FT50: Songs of 2009

bestof2009cover_songsWe have to start this list off with a disclaimer.  We have three writers, all with different tastes, so the list should reflect that a little bit.  Also, these are our opinions, and by no means, are they meant to be seen as an “end all be all” to the question of what were the best songs of 2009.  That being said, we like our list quite a bit.  Sure, it’s got some expected numbers at the top, but the rest of the list is genius.  We’ve got some of the songs streaming for you, and the rest take you straight to youtube.  Follow the jump for full list.

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Monsters of Folk – s/t

Monsters-Of-Folk-Monsters-Of-Folk-483560Rating: ★★½☆☆

Let’s face it, rarely do collaborations with bands you love to death ever truly work out.  Sure, Queen and Bowie pulled off a song, but could they pull off an entire album?  I doubt it.  Now, we’ve been presented with Conor Oberst, M. Ward, and Jim James, along with Mike Mogis, joining together as Monsters of Folk.  Could these boys rise above the hype and fulfill our dreams?

First off, I’m not sure where to begin with Jim James vocals as of late.  Sure, he definitely has a bit of range that I didn’t expect, but it’s not nearly as warm as it once was, especially if you listen to the album opener “Dear God.” He just sort of lost me after Z, so it’s hard to get into his vocals on this album.

Conor Oberst, of late, has let me down.  I once swore by his name, and bought every little bit of music he put his hands on, especially when Mike Mogis was at the helm.  Still, his work with the Mystic Valley Band has taken a turn for something that I just really get behind at all.  You’ll find that a lot of the tunes on this record sort of seem like they branch off of the ideas he’s been throwing at us lately.  “Temazcal” appears to be a left over from his time in Mexico, and it’s one of the stronger tracks on this album, as it features minimal input from the others.  Sorry Conor, but your strengths lie when you leave the band behind you.   I mean I know it’s not about record sales, but have you noticed sales dropping since you did that whole double album thing?

To be frank, M. Ward seems to be the only one here who has sort of won me over lately with Hold Time.  His guitar stylings and delivery are definitely consistent on this album, especially when you look at songs like “Baby Boomer.”  This easily could have been on any of his last few recordings, except when Conor Oberst interjects during sparse moments.  You have to love the warmth of Ward, and the controlled warble of Oberst does provide a decent counter-point.  His trademark sound is all over this album, but since he doesn’t get to give it the full go, it doesn’t quite have the same impact as you think it should.

As you can see, there are obviously great musicians all over this album, which is precisely why there are going to be some pretty decent moments on this album.  You can’t have two great songwriters, and Jim James, put together in a room to come up with just random slop.  But, the album doesn’t really connect the way that you want it to in the end. A lot of the sounds showcase the recent missteps of the various authors, instead of allowing for their individual talents to open up and rise above the group.  For me, it seems as if they are all huddled to close together, not allowing each other the necessary breathing room to push each other as you would hope that they would do.  If they aren’t going to push one another, why not just write songs for each other to share?  I think the outcome there might have been more effective.  In the end, you’ll listen to this record a few times, find your favorite tunes, and then put it away.

[audio:https://austintownhall.com/wp-content/uploads/2009/07/02-say-please.mp3]

Download: Monsters of Folk – Say Please [MP3]

A.A. Bondy – When the Devil’s Loose

aa-bondy-when-the-devils-loose-coverRating: ★★★½☆

A.A. Bondy began to steadily make waves with critics after the release of his debut American Hearts.  A short while later, he is releasing When the Devil’s Loose on Fat Possum Records.  It’s a record that lives up to the expectation of the record’s title, but in the most stripped down fashion that could only accompany A. A. Bondy.

Just when you think your music player is broken, the soft-spoken strumming of “Mightiest of Guns” comes into play through your speakers.  Bondy seems to whisper just as quietly into the microphone, his soothing voice calmly uttering at those lowly decibels.  Such an approach is utilized throughout the remainder of the album, to various effects.

“When the Devil’s Loose” begins, you can hear the meandering accompaniment of low-lying drums and various guitar chords that one finds on a M. Ward song.  It easily could be seen as knocking off another great, but the story telling of Bondy is what seems to differentiate his songwriting from that of Matt Ward. He seems deeply rooted in the history of Southern storytelling, and in doing such, he tells his tales with the passion of an overly involved narrator.  Even during “Oh the Vampyre,” which seems to be sort of a childish ditty, there is an element of struggle, not only in the lyrics, but in the vocals. 

Midway through arrives the standout track “I Can See the Pines are Dancing.”  One of the more intriguing things about this song is the baritone voice echoing in the background of the song.  It works well with Bondy’s silky cum gruff vocals.  It’s this sort of touch to an otherwise simplistic approach that manages to grab A.A. Bondy from the relatively mundane world of folk/Americana/etc and push him even further than some of his peers.

Listening to songs like “False River,” the album’s seventh track, you can still see these little flourishes and intricate details, and one can only assume that more will unfold as repeated listens come to be.  Walking to the end of this album, you never seem to hear the same thing twice; this is an attribute many people ascribe to great records.  However, the pacing of the album is painstakingly slow, and while some will find this aspect appealing, it’s difficult to reach the end of the album as a whole due to the distinctive style and relatively static vocals.  While those may seem to some as desperately critical aspects, rest assured that beneath the folds of every tune on here lies a secret waiting for each and every listener.  All due to the hard work of A.A. Bondy on When the Devil’s Loose.

[audio:https://austintownhall.com/wp-content/uploads/2009/08/06-I-Can-See-the-Pines-are-Dancing.mp3]

Download: A.A. Bondy – I Can See the Pines are Dancing [MP3]

M. Ward @ Antones (8/4)

mwardThe great M. Ward will be making his way back to Austin on Tuesday night at Antones and you need to make a point to get yourself there.  Unfortunately tickets sold out recently so you may have to try your hand at scalping or craigslist.  Door time is 8pm and show is 9.  Here’s that song we all know and love that will surely appear on everyone’s best of list.

[audio: https://austintownhall.com/wp-content/uploads/2009/02/02-never-had-nobody-like-you.mp3]

Download: M Ward – Never Had Nobody Like You [MP3]

FT5: Hot Ladies Of Indie Rock

0612top5coverI think you all knew that ATH would go here at some point and alas today is the day that I take the leap and display our true male hormone driven selves with a top 5 about the hot ladies of indie rock.  I won’t beat around the bush here, this post has little to do with the musical talents of these ladies, and more to do with how they drive me crazy with their good looks.  I promise not to offend anyone and also promise that these women have made my list because they are empowered and musically talented women who also just so happen to be pleasing on the eyes.  I love them all and would probably just turn into a bumbling idiot if they ever actually spoke to me…  You will see a lot of familiar faces on the list and probably take issue with some big names being left off.  I love you too Feist and Neko, just not quite enough for you to break into my Top 5.  If you really wanted to mess me up, you should have gotten to me sooner!  Follow the jump for our full top 5 breakdown.
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SXSW Top 10 Live Acts

sxsw_liveacts_coverIs anyone else just a little bit sad today as we wrap up another amazing SXSW Festival in Austin? I know we here at ATH are as depressed as anyone to head back into the real world today. Gone are the carefree days of roaming around downtown in search of the best music and the best parties with free red bull and vodka. While still nursing our hangovers and mending our bruises, we would like to share with you the best live acts that we caught this past week. You may have heard of most of these bands or they may be completely new to you, but regardless, these bands brought the noise at SXSW. We tried to be fair and pick the acts that either lived up to a certain hype or just rocked our faces to the floor.  Follow the jump for our top 10 live acts of SXSW.

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M Ward – Hold Time

holdRating: ★★★★☆

M Ward has won over fans this past year for his role in She and Him, which is deserved accolades, but lets not forget that the man on his own has always been able to record some of the more intimate bedroom listens of the decade.  He returns now with Hold Time, his first solo outing since releasing Post-War.

Opener “For Beginners” is the perfect album opener for this album, as the cooly calm vocals hum gently over the guitar, being strummed as if a slow train were approaching.  Ladies and gents, this is a slow train coming, so sit back and enjoy.

There is just something about the way that the man records his albums that seems to win you over every single time.  Based on his previous confessions, its easy to see here that he adores recording of the olden days, and he treats his own songs with similar care, coating each tune in pleasant melodies and a general warmth.  Yet, it never sounds dated when he pulls it off.  Unless, of course, he covers “Rave On” by Buddy Holly. His version is a little less clean than the original, as a little feedback seems to suit his aims purpose.  Where he lacks in the precision of the original, he makes up for it in his presentation.  M. Ward owns this song, and recreates it with a new spin, all the while holding onto the blueprint of the original. The song also features Ms. Deschanel, one of the two songs she guests on throughout the duration of this album.

For some reason, it’s really hard to escape the feeling that the singer of these songs, our narrator, belongs in the present day.  It’s as if every song, although based on modern times, is rooted firmly in the history of the past.  Perhaps this is why it always seems so intimate as you listen to the sounds coming out of the stereo.  Take “Fisher of Men,” which seems to have that same train-track guitar plucking.  It’s as if the whole song was sung in camaraderie around a campfire at a work camp during the Depression.

“Oh Loneseome Me” offers us yet another great collaboration, this time with Lucinda Williams.  Lyrically, it offers a glimpse at a lost love, and having to confront the free time on one’s hands afterwards.  But, the vocals on behalf of both artists really do remove every ounce of emotion from the listener, which always makes for a perfect song.

Interestingly, there are some genuinely upbeat moments here too, like “To Save Me” and “Epistemology.”  The repertoire that the man has at his hands allows for a great deal of variance throughout the entirety of this album.  At the core, his voice is able to adapt to varying levels of instrumentation, always holding onto the more personal level of presentation.  With each twist and turn, you hear an old friend, or even grandparent, softly rocking you to sleep.

As the beginning of the year take off, lets all hope that M. Ward gets loads of accolades for his endeavors as a solo musician with vast talent, and not just for his wonderful collaborations.  Hold Time will surely be a step towards that accomplishment.

[audio:https://austintownhall.com/wp-content/uploads/2009/02/02-never-had-nobody-like-you.mp3]

Download: M Ward – Never Had Nobody Like You [MP3]

New Music From M. Ward

Last week we told you about NPR streaming the new M. Ward album Hold Time, but that doesn’t do much for your ipod lovers.  Today we’re offering up an MP3 of a song from the new album called “Never Had Nobody Like You” which features backing vocals from the other half of She & Him, Zooey Deschanel.  I wonder why the first single would be one of the few tracks featuring the future Mrs. Gibbard?  We’ll let you decide that one.

[audio:https://austintownhall.com/wp-content/uploads/2009/01/neverhadnobody.mp3]

Download: M. Ward – Never Had Nobody [MP3]

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