Tag: meritorio records

The Infinites Share The Queen

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One of my most anticipated Austin record this year is the forthcoming LP from the Infinites. We’ve already hyped up their super “The Expat” single, and they’re raising the bar on this new one. Musically, the track feels like a ship at sea, rocking back and forth in the crafty groove the band have created. Steadying the ship, however, is Jared Leibowich (an ATHR alum!), with his voice shining its majesty atop as it guides the band’s pop sensibility. There’s several moments when the band locks in here, throwing out a rocking guitar solo just to flex the stellar musicianship on the stage. You’re going to want to grab Archetypes; it drops via Meritorio on February 16th.

The Infinites Announce New Record

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The Infinites have been one of our favorite acts in the Austin scene; the band’s full of ties to our own ATH Records, with members of both Zoltars and the Hermits playing on this record…and we couldn’t be happier to see them all land on one of our favorite labels, Meritorio! Our first single offers listeners a glimpse at the group’s propensity for offering an indie rock groove; you can feel the movement in the way the song goes up and down, constantly moving and growing. Jared’s vocal work is some of his best today, coolly riding that steady movement as the guitar lines seem to dance all around him. If you haven’t listened to the band before, might we suggest also spending some time with their self-titled debut. Archetypes will be out on February 16th via Meritorio Records–Pre-Order it HERE!

The Maureens Share Fell in Love

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I can’t understand why more folks don’t tune into the Maureens; they’ve got the same pop sensibility as modern-era Teenage Fanclub, albeit with just a little bit more sentiment. There’s something in their songwriting that feels like it was raised on their parent’s record collection, then ramped up with a modern bit of charm and swollen melodies. You press play here and you’ll immediately be hit with a wall of emotion, with a closing moment that feels like a climax in and of itself. This is the song you deserve today, and you can also build some anticipation for Everyone Smiles, out on January 19th via Meritorio Records.

Two Great Aussie LPs to Stream: The Brights + Pop Filter

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Two great Australian acts release brand new records today, and oddly, both are being released by great Spanish record labels; but, they both come from different parts of the country, so there’s that?

Sydney’s The Brights have released Oyster Rock! today via Meritorio Records. It’s a collection of pop songs with little bits of Western twang lingering in the songwriting. You’ll find a few upbeat numbers, with most tracks working on a pensive point that allows the melodies to sit quietly with you for hours afterwards.

Pop Filter, up in Melbourne, are like the indie rock hydra; you cut off the head of one songwriter, and there’s another equally gifted craftsman’s head popping up. With so many songwriters, Cono feels refreshing at every turner, tossing out subdued little pop nuggets and bouncy bops of badassery. LP courtesy of Bobo Integral.

Friday Album Streams: Wurld Series, Frog, Deary

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It’s that weird time of the year when everyone pretends that they stop writing music for a few months so we can browse the list of Best New Artists, or whatever. We do it too, though I’ll probably keep writing about songs if folks keep sending them to me. But, before the year “wraps up” and stuff, here’s a few more new records to listen to today that you’ll hopefully enjoy! Note: I included a few from last week, because last week I ran an Austin-centric streams post, so booyah!

Wurld Series – The Giant’s Lawn (Meritorio Records/Melted Ice Cream)

Deary – Deary EP (Sonic Cathederal)

Frog – Grog (Audio Antihero)

Steven Adams – Drops (Fika Recordings)

The Native Cats – The Way On is the Way Off (Chapter Music)

The Brights Share Enough of You

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We’re still a few weeks away from the release of Oyster Rock, but boy oh boy do you need to hear this new single from the Brights. You’d be excused if you expected this hard bouncing bit of rock n’ roll swagger, as the tune opens up with this bounding bit of pub piano; I totally expected a Nick Lowe twist to creep in here. That said, the vocals come in with this Aussie cool, or maybe even Cali cool, feeling like a crisp bit of sea spray landing on you after a warm walk on the beach. Thinking through the previous singles on the record, this might be the one that feels the most aligned to all my tastes, kicking in this bit of indifferent cool that makes the song inescapable. Meritorio Records releases Oyster Rock on December 1st.

Friday Album Streams: Red Pants, Spllit and The Serfs

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It’s Friday, and while I’m here trying to wake up for a late night of Levitation, I know there are three pretty near perfect records for you to soak up today, all with different sonic appeals, meaning you get a little bit of everything if you wanna win!

Red Pants – Not Quite There Yet (Meritorio Records)

This is a record that lands somewhere in the land between Sonic Youth and Low, but if you had recorded that record in hopes of offering a solitary listening experience. The more time you give this LP, the more its secrets are revealed.

Spllit – Infinite Hatch (Feel It Records)

The Louisiana band is crafting post-punk like no other; they fill their songs with quick turns and sonic changes, each song refreshing in its ability to shift gears in an instant. Oh, and with all the weirdness, it still comes off catchy in the right spots.

The Serfs – Half Eaten by Dogs (Trouble in Mind)

Honestly, its been a minute since I’ve had this much fun listening to a record. It pulls in psychedelic nods with this punk ethos that gets mixed up in electronic textures that continue to push the envelope of what is and isn’t “indie rock.”

The Maureens Share Rainy Day

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Don’t let the first 50 or so seconds of The Maureens new single fool you, for as pretty as it may be, the Dutch outfit are brandishing their rock wares on the latest single. When the tune kicks in near the minute mark, it does so with a full on punch, the sort one would expect from only the best Teenage Fanclub tracks, brandishing huge riff-driven guitar pop with melodic centerpieces. That being said, the group do pull towards the more melodic, especially when there’s a explorative breakdown in the middle; they filter in a bit of twanging guitar that rides on some “oohs,” which is an absolute charming moment. In January, the band will release Everyone Smiles via Meritorio, so you’ve been put on notice!

Red Pants Share On a Wire

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I can’t tell you how much I’m looking forward to the new album from Red Pants; Not Quite There Yet seems like the perfect record to wrap up my year end list. For me, the record operates in between the lines of really incredible melody, with hints of fragility, like on this latest single’s vocals. And, while that closeness seeps through your speakers, there’s still a bit of a heavy edge to the playing, providing all you old punks with the ability to grasp the straws of cool. Plus, the DIY aesthetic from Lambeth and Nekola carries such sincerity in all aspects (music, videos, artwork) that it’s definitely refreshing in a time when we throw that word around too often (myself included!). Not Quite There Yet is out on October 27th via Meritorio, and it’s going to rule!

Wurld Series Drop Rearing Wesley Single

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In the PR for this latest Wurld Series, this new single is referred to as an “earthen ear wyrm,” and its definitely playing into that concept, particularly in the opening two minutes of the track. To me, it feels as if you’re walking through a Renaissance Fair as a merry band of revelers does their best to cover their favorite Clientele songs. The psychedelic guitar churning atop the primal rolling drums give off this hallucinatory quality that’s definitely taking you off into some spiritual landscape that’s filled with the bewilderment present in the video below. Stick around for the incendiary guitars at the 2 minute mark. The Giant’s Lawn is out November 17th via Meritorio and Melted Ice Cream.

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