Tag: fire records

Memorials Share Cut Glass Hammer

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Call me crazy, but I’m thinking that the new record from Memorials is going to be one of those albums you keep coming back to throughout the year. On their latest single, you can already hear the group flexing their work with textured synthetics, layering vocals and electronica atop one another, building in that propulsive manner that drew us all into the depths of Stereolab. Close ears will hear little flutters of noise and ambiance, illustrating the details the duo has put into their craftsmanship on this record, offering up more than your modern fare. Sing into the melodic buzz of this jam and prepare yourself for All Clouds Bring Not Rain, out March 27th via Fire Records.

Tropical Fuck Storm Offer Teeth Marche

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One of my favorite things about doing what I do here on ATH is being punched in the face by my own expectations. You think you know a band, you think you know what you’re getting when you press play, but then you get a band like Tropical Fuck Storm who just say “fuck you” and created art in the best way, just because it feel right. Their earlier singles from the forthcoming Fairyland Codex have mostly featured Gareth on vocals, delivering their sort of post-art-punk sound, matching his rhythmic delivery. “Teeth March,” on the other hand, has this natural unfurling, with these light guitar notes that feel like a red carpet being rolled out for singer Erica Dunn to present her storytelling. In that, there’s this little hip-shaking swagger lurking beneath, with a complete breakdown twisting the plot just a wee bit in the midst of the beautiful madness. Please grab a copy of Fairyland Codex on its June 29th release date, courtesy of Fire Records. And, they’ve got a few US dates at the end of June, including an ATX show at the Ballroom, so be on the lookout!

The Reds Pinks and Purples Sign with Fire Records

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We may as well stay in Oakland at this early hour, and since I missed the original announcement, it’s time we dedicate a little of our morning to the Reds, Pinks and Purples. Glenn Donaldson andhis conspirators have spent a great portion of the last few years working voraciously for Slumberland and Tough Love, but this week they announced a signing to legendary Fire Records. Their first release will be a compilation of rare tracks, which likely includes the tune below, as it had been up for a minute on the group’s Bandcamp page; there’s a debut LP scheduled for later in 2025, which I’m sure we’ll hear more about soon! Congrats Glenn.

Tropical Fuck Storm Share Goon Show + Sign to Fire Records

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Seems as good a day as any to spend some times overseas with Aussie outfits, and here we are again with Melbourne’s Tropical Fuck Storm. The band have just announced their singing to Fire Records, along with a slew of tour dates and a brand new single. Gareth Liddiard vocals in the first half of the song set the tone, his voice marching to the thump of the percussion, intermittently offset by the backing chorus of Fiona and Erica for angelic contrast. Liddiard seems to be stomping out his notes, hitting metronomic stride as he delivers a world-weary viewpoint for this “golden age of assholes.” Those familiar with the group’s performances might also be curious as to the pop accessibility of the tune, but worry not, your moment comes in the tune’s latter half, as they offer up a barrage of noise and left-turns. Keep an eye out for the band as they make their way Stateside in June/July.

RVG Return with Common Ground Video

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I am back with another piece in my ongoing series titled “Everything That RVG Does;” today, we have the latest video from the Aussie group’s forthcoming Brain Worms album. When I first heard this song, the guitar tones caught my ears instantly; they take on those Oceanic ringing notes perfectly. But, Romy drops in this great tonal change at the 1:39 mark, and I have to tell you that it’s one of those powerful moments you might not even notice until the 3rd or 4th time through. Blink and you’ll miss it, so go back. Honestly, the space left in this song to fill with emotive vocals really does the trick; it’s one of my top two tracks on the record. If you’re enjoying the one, don’t forget Brain Worms is out on June 2nd via Fire Records.

RVG Share Midnight Sun Video

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Are you tired of me talking about the new RVG record? Well, too bad! There’s a brand new single out today, which really encompasses the vibe that courses through the whole of the record. When the song drops in, you get this slightly jangling post-punk riff; it sets up the song’s underbelly, but that’s not really where the success of the tune lives. For me, Romy’s voice takes the track to this near arena-rock anthemic level; they push the chorus to these levels that drip with passion and pain, which is perhaps one of the reasons I’m so inclined to fall in love with their work. It’s like the whole of their new LP, Brain Worms, has just leveled up in your favorite video game; they’re at the top of the game, which you’ll hear when the album hits on June 2nd via Fire Records.

RVG Share Squid Single

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During SXSW I was fortunate enough to catch several bands more than one time; in some instances it was accidental, but in the case of RVG it was very much purposeful. They’re phenomenal live, with Romy’s passion on full display. Today, the band share their latest single, “Squid,” which offers a glimpse at the brooding darkness that courses through their new album. This song seems to beg listeners to avoid looking in the rearview mirror, albeit from the perspective of Vager as a squid. The band played this during their sets here in Austin, and it was definitely, like the recorded version, a powerful display that delivers a wallop to the listener’s ears. I still say the band is making indispensable pop music people will discover and discover again, years down the road, so don’t miss out and be sure you’re ready to grab Brain Worms when it releases on June 2nd via Fire Records.

RVG Announce Brain Worms + Share New Single

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I’ve been high upon RVG since I first stumbled upon A Quality of Mercy, and now that there’s officially a new record on the calendar, I’m ramping up my support once again. Based upon this first single, the group seems to have picked up where Feral left us, taking giant steps into huge anthemic pop rock, with just a few more hints at some sheen and polish coming through on the new record’s first single. The guitars drive the tune forward, but you can clearly hear the passion in Romy’s vocals, which I can’t wait to hear when its live at this year’s SXSW festival; it’s one of the things that makes this band so captivating. Really stoked to hear where Brain Worms takes; it drops in June via Fire Records.

Hater Return with Four Tries Down

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There are a lot of great pop bands out there at the moment, but I dare say there hasn’t been one as consistent and moving as Sweden’s Hater. They’ve just announced a new 7″, their first new music since last year’s Siesta. On first listen, I thought the opening two minutes were brilliant, using that sharp falling guitar line to contrast against the smokiness of the vocal delivery. But, then they offer up a little sonic exploration, releasing the tension just after the two minute mark, and I’ll admit, I was taken aback, surprised even. All of this to move towards a quiet close. The new 7″ will be out on Fire Records on September 6th with a few US dates to follow.

Our Indiepop Excursion Goes to Sweden with Hater

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All about that worldly indiepop sound, and Hater have been one of the finest purveyors of the genre over the last year or so. The Swedish act allow us to continue our journey around the world (already hit up Norway and Japan), not to mention they continue to grow in their songwriting. The first of the tunes from the bands forthcoming Siesta LP offers more of what they’ve given us at this point in their career; the latter tune has a little more sonic exploration, utilizing some horns to continue with the melody. The new record will be out on September 28th via Fire Records.

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