Tag: indiepop

Another Tune from Even As We Speak

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Somehow in the hubbub of Easter weekend I let this new single from Even as We Speak sneak right passed me. I’m aiming to rectify that, as it’s a really beautiful pop tune. It opens up with these thickened synths looped over heavy drum beats, with a guitar hanging out somewhere in the distance; it almost feels like the song’s looking back on the purity of trip-hop in the mid 90s. Then the angelic notes of Mary Wyer’s voice enter the scene and everything else fades away; this is one of those vocal performances you don’t forget. As the song draws to a close, a little ambiance and musicality is flexed…but I’m still thinking about those vocals. Another reason we should all have our heads turned towards Adelphi when it drops in June via Shelflife Records and Discos de Kirlian.

Kevin Hairs Share More Magic More Magic

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Like all of you, it’s been a struggle, just trying to wrap my head around this whole world we’re in at the moment. Luckily, Kevin Hairs tossed over his More Magic, More Magic EP a few days early, and honestly, it totally changed my attitude; this has been the best week for me. “Strange Jangle” has been out for a few weeks now, but it still has that fuzzy fun feeling, along with a message that seems to be about just letting it all go. “Fire the Choir” kind of reminds me of Hunx and His Punx, only spun through the lens of a fan of pop music; it’s charming and kind of gritty in its presentation. One of my favorite’s on this EP comes in next; I just loved the way the guitars were recorded on top of each other in “More Comforting,” matched by this seemingly discordant melody that is reminiscent of Sarah Records. But, it does have to battle with “The Day I Became a Dick,” which oddly enough seems to have a certain sense of swagger about its jangling riffs and cool vocal delivery…but another favorite. It all comes to an end with “Subdued at the VCU,” bringing in a little bit more rambunctiousness to Hairs’ insatiable pop blend. And just like that, More Magic, More Magic is over, leaving you with a super impressionable EP of joyous indiepop that allow you to celebrate life’s littlest moments…like a 15 minute pop record!

Sunday Records Offers Free Album

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The aptly titled Shelter album is being released for free by Sunday Records, in hopes of keeping your love for the purity of pop move strong while we all shelter in place. The Sugar World tune that opens it up is a flat out stunner of indiepop songwriting; it has this spritely bounce and this words like the wind vocals drifting through your speakers. Tracks from the likes of Day & Dream and Fawns of Love definitely up the dream pop ante, in case you were wanting to listen and let the day drift away from you. Plus, nice to hear The Memory Fades do an acoustic version of “Listening to the Marychain.” It’s streaming below, but remember, just because its free doesn’t mean you can’t throw a buck or two to the label!

Jetstream Pony Announce Debut Album

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Jetstream Pony announced themselves to the world with the incredible Like You Less/Had Enough 7″; they followed that up with the excellent Self Destruct Reality EP and a few more singles. But today is the day we’ve all been anxiously awaiting, as the band announce their self-titled debut LP! A slight angular guitar opens the scene before a wall of distortion comes crashing through your speakers, carefully balanced by Beth’s cooly delivered vocals; Shaun helps add further balance with his deeper vocal notes adding in a perfect foil. While it’s easy to get swept away in the perfection of guitar pop, what I love is how much space the band leave in between; they’re savvy vets, not rushing to fill every second of the song, allowing you to just get lost in the wash of dazzling pop noise. Their self-titled record will be out later this year via Shelflife Records and Kleine Untergrund Schallplatten.

Gary Olson Announces Solo Debut

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Tapete Records is becoming a powerhouse for some of the best indiepop in the world, so it should come as no surprise that they’ve grabbed onto Gary Olson of Ladybug Transistor for his debut solo record. Our first listen has that classic pop vibe, using huge sweeping string accompaniment to add textured layers to the gentle strumming of the guitars. As if that wasn’t enough, there’s this delightful skip of energy around the 2:40 mark, adding a slight boost before riding off into the song’s proverbial sunset. This feels like the perfect way to daydream through the rest of your Friday; look for the record to drop May 29th.

Sleuth Share Sick Days Video

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While “Sick Days” was likely written before this coronavirus pandemic, the new video from Sleuth comes at an apt time, particularly in the way it was recorded, with each member filming while in isolation. You’ll likely find some similar ground if you’re laying low and staying safe. Musically, the song has this casual bounce at the get-go, like happily plodding along and telling stories with an old friend. At the 1:16 mark, the song jumps off and gets a touch boisterous, using gang vocals to build up the song’s exuberant nature. It’s a great song, with a relatable video; you’ll find the track on their new album Gold, which is scheduled to drop on May 29th via Lost Sound Tapes/Jigsaw Records.

Stream The Hannah Barberas Into the Wild LP

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I don’t know about you, but my hypochondria/anxiety are full on at the moment, so I’m going back to my comfort zone…the tried and true indiepop I adore. Luckily, we’ve got Into the Wild, the just released LP from the Hannah Barberas, blanketing me in charms and melodies. I love that the band have a distinctive sound for the genre, which seems to be as diverse as possible within the confines of their influences; they bounce around, trade vocalists, share vocals and ultimately provide you with every direction one would like to see things go in the realm of pop. My favorite tunes are “Our Girl is Gone” and “I Like You in Blue.” The new album is available via tons of great people like Subjangle/Gazer Tapes/Doo Lang Records.

That New Young Scum Single

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One of my favorite LPs of the last few years is the self-titled Young Scum LP. The band have been mostly quiet since its release, at least musically speaking…until this last week when they dropped a brand new single. Indiepop fans will fawn, particularly with the natural hop that goes along throughout the song; it’s part rhythmically propelled and part of the circular jangle of the guitars. There’s comfort in the warmth of the vocals too, which seems particularly important in the world today; I just wanted to get wrapped up in this song, and hope you do too. As of now, it’s just a single, but a reason to celebrate nonetheless.

Lost Film Shares Baseball

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Did I mention how much we love Lost Film? I put Zero Summer as one of my favorite indiepop releases back in 2019, and Jimmy and his guitar pop work are back with a brand new Between Melting and Freezing EP. As always, Hewitt manages to make the mundane seem extraordinary; here, he’s talking about his adoration for baseball. It’s tied up in this really catchy drum beat, which really serves as the song’s focal point, aside from the lyrics. Sure, there’s some atmospheric notes swirling around the two like pop vultures waiting to swoop in, but they never seem to interfere with the simple hooks of drums and vocals. This release should be out pretty soon via Utility Tapes.

Morningwhim Share Most of the Sun Shines

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I couldn’t imagine a better way to start your day then to plug this delightful track from Morningwhim, the next release from Fastcut Records. This Japanese quartet seem steeped in the history of pop music; they bring delighting harmonies from every corner of this track, taking the song’s title and shining most of the sun on the listener. The circular jangle that crafts huge emotional swells is omnipresent; it’s steadied and purposeful, serving as the perfect backdrop for the sugary drip of the vocals. Man, such a charmer. This song appears on a 7″ that will pop up on Record Store Day.

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