Show Preview: Islands @ St. David’s Church (2/17)

Date 2/17/12
Location St. David’s Church
Doors 8pm
Tickets $13 @ Frontgate

Man Friday is really shaping up as one of those nights in Austin with so many live music choices that your head just might explode.  One can’t miss choice would be getting some tickets to see now legendary indie band Islands at St. David’s Church downtown.  Not only is the venue a once in a lifetime type deal, Nick has always been one of the best front men in the game.  Opening support is provided by Idiot Glee.

[audio:https://austintownhall.com/wp-content/uploads/2011/12/Islands_-_This_Is_Not_a_Song.mp3]

Download: Islands – This Is Not a Song [MP3]

Great Gem from The Mary Onettes

I’ve never wavered in my adoration for The Mary Onettes, and with the upcoming Love Forever EP, it looks like I won’t have to change my position.  You’ll probably notice a slight change if you’ve been following the band, though that’s not necessarily a bad thing.  On this track, there’s a bit more of a studio polish to the daunting pop number, giving more clarity to the lyrical element than you might have found on previous effort Islands.  You can find this track, and three others when the EP debuts via Labrador on February 28th.  Try to hate this song; you just can’t.

[audio:https://austintownhall.com/wp-content/uploads/2012/01/01-Love_s-Taking-Strange-Ways-1.mp3]

Download:The Mary Onettes – Love’s Taking Strange Ways [MP3]

New Mellow Jam from Islands

After the release of the Human Highway record, featuring Nic from Islands, I truly expected a lot more of a mellow approach to singwriting.  But, then Nic went out and threw Vapours at us. It’s not that I minded, but I was looking forward to a more contemplative side of the man, which might be what we’re getting when Islands release A Sleep and A Forgetting on February 14th via Anti- Records.  He seems calm here, willing to lay down a great harmony to build the song around.  He’s great when he’s spastic, but this is an interesting touch on an ever-changing career.

[audio:https://austintownhall.com/wp-content/uploads/2011/12/Islands_-_This_Is_Not_a_Song.mp3]

Download: Islands – This Is Not a Song [MP3]

Mister Heavenly – Out of Love

Rating: ★★★☆☆

What do you get when you take 1 part Modest Mouse, 1 part Islands/Unicorns, and 1 part Man Man? Well, the ultimate supergroup in my opinion; you get Mister Heavenly. Out of Love is the name of their first work together, and while the edgier voice of Ryan Kattner might not seem like the best fit for Nic Islands, it’s a surprising juxtaposition, leaving listeners with an abundance of solid tracks.

When Nic begins the brief verse for “Bronx Sniper,” you wonder just how his notable pitch will fit with Kattner’s banging style.  Once Ryan joins in, you can rest assured that the two fit well together, with Nic’s tendency to exaggerate his vocals at times blending interestingly with his throatier counterpart.  If you were looking to see how the two would fit, this isn’t the best example, as “Mister Heavenly” seems to be the best statement from the group of Out of Love. Ryan begins with his organ-stomp, but then Nic throws in his smooth delivery and a nice guitar line.  When you expect Nic to burst forth on the chorus as he would with Islands, instead you find Kattner.  And back and forth they go, successfully.

Perhaps what seems to have worked best for Mister Heavenly is that the group seems to have reawakened Nic’s noisier side, as he hasn’t seemed this endearingly frantic since the late days of Unicorns.  His last few releases have seen him become really polished, cleaning up his delivery a bit.  But, he’s always had this dark side, which you really get to see resurface on songs like “Doom Wop.” There’s a coat over the vocals, yet you can still hear both singers belting out their lines distinctly.  It’s a revitalized energy that longtime fans will be happy to see. Also, Ryan does deserve praise at this point for his own vocal range, which seems to be go anywhere he wishes (see “Diddy Eyes)–to great effect.

And at the heart of the whole project for Out of Love is Joe Plummer, the group’s unsung hero.  All those familiar with both Islands and Man Man will surely be aware that the groups have vastly different styles to songwriting, so you’ve got to have a solid kit-man to hold it all down, and Plummer does a great job keeping the group together.  Each member tosses his style in and out of every song, with those dirtier piano based parts coming from Kattner, and Nic’s penchant for stellar guitar hooks, so Plummer’s ability to keep it all sounding tight is with a doubt the band’s saving grace.

There’s a gem here and there, like “Pineapple Girl,” living on the higher pitches, but one thing that might hold back praise from some is that there’s nothing outstanding.  Every song written by Mister Heavenly has the potential to be extraordinary, but it’s mostly standard fare, which is sort of a letdown. You want everything to be incredible, and instead it’s all just good.  That being said, there’s not really a throwaway track on Out of Love, so the group has that going for them.  Who knows where they’ll go from here, but as of now, this is a solid start for a much-hyped supergroup.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/Pineapple-Girl.mp3]

Download: Mister Heavenly – Pineapple Girl [MP3]

Show Review: Islands @ The Parish (7/6)

Many people were over at La Zona Rosa last night grooving to Edward Sharpe, and I get the attraction–there are some good tunes there.  But, for me, it came down to choosing the guy from the Unicorns, not the guy from IMA ROBOT (Edward).  On top of that, I have to admit that its hard to dislike anything Islands do.  Follow the jump for the full review and fancy photos.

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Islands @ The Parish (7/6)

Date Tuesday, July 6th
Location Parish
Doors 800p
Tickets $10 HERE

When haven’t we been fans of Islands?  Since the split of his old band, we’ve loved everything Nic Diamonds has done, and Islands is no exception.  They’ll be making their way through town, and as things have been slow as of late, you won’t want to miss this opportunity to catch a great band in our fair city.  You’ll also get a chance to watch Steel Phantoms and Active Child, the opening bands, who have also been building a name for themselves.  So why not go check out this great show? Excatly, you have no reason, so we’ll see you there.

[audio:https://austintownhall.com/wp-content/uploads/2009/08/Islands-Vapours.mp3]

Download: Islands – Vapours [MP3]


New Tunes from The Mary Onettes

Long have I followed the rise of Sweden’s The Mary Onettes.  Ever since I first got a hold of their self-titled debut, I’ve been hooked on their wintery pop sounds.  Their last record, Islands, ran in my stereo for months, and now the band are bringing a new 7″ to us all for Record Store Day.  If you can’t get your hands on one, then you better just get the digital version, as this band continues to impress.  Here’s the new tune titled “The Night Before the Funeral;” it’s one of the best songs I think the band have written to date.

[audio:https://austintownhall.com/wp-content/uploads/2010/04/The-night-before-the-funeral-1.mp3]

Download: The Mary Onettes – The Night Before the Funeral [MP3]

MGMT – Congratulations

Rating: ★★★½☆

After the surprising success of Oracular Spectacular, all indications from MGMT would point towards a different direction.  They had no need to reproduce a singles-heavy album in search of hordes of fans; if anything, they acknowledged that the new record, Congratulations, might be off-putting for many of the fans who came their way after hits such as “Kids” or “Time to Pretend.” While the band jump as far away as possible, this record, for musical accomplishments is by no means a letdown.

Opening moments of the album show a more developed group.  “It’s Working” immediately demonstrates that while they’ll remain playful, they won’t simply rely upon access to simple hooks, choosing instead to allow the joy in their work unfold as the songs carry on to their end.  For some reason, MGMT just sound more complete at this point.

Along the same lines as the first number, “Song for Dan Treacy” resembles the early works of Islands.  It uses odd time stops and oddball effects to draw you into the tune while refraining from becoming over-indulgent in the electronic backbone of the music, as some might have said in regards to their last album.  Similarly, MGMT use slow pacing for “Someone’s Missing” to let the song unfold before the listener’s ears, and unfold it does with 45 seconds to go, as the euphoric chanting of the song title with improved percussion bring the song to its end.

“Flash Delirium” is probably the best “single” on the record, if that’s what you’re looking for here.  It recalls the storytelling of Grandaddy, along with the approach of using space-age electronic sounds to build up the chorus.  Once again, the use the ending of the song to tell an entirely different musical story, so be sure not skip ahead, as you might miss some of the musical message hidden beneath.

One of the joys of this album is in the evolution of the band.  Their last album hit you hard in the beginning, but left you sort of bored near the end (at least for me), but the slow-burners on Congratulations have a much larger impact here.  “I Found a Whistle” just seems to trudge along, and while a bit of vocal inflection might have improved it a touch, it’s still one of those songs you’d put on a chill mixtape for a buddy.  You could even include it right along “Congratulations,” which is certainly a great song. All those slow moments that bored last time around, are somehow more interesting here, and that may be due to the well thought-out ordering of songs.  They’ve spaced out the slower moments between pop elements and experimenting (see “Siberian Breaks”).  You have to give them credit; it’s a much more effective approach, and infinitely more rewarding.

One problem with Oracular Spectacular lay in the fact that you enjoyed it immensely upon first listen, but the hooks wore out the more you chose to spin the record.  In contrast, Congratulations is a much different affair.  It’s not set out to make you dance in the same manner, nor does it intend to rely upon singles to boost album sales.  Instead, MGMT have chosen to focus on their writing, which not only make the songs better, but make the record itself much more durable.  It’s not perfect, but it’s definitely a step in the right direction.

[audio:https://austintownhall.com/wp-content/uploads/2010/03/mgmt-flash-delirium.mp3]

Download: MGMT – Flash Delerium [MP3]

FT50: Songs of 2009

bestof2009cover_songsWe have to start this list off with a disclaimer.  We have three writers, all with different tastes, so the list should reflect that a little bit.  Also, these are our opinions, and by no means, are they meant to be seen as an “end all be all” to the question of what were the best songs of 2009.  That being said, we like our list quite a bit.  Sure, it’s got some expected numbers at the top, but the rest of the list is genius.  We’ve got some of the songs streaming for you, and the rest take you straight to youtube.  Follow the jump for full list.

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The Mary Onettes – Islands

maryRating: ★★★★☆

A few years back I walked into this band, unintentionally, and they’re melodic popscapes have since been part of my valued collection.  Really, it’s hard not to love a good band from Sweden.  Alas, The Mary Onettes return with their latest album Islands.  It’s still got that sweeping emotional grab to it, though listeners familiar with their older work will be able to see that the band sounds much larger than they ever sounded in the past.

“Puzzles” just steps up the band’s reputation from the get go.  You’ll find that shrouded wall of noise opening the album, but the electronic bounce that brings the song full circle will catch you in its grandiosity. It bares the mark of Ekstrom’s delightful vocals, warm and dark one minute, then pushing for the upper limits of catchy melody.  This is all followed by “Dare,” which was issued on the Dare EP earlier this year.  Two for two from the opening moments.

One of the interesting steps aside for the group comes on “Cry of Love.”  It’s full of negative space, almost a dark void, but filled with Ekstrom’s brooding vocals.  And in the middle of the song, level drumming comes in, almost as if it’s meant to just move the song along until the end.  This is one of the band’s moments where they show restraint, scaling back the melodic attack on your ears, quietly sitting in the middle of the album.

And just like that, the winds of the album have turned, well, they’ve calmed down rather.  Large bursting sonic pop-tarts are being replaced by a steadier hand  in the middle of the album.  “The Disappearance of My Youth” and “God Knows I Had Plans” definitely take a turn away from the bombastic jump-start of Islands. For me, this provides a subtle change in the band’s dynamic, which enables the group to push more variation into their songs.

But, the darkness returns with Cure influenced “Symmetry,” which oddly, is one of the best moments on the record.  You can hear the eighties in the song, almost too much, but then again, the band has always bordered on being labeled as relevant nostalgics. And with this, they’re off again, jumping right into “Century,” a song aided by pounding drums and sky-high vocals.  It’s like Glasvegas-lite, and you know your heart can’t fight that sort of audio attack.

And there you have it, another successful album by The Mary Onettes.  Nothing is daring on this album, but nothing need be.  You’ll find yourself with an album worthy of harmonies and brooding, just like you remember them talking about (or maybe you participated) in the tail-spin of the eighties.  Still, there progression and perfection of pop music labels the group as more than classic revisionists; if anything, they’re definitely relevant, as Islands clearly proves.

[audio:https://austintownhall.com/wp-content/uploads/2009/09/01-Puzzles-1.mp3]

Download: The Mary Onettes – Puzzles [MP3]

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