This is fine.
Creators of one of our favorite albums of the year, Department of Eagles, recently performed for the Daytrotter website. The set features 3 songs from In Ear Park along with 2 previously unreleased songs “1997” & “What is your Deal”. Listen to the live tunes now and find out why we are so high on this band.
Rating: 
Daniel Rossen probably receives the majority of his acclaim from his participation in Grizzly Bear, but as more people catch on to his side-project, Department of Eagles, that won’t last long. The band’s second album, In Ear Park, has enough bedroom beauty to take the acclaim to an all new level.
Much like his other band, Department of Eagles specialize in ethereal pop gems, catering to the changing of fall into winter. Every inch of every song seems so carefully crafted that one would find it difficult to recreate the moments that exist on this album, no matter how great an ear they had.
The first stand out track, “No One Does It Like You,” begins with an extra step, but quickly goes into subdued harmonizing vocals, reminiscent of multiple harmony bands such as Fleet Foxes. Layer upon layer is piled atop the song until the track completely transforms into perfection.
“Teenagers” is driven to fruition by delicately dark piano work, and the hollowness in the vocals seem to echo from the past, that is until the hand-claps come into play, carrying the song further, only to return to the lone piano work you hear at the beginning.
Amidst all those perfect moments come some dense atmospheric sounds, but they don’t necessarily detract from the album. In the strangest of ways it provides a haunting element to the album, deepening the emotional connection between the band and the listener. Each song progresses as they should, but each listen offers more and more, as layers reveal themselves to the listener in an unusually gratifying listening experience.
The vocals differ from those of Grizzly Bear due to the more personal touch Rossen has placed on this album, which is said to be due to the unfortunate passing of his father. As the album touches on the personal emotions of their own world, the listener, too, can dive into the subconscious where our own innermost desires and fears may rest. See “Floating on the Lehigh” or “Classical Records.”
Their is a quality to this record that is difficult to place. At times the songs are haunting, ultimately revealing themselves as gems. During other moments it’s touching, as harmonies are shared between listener and band. In the end, you might find that the overall beauty in this record changes depending upon what your ears and mind bring to the table; you might find that it surpasses pieces for which Rossen has already achieved great success. No other album is more fitting to the onset of winter.
