Tag: love burns

Love Burns Announces Pavement Drawings

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I’ll happily hang my hat on being the tiniest footnote in the story of Phil Sutton and Love, Burns. Phil’s songwriting first came to my attention as a member of Pale Lights, and I was able to look beyond his poor taste in football clubs to help put out It Should Have Been Tomorrow on cassette. Well, he’s just announce a new LB album, and shared a bright bit of jangling pop that kicks off the new records. You can hear Sutton channeling a bit of late era Grant McLennan in the songwriting, or at least that’s what I’m hearing, with a nice dose of backing vocals from Jo Roman playing their part to thicken the texture of the track itself. Pavement Drawings will be out on May 29th via Spinout Nuggets and Jigsaw Records, so grab a copy early so you can catch Phil and company play down at the Athens Underground Pop Fest.

Last Week’s Jams (8.18 – 8.22)

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We have to own up to riding the struggle bus last week; I’ve been back at school, but the kids were finally in my classroom, so didn’t quite get to as much of the jams as I normally would. But, even as I adapted a new routine, found some real joy in the week’s music, though I know there was tons more out there. We got some solid Austin love with fresh Jane Leo and Rad Gnar, encompassing both sides of the Austin area scene. RayRay crushed it with a premiere for new Living Hour track, so be sure to swing by that jam. Fans of my indiepop coverage will want to be be sure you get your ears on new Tullycraft, Love Burns and Massage, all worthy of some extra listens. Sneak in and enjoy a little dose of new jams. And B.gray threw out some news on the ACL Night Shows, if that’s of interest, dig into the site!

Circling Back to Love Burns Latest 7″

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Sometimes life can run full-circle, as is the case for Phil Sutton and his project Love Burns. He was part of the original Comet Gain lineup, then moved on to work in various projects like Pale Lights, but now serendipity strikes as his latest 7″ features Rachel Evans, who plays part in the current Comet Gain lineup. All that history aside, these are some of the best songs Sutton has written (even considering the ATH Records supported It Should Have Been Tomorrow). “Dear Carol” is a wonderful duet with Rachel, but that soaring chorus just crushes you under its power; I would live and breathe for that moment alone. Flip it over and you get another swooning pop tune, with Phil embracing dulcet tones atop an encircling jangle, before Evans adds a nice little backing vocal to layer an extra blanket of melody into the track. Both glorious tunes are available from Spinout Nuggets.

Love, Burns Shares Just for a While

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Your Monday just got a whole lot better, particularly if you’re a pop aficionado! Love, Burns just recently announce a brand new mini-album, bringing a classic style of pop back into our life. You’re probably thinking that the likes of Chime School and others have done their job, but Phil Sutton’s vocals have this brilliant croon to them, which has always resonated with my own tastes. And yes, there’s jangles and playful percussion giving life to Sutton’s voice, letting the tune brim with a crystalline brand of pleasurable pop vibes. You’ll hear this song on Blue, the new release that drops on September 6th via KUS.

 

Pale Lights Announce Waverly Place

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If you’re a pop fan, or you followed us on our cassette release for Love Burns, you’ve got Pale Lights on your radar. Now you’ve got reason to celebrate, as the band just announced a collection of singles and 7″ tracks, combining them all in a compilation titled Waverly Place. So, this tune below is not a technically a brand new single, but a celebration of the great work that Pale Lights have accomplished in their time; you’ll find this track originally on the Seance for Something EP from 2016, which can inevitably lead you down a trail of great pop tunes, courtesy of Phil Sutton and friends. Waverly Place is out on Jigsaw Records/KUS this Friday!

KUS Drops Lessinghof + Share Unreleased The New Lines Tune

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Kleine Untergrund Schallplatten is one of our favorite labels, dropping beautiful pop pieces from all across the globe, and doing so in a rather exclusive fashion! They just reminded us that they’ve currently got their Lessinghof compilation available, gathering a bunch of tunes that have never before been pressed to vinyl, including one of the more recent ATH Records acts, Love, Burns! You’ll get a few covers, some obscure stuff and even some new tunes, but, I wanted to share with you this track from the New Lines. It’s apparently an old unreleased tune, which makes sense as the band have been quiet since 2016’s Love and Cannibalism; it was the perfect reminder I needed to go back and fall in love with that record again! Anyways, new and old tunes of the pop variety all in one great compilation, so get on it!

Love Burns Release Fade in the Sun EP

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If you recall, we, along with other various label friends, helped get the debut Love Burns album out into the world (still got a few tapes left if and you like). Well, we were happy to be part of that, and now it looks like Phil and company are ready to make your Bandcamp Friday super easy…just click “BUY” on this new digital only EP. It’s four brilliant pop songs, continuing to show off the striking songwriting in Sutton’s repertoire. Me, I love “Forever in Bliss;” there’s something about it that just feels huge, like a giant of a pop rock tune built for arenas of dancing fans. However, as with all things Love Burns, there’s not a miss here, so head over and grab the Fade in the Sun EP.

Last Week’s Jams, Today (1.31 – 2.4)

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I know I know. Playlists via Spotify are quickly becoming passe, and rightfully so, but at the moment, there’s still not an easily manipulated to collect songs from various places and put them into one killer playlist. So while we wait on Bandcamp to figure it out, let’s just ignore the devil in the corner. This last week we got a brand new album from Love, Burns, courtesy of us! And Jigsaw and KUS! Our homies in Brothers Griin also dropped a tune from their debut LP, not to mention a sweet jam from Skeggs. So here you go, here’s some stuff. To start Monday.

Stream Love, Burns Album, It Should Have Been Tomorrow

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Hopefully you’ve been following along all week as we’ve dropped a Love, Burns tune here and there with commentary from the songwriter himself, Phil Sutton. But, along with our friends at Jigsaw and KUS, we’re super excited to bring you the record in its entirety, which you can now stream below. So, you don’t need to hear me wax on and on about what a great collection of songs you’ll be getting, you can just stream It Should Have Been Tomorrow below and enjoy the day!

Another Love, Burns Tune — Album’s Out Tomorrow!

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Tomorrow’s the big day my friends; we’ve got It Should Have Been Tomorrow dropping this Friday, and Phil from Love, Burns has been sharing his thoughts all week long; don’t forget to buy the album in your preferred format from ATH/KUS/Jigsaw. Here we have some thoughts on “A Gate and the Ghost:”

“Franoise Hardys recording of La maison o j’ai grandi is all over this song. The tune and lyrics are my own, of course, but I wanted the song to have a gradual build up, something Hardy does on her recording. Its one of the few songs where I was quite specific with Hampus and, especially Kyle, as to what I wanted in the arrangement. Start off with the acoustic, drums, bass, then the keys come, and then electric rhythm, guitar solo, harmonies all going off. Gary Olson does all of the harmonies on the LP, btw. Im a big Franoise Hardy fan, like a lot of indie pop types. Charles Blackwell did the arrangement for La maison Mat Patalano did a lovely promo to go with Gate and the Ghost that features two years old me, filmed by my Grandad. The LP sleeve pictures were taken around the same time, by my Dad. Thats me and my Mum on the sleeve. We’re somewhere near Ballykinler, in Northern Ireland. Gate and the Ghost is about returning home (as is the Hardy song). And theres a building in it. Its no Cattle and Cain, but I think its the best song Ive written. I know for a fact that Lloyd Cole and Tracyanne Campbell like it. They said so on Twitter! I use my 1965 Burns Nu-Sonic this song, because that guitar has a fantastic tremolo. Its my Pale Lights guitar, and this is its guest appearance for Love, Burns.”

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