and exploring anything he could. The song’s solid too, with this heavy wash that rides throughout it; I love how every note from E’s voice just drips with this emotion that seeps right into your skin. You’ll find this track on Eels Time, the new Lp that drops on June 7th.

Upbeat Number from Eels

Yep, you read that right. This new single from Eels, one of my favorite acts is definitely an upbeat number, though Mark’s voice still has that distinct churn. The guitar sound here seems to harken to a sunnier side of the songwriter’s catalog, and the added arrangements provide an extra bit of spirit. On the subject matter, it seems Everett is in a reflective mood, promising that “today is the day;” there’s no looking back anymore. Really looking forward to hearing the entirety of The Deconstruction; it drops on April 6th.

Light Folk from Amaroun

amarounWhen names like Eels and Sharon Van Etten get thrown into a presser, I’m going to pay attention. Amaroun does definitely have some similarities, particularly in the slight gruff quality that spreads from her voice, but the music here seems far more intimate. There’s power in this song from the get-go, but it spreads and blossoms once the backing accompaniment fills in some of the sparse moments, swelling with these intoxicating moments that make it hard to pull yourself away. This single is her debut, so look for more from her in the future.

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ATX Spotlight: Benjamin Cissner Readying Album

12241698_907663649310191_6124699712053618704_nAttention Austin (and beyond)! Benajamin Cissner needs your help. He needs you to listen to his music. Well, he doesn’t need it necessarily, but you do! You really really do. All those of you in love with introspective singer-songwriters will not find anything better this year. Think of artists like sad Beck or Eels, but with a more poetic lyricist (at least in comparison to Beck). This song has a little bit of spirit to it, more upbeat than some of the other tracks you’ll hear on his debut Birds in the Night. This is just one of those albums that I feel comes across once in a lifetime, and it’s been created right here in Austin. Benjamin will be releasing his debut next Friday, March 4th, celebrating the beautiful vinyl release over at Barracuda. Stream the tune below. Press photo by Richard Casteel.

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Advanced Base Charms

owenI was only partially in love with Casiotone for the Painfully Alone, the early project of Owen Ashworth, but I’m falling more in more in love with Advanced Base, his new work. He’s recently put up a new single for his latest album, which reminds me of the perfect land where the worlds of Pedro the Lion and Eels meet; I’m particularly fond of the lyrical approach he takes in his writing process. Instrumentation is careful and purposeful, with every note seemingly placed within the song’s structure for the perfect mood affecting emphasis. Look for Nephew in the Wild on August 21st via Orindal Records, and just enjoy the brilliance of this tune.

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