Tag: indiepop

Autocamper Share Red Flowers

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While the opening track on Autocamper‘s new LP offered a slight nod to the Pacific Northwest pop of the 80s/90s (and beyond), their new single switches up singers, giving us a glimpse at how diverse the group’s new record will sound. Niamh takes vocal duties, sprinkling in the softer side of the pop spectrum; it’s a drifting little melody, hanging in the air as guitars and keys churn out the joy you need in your life. In a sense, it reminds me of the Allo’ Darlin, sharing a consistent charm from the song’s start to its finish. Their debut What Do You Do All Day LP will be part of the great summer releases from Slumberland; it hits on July 11th.

Jeanines Share What’s Lost Single

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Strange that I made a Jeanines allusion in an earlier post, and here we are with another track from their forthcoming LP…which makes today all the better. This song starts with a solid stomp from the drums, letting the track establish some sturdy footing as it soars into pristine pop perfection. Alicia’s voice is just a sparkle of sunshine, and even as she delivers the monosyllabic “la la la” you can’t help but swoon before the sheer magnificence. It’s brevity is my only complaint, as a song executed this wonderfully should be on repeat for the rest of the day. How Long Cant It Last is out on June 27th via Slumberland Records.

Stream New Music from Strawberry Whiplash

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If you are on the hunt for songs that you’ll want stuck in your head, I have a feeling you’re going to be in the right place today, especially when you click on this new Strawberry Whiplash tune. It’s another single from their forthcoming LP, which is still being mixed and such, but boy, if you don’t love this tune I don’t know what to tell you. You’d probably lump it in with modern indiepop, but there’s also something nostalgic and Sarah-esque about this ditty; I think Laz’s penchant for clean pop sounds perhaps just makes it a little more pop forward, which I promise you I love just as much. No word when the LP will be polished and ready, but this song has some other tracks attached, courtesy of Matinee Recordings.

Lost Film Return with Pilot Light

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It’s been a couple of years since Jim Hewitt’s Lost Film project has thrown anything our way, but let’s hope that, like the song title, this track is the ignition that gets more grooves coming our way. Personally, I love his adherence to the bouncier brand of indiepop here, with that sound building it’s own energy in the snappiest of fashions. While there’s certainly a driving spirit, the vocals come across the speakers like a really cool breeze, fluttering softly but with enough cool to soothe all that ails you. This song wouldn’t be out of place on a playlist with the likes of Beach Fossils or Ducks Ltd., so if that’s your vibe, then this is your (and mine!) jam.

Jeanines Announce How Long Will It Last

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There’s something strange afoot this week, with an abundance of pop music coming out our way, though if we’re being honest, a new Jeanines LP might just be the highlight of week! This go round, they’re taking on a tumultuous world; it’s one rife with changes, and as such, the band are embracing the deeper meaning in their lives and their work. That said, you wouldn’t know it by listening to this lead single, quickly bouncing right into reflection with lines like “I want to lay in the grass with you/watch dead leaves turning green and new,” illustrating that despite trials, there’s a brightness in the future. And, all of this gets put to task with their sharp guitar lines and Alicia Jeanine’s punctuated delivery. I always marvel at how their songs seems so long, yet they barely ever stretch over 2 minutes. If you’re interest is piqued, they’ll drop How Long Will it Last via Slumberland and Skep Wax on June 27th.

Brideshead Return with You Are the Light

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For a band with 30 years under their belt, it seems like Brideshead are just peaking. It’s been nearly ten years since their last proper release, but this new single illustrates their ability to work into the confines of both classic indiepop and more modern mixtures of the indie sort. After a little snap of the drum sticks, the track immediately cascades into this brilliant bit of heavy jangling, letting the coolness of the vocals push through the speakers. Where they could just rinse and repeat, the group choose to take on some of the dreamier elements of their peers, incorporating it into their more spritely nature, which gives a buzzing hum beneath the track’s mixture; it’s the perfect pop concoction, and you won’t be able to stop playing this song (or so we all hope!). They release You Are the Light via Shelflife on May 23rd.

Allo Darlin’ Are Back

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I definitely didn’t expect to be uttering the above words any time soon, or admittedly, maybe ever again. That said, I couldn’t wait to get up this morning and get your ears on this brand new Allo Darlin’ single. They’ve not had a proper full length in over a decade, so hearing them is a refreshing reminder of how great the act were, and now are all over again. You’ll hear an immediate lightness to the song, almost with a muted bit of jangle, all waiting to unfold with the melodic notes of Elizabeth’s voice; I didn’t realize how much I had missed it. I love the way the tune lightly hops and skips its way along down the line, with just a hint of a little playful boogie, delivering a delightful earworm. Hopefully there’s more on the way; this tune comes courtesy of Fika Recordings.

Pale Lights Announce Mini LP

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Through the years we’ve happily covered the work of Phil Sutton and Pale Lights; we were even fortunate enough to work with him on one of his Love Burns solo efforts. There’s news of a new mini LP coming our way, and our first listen is as delighting as we’d expect from Phil and company. A quick jangle kicks things off before the tune jumps into a full-on gallop, popping up on the backbone of some quick cymbal play and the angular strummed notes. Sutton does his best croon, coating the track with his heavy melody that you can’t escape; he even gets a little backing nod from one of his female counterparts, only maximizing the joy as an organ plays out in the distance. Can’t wait for us to hear the entirety of the new LP; it’ll be out later this Spring via KUS and Jigsaw.

Bubblegum Lemonade Share To Leave Is to Die a Little

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It’s a jangle out there folks, and what better way than to circle back and indulge your sweet-tooth with the hook-laden pop of Bubblegum Lemonade. On this new single, the jangling riffs are definitely in full-effect, but the playfulness that Laz always employs seems to come in the backing vocal style that cruises through this track; it provides the perfect accent to the major melodic hook, and only proves to me how much joy this group brings to the table. The tune even gets a little fleshed out vocal breakdown with Laz’s counterpart, adding yet another layer to his delectable craft. This song appears on Lawrence of Arabia, which comes out via Matinee Recordings on November 6th.

The Chairman Dances Share Hadn’t Tried

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With Evening Song on the near horizon, I’ve been anticipating more little sprinkles of pop from the Chairman Dances, and that day has come with “Hadn’t Tried” looking into a kind of matured indiepop vibe, akin to what Voxtrot have been doing with their work of late; there’s an elegance that goes beyond the shimmering texture and studied bounce. For me, the success hits just near the 1.5 minute mark, as the vocals soar, with perfected backing vocals layering the melody. Musicianship with this outfit knows no limits, as they take the song’s latter half and spin it into this open expanse of jazz-inflected grooves, solidifying their peerlessness on this side of the pop realm. Evening Song is out October 11th.

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