Cale Parks – Swift Mars EP

caleRating: ★★★☆☆

It’s funny that Cale Parks spent the majority of this summer touring with Passion Pit, as the member of Aloha seems in an entirely different league altogether on his latest, the Swift Mars EP, which is out now on Polyvinyl Records.   As a musician, he most well known as a drummer, but his usage of electronics and layering on this EP tells a story of a different sort.

We’re first presented with “Eyes Wont Shut,” a precursor to the electronic features on this album.  While the music doesn’t sound too far from many of his peers around the park, his stalled delivery of vocals here actually strengthens the beats beneath the track.  A warm chorus breaks into a throwback glam-dance as the song sparkles to and fro, until it comes to an end.

On “Knight Conversation” we find his understated vocals accompanied by a female counterpart.  While the music here isn’t entirely out of this world amazing, it does just enough to push the song to its focal point, which definitely has to revolve around the vocal duets going back and forth.  The strength of the song lies in this recipe.

“Crystal Air” hits the album at its peak.  Here we see Cale layering just as we know he does best.  Simple progressing piano walks along the song itself, with various electronic atmospherics entering from stage left.  Although you might strain to hear the vocals at some points on the song, and the album for that matter, you are definitely drawn into his barroom persona, somewhere between Sinatara and Patrick Wolf. “One at a Time” supposedly is the single from the album, but it isn’t as pronounced as a winner as some of the previously mentioned tracks.  Vocals sort of seem drawn out, and somewhat secondary.  It’s just not a strong effort, and an odd choice for a single.

“We Can Feel It” closes out the EP with a swirling set of combined noises, from steady drums to the bursting of bubbles as they boil.  It’s a new setting for the album, somewhat reminiscent of a more experimental Grizzly Bear, minus the remarkable vocals harmonies.  As it ends, you can’t help but think that Cale Parks has a clear path ahead of him to break new ground and accomplish great things as his musical career continues to blossom before us.

[audio:https://austintownhall.com/wp-content/uploads/2009/08/01-eyes-wont-shut.mp3]

Download: Cale Parks – Eyes Wont Shut [MP3]

ATH Interviews: Here We Go Magic

magicBefore their sold out show at the Parish, ATH stopped by End of an Ear in Austin on Tuesday for an intimate in-store performance by Brooklyn band Here we go Magic.  Shortly after the set, we had the chance to sit down with founding member Luke Temple to ask him a few questions about his newly formed band.  We talk about what it’s been like touring with Grizzly Bear, the future of his band, and tons more interesting tidbits.  Follow the jump to read our full interview with Luke Temple.

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Grizzly Bear @ The Parish (6/16)

grizzlybearIf you’re a frequent reader of our website, you know we’re peeing our pants in anticipation for the Grizzly Bear show at the Parish on Tuesday.  We love the band’s new record so much, we’re already calling it the record of the year so far.  The show should be made even more enticing for you concert goers as new ATH favorite Here We Go Magic will be providing opening support.  Tickets for this one have been sold out for quite some time so try to scalp your way in!  Doors are at 8pm.  Hottest song of the year is streaming for your enjoyment below.

[audio: https://austintownhall.com/wp-content/uploads/2009/06/02-two-weeks.mp3]

Download: Grizzly Bear – Two Weeks [MP3]

Free Sampler From Urban Outfitters

lstn5-logoHip clothing company Urban Outfitters are offering up a free 23 song sampler filled with some of the best acts from this year.  Crazy good track listing features singles and previously unreleased material from Phoenix, Delta Spirit, Grizzly Bear, St. Vincent and tons more great artists.  You can stream the sampler online or you can download it from the itunes store.  Here’s one of the tracks from the sampler by Crystal Antlers called “Andrew”.

[audio: https://austintownhall.com/wp-content/uploads/2009/02/crystal-antlers-andrew.mp3]

Download: Crystal Antlers – Andrew [MP3]

FT5: Albums of the Year (So Far)

0529top5coverAs we see it, we’re about midway through the year as far as record releases go, seeing as how no one really puts albums out in December for fear of being left off year-end lists. Since we’ve hit the half-way mark, we thought we would throw out a list of our Top 5 Records so far this year. Keep in mind, this list is subject to change, should something mind altering come our way, or should we just get bored with one of the following records.

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Here We Go Magic on Daytrotter

magicDaytrotter has just put up a brand new session with Luke Temple and Here We Go Magic. Lucky for the fans, this session has a brand new track to offer you, not to mention it has a few reworkings of other tunes from the band’s self-titled debut, Here We Go Magic.  If you like what you hear from this band, be sure to check them out on tour in Austin with Grizzly Bear in June.

[audio:https://austintownhall.com/wp-content/uploads/2009/05/03-collector.mp3]

Download: Here We Go Magic – Collector [MP3]

Grizzly Bear – Veckatimest

bearsRating: ★★★★★

At this point in the year, it seems pretty redundant to discuss this album, especially considering all the accolades it has received during the time in which the album leaked onto the Internet.  But, be that as it may, one really has to take a look at this album; you would be doing yourself an injustice to ignore Grizzly Bear at this point, and your record collection would be worse off for not adding Veckatimest to your catalog.

Even on the first track, it is hard to find negative commentary on the album, no matter how you wish to label this band and their hype.  “Southern Point” has various elements to the entirety of the song, be it ornate guitar picking or the back and forth piano work.  You’ll come to find that the various layers that were present during Yellow House have now been polished, to the benefit of every minute of the album.

Then comes the first single, “Two Weeks.” You could count this song as one of the best songs of the year, based merely upon the multiple layer harmonies that go throughout, but that probably wouldn’t do the song any justice.  Each layer of sound just seems to compile more melody as the song inches along like a caterpillar; the song builds with “ooh oooh oooh oohs” until the end, and when it’s complete, you feel a little bit worn out.

You find yourself two songs into the album, which most will prematurely title as best of the year.  From this point on, you cannot go back into the past; you cannot look back into the music of this year, for nothing will seem as complete as this album. Songwriter Daniel Rossen, who also fronts Department of Eagles, definitely has left his mark on this album, or at least you can see his maturity throughout the evolution of this album. What once seemed like quiet bedroom songs now have blossomed into full compositions, each worthy of standing on their own.

“Dory” seems like a simplistic enough song, but the magic in the vocal harmonies carry it above your average tune, into a new level of greatness few bands have yet to achieve.  “Ready, Able” has this brooding rhythm beneath the surface of the song, but with the intricate additions to the song, the tension is released, and the song courses on into one of the albums more beautiful moments.  “About Face” is the perfect song, with subdued percussion backing the song; the band has paid attention to the most minute detail, which, of course, makes each song stronger than the one before it.

You can hide behind the hype, declaring that the band is just riding the waves of popularity by the Internet popularity they’ve garnered, but listening to Veckatimest, you will truly see that Grizzly Bear deserves every kind word that was written about them.  Very few people will find that there is anything negative to say, and in that statement, you have the best album of the year.

[audio:https://austintownhall.com/wp-content/uploads/2009/05/08-about-face.mp3]

Download: Grizzly Bear – About Face [MP3]

ACL Lineup Announced

acl_lineup_adIt’s finally here.  You’ve been waiting all Spring; you’ve even bought your tickets, and now the 2009 ACL lineup is here.  I won’t lie, the headliners aren’t really doing anything for me, esepecially because of my extreme hatred for Dave Mathews Band.  But, there are some killer bands that will be gracing smaller stages that you’ll definitely want to check out such as Sonic Youth, Phoenix, Grizzly Bear, The Dodos, Passion Pit and the Walkmen.  You can still buy tickets for a measly $185 here.

Papercuts – You Can Have What You Want

you_can_have_what_you_want-papercuts_480Rating: ★★★★½

This appears to be the decade where people actively seek out the atmosphere of a quiet bedroom recording, as bands like Grizzly Bear and Fleet Foxes burst forth with warmth and comfort, the kind you would find beneath your Grandma’s quilt in your room. Unfortunately, Jason Quever and his band, Papercuts, have often been overlooked in the discussion, though few will feel that way when this record hits the streets.

You Can Have What You Want is the third proper full-length from Quever, and listeners will find that this is his most complete collection of songs to date.  The songs are the most fluid he has composed, and they seem to courageously go from one shining moment into the next. Melodies rise just as you thought they’d fallen away, and it all feels as if a master architect assembled the songs piece by piece; everything on this record feels absolutely right.

Jason’s vocals sound amazing this time around, albeit a bit underdone at points. Some will find fault with this approach, as you must surely dig deep into your listening experience in order to grasp the lyrics, but most will find this aesthetic quite appealing whilst searching for their favorite tune as they rearrange their closet by color.  Take “The Machine Will Tell Us So,” a song that meanders carefully through seas of organ and cymbal work, almost so quiet you can’t help but let wonder if the music is only in your head; then the chorus bursts in full of calming melodies, taking the song in an entirely different direction, though only for a moment.

Of course, Papercuts aren’t afraid to pick up the pace, at least musically.  “Dead Love” and “Future Primitive” are both set back to back, which may be due to the fact that each of these songs call for a bit of toe-tapping, though one must only do so in place, as the vocals are not begging you to move about. “Future Primitive” is the first single from the album, and features a lot of the elements of the rhythm section of Jeremy Jay, only with quieter lyrics, if you can imagine that. Sure, it’s a standout track, but almost every track here shines in its own manner.

The title track to the album, “You Can Have What You Want,” is just yet another example of how beautifully Jason shapes his songs; he is able to fill up empty space with bits and pieces of vocals and instrumentation, all pushing the song to the fullest potential.  Really, this is all one needs to ask of his or her favorite musician: can you get the most out of your song? The answer to that question, and in regards to this whole album, is a resounding yes! If you want something to listen to in your bedroom, this album may be the best one for your ear.

[audio:https://austintownhall.com/wp-content/uploads/2009/04/papercuts-you-can-have-what-you-want.mp3]

Download: Papercuts – You Can Have What You Want [MP3]

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