Tag: indiepop

Jeanines Share Don’t Wait For a Sign

Leave a comment

It’s only March, and it seems like my record collection is being dominated by the excellent year Slumberland Records is putting out…and the Jeanines new LP might just be the icing on this early 2022 cake. On this go round, the band sort of swoosh their way into the melody, sort of creating this sideways shimmy that has you pulling off some hipster hand jive with one leg jerking this way and that. The emphatic stomp of the drums punctuates Alicia’s vocal deliver, teasing what might otherwise be deemed a chorus. I love the tempo and directional twist just before the 1 minute mark, sweeping in with this charming refrain of endearment: “you’ll find me here.” Don’t Wait for a Sign is out on April 22nd via Slumberland.

Jeanines Announce New Album, Don’t Wait for a Sign

Leave a comment

This is the best Wednesday news I never expected! New Jeanines! The band today announce Don’t Wait for a Sign, doing so with a spritely pop ditty to hum in your head all day. There’s this timelessness in Alicia’s performance here, her voice rising and falling, always hitting the perfect pop notes. Those looking for the perfect piece of indiepop won’t find a better tune nodding to the past and living in the present of the genre. The brevity is perfect too, as you can circle back and fall even further in love with each repeated listen, as I’ve been doing the last hour or so. Don’t Wait for a Sign is the fifth release from Slumberland Records this year, and the fifth that’s certainly going to end up on my shelf; the hits just keep on coming.

Salt Lake Alley Share I’m Always Near

Leave a comment

There’s a certain brand of indiepop that always makes me think of discotheques after with fun lighting and easy flowing booze; I see myself in this scene, arms flailing and kicking up my feet on the dance floor while wearing a shit-eating grin across my face. I think of bands like the Lodger, and now I’m thinking of Salt Lake Alley; the Swedish duo with my favorite track of the week dropping today, courtesy of Shelflife. Just listen to the jangling guitars and the way they immediately get your toes tapping, coyly teasing you to join in on the fun in this tune; it’s like listening to the prime-era Smiths, except you know that this band isn’t full of shitty humans. You’ll find this track on their new LP, It Takes Two, out later this year.

Skep Wax Announces Under the Bridge

Leave a comment

I’ve made no secret of my affection for Sarah Records, so it’s great to see that our friends at Skep Wax (partners in our Swansea Sound release) are rekindling the Sarah flame with a new compilation, Under the Bridge. There’s 14 songs, many with original Sarah Records acts like Secret Shine and the Orchids, releasing exclusive content specifically for this compilation, with a few related acts like The Catenary Wires and Jetstream Pony also being thrown into the fray. I love that the collection points at what all these bands are doing now, rather than continuously praising them for all they’ve done before (but read that Bandcamp Guide HERE). Hopefully these new recordings give you a glimpse at what you may (though hopefully you didn’t!) have missed over the years…all leading up to the release of the LP on March 18th.

Nah Offer The Useless Model

Leave a comment

I’ve long enjoyed the bouncing pop bravado from Estalla Rosa and Sebastian Voss, aka Nah, so we wanted to be sure we gave their newest single a shout out as we got our feet back under us. Jangling from the get-go, it’s hard not to fall for the stuttering pop, particularly when Rosa’s vocals come in with this feeling like collapsing into a bed of down feathers; it’s the perfect foil for Voss, who has a hint of David Gedge going on in this rendition, particularly when he takes the lead. I love how all the vocals seem to work against the rushed jangles, creating this drastic spin for the listener that certainly will have you reaching to press play one more time!

Artsick Share Ghost of Myself Video

Leave a comment

I know we’re all clamoring over year end lists for 2021, but please, reserve a spot in next year’s list for Artsick; the band have only dropped two singles from their forthcoming LP, but already I’m saving it a place. This is the sort of frantic ramshackle pop meets punk that got me to jump ship full on into indie rock. It only takes 20 seconds for the waves to wash in and bring thumping drum work; the rhythm section drives the tune forward, bouncing it while Christina’s voice soars atop. Backing vocals also aid in delivering a satisfying bit of infectiousness, guaranteeing the song sticks in your brain all day long! Plus, the video should get bonus points since it was directed by Christina, who also is the sole character in it; I mean, can you direct a video and star in a video, all for a song you wrote?! That has to create some sort of black hole. Regardless, Fingers Crossed is out on January 21st via Slumberland Records.

Another Track from The Reds, Pinks & Purples

Leave a comment

I haven’t written my Best of 2021 yet, mostly out of laziness. But, you can be sure that one thing that’s going to pop up on it is Uncommon Weather from The Reds, Pinks and Purples. That being said, Glenn Donaldson and company have already turned around and prepared another LP for release in early 2022 (I think that leaves room for another LP at the end of 2022 too!). Today there’s another wonderfully subtle pop tune, such that it will cure whatever ails you today. There’s something about Donaldson’s voice that feels like a parent comforting a child, at least that’s the way I’d like to imagine. The soften vocals and light jangles seemingly point to a brighter horizon, even amidst grim imagery like my favorite line “walking in the rain/hoping it won’t stop.” Just please, prepare to empty your wallet to buy all the Donaldson tunes in 2022. Summer at Land’s End drops at the end of January via Slumberland/Tough Love.

Salt Lake Alley Announce It Takes Two

Leave a comment

The year’s had some great pop tune, though I’ll be honest, as I’m not quite sure that anything’s really delivered the supreme jangle that I deserve! Well, that all changes today when Salt Lake Alley announce their sophomore LP, on Shelflife no less! From the moment you press play the guitars skate and shimmy, sort of skirting around you speakers as the beat bounces lightly in the background. I love how Mikael and Gustav seem to be trading off vocal roles on this song, adding this real dynamic punch that charms a pop fan like myself. Oh, and please please hang out just pass the 1:37 mark as there’s one hell of a guitar solo just waiting to make you swoon over the hooks. Their new LP, It Takes Two won’t be out until 2022, but you can enjoy the first sample below!

Stream Crabber’s Latest LP, Who Let the Ducks Out

One comment

We’ve covered German outfit Crabber since their first LP a few years back, and, well, I feel like I’d be remiss if I didn’t encourage you to take a peak at Who Let the Ducks Out, the band’s latest LP. This go round, you can start with a little nod towards the crisp jangling pop of the Lucksmiths on opener “Climb Into My Mind,” and its a sound that pops up throughout the whole of the LP. But, you also get a bit of a heavier edge, a la early Boyracer, albeit with a push towards the more melodic; you can just listen to “A Kind of Tragic,” to get where I’m coming from here. Each time I listen, a new reminder pops up, so let me sum it all up for you. This new record is specifically for those who love Field Mice, Lucksmiths, Buzzcocks and Boyracer…then all the various bus stops in between. Seriously, just stream this album; its available via Jigsaw Records!

Pleased to Meet You: Humdrum (ex-Star Tropics)

4 comments

When Star Tropics quietly called it a day, it left Loren Vanderbilt sitting with a slew of songs and nowhere to take them, so he started up a new project titled Humdrum. Today you get to sample the first single from the forthcoming album, and if you don’t immediately feel yourself swooning, please have someone check on you. Churning jangles are greeted by sharp drum work, leaving plenty of space for Loren to let his voice drift and dance atop the mix. One of the big reasons I love this tune is the clarity in the production, particularly Vanderbilt’s voice; it’s got a very slight hint of atmosphere to it, but for the most part you’re getting this clarity you don’t always get with this genre, illustrating that there’s plenty of melody coming down the line. As of right now, this is just a little sample, but we’ll keep you posted as we find out more about the album and its release!

1 … 5 6 7 8 9 … 46
Social Media Auto Publish Powered By : XYZScripts.com