Minks – Tides End

minks-tides-endRating: ★★★½☆

Those of you who reveled in the shadowy electronic pop of the first release by Minks might find this hard to swallow, but for all intents and purposes, Tides End is a pretty straightforward pop record.  Gone are the hazy vocals and coats of atmospherics, though the lyrical material still maintains a bit of darkness.  While some of the winter layering of the previous effort might have been shed, the core aesthetic remains the same, leaving listeners with a shimmering album for any time of day.

It’s hard not to notice the immediacy of the beats and the glittery touch as soon as you press play on Tides End.  “Romans” bursts forth with a beat built to pick up the feet on the dance floor, before Sonny Kilfoyle gently croons his way into the mix.  By the time you make it to the chorus, you’ll definitely notice similarities to surf-pop wunderkind The Drums (just my opinion). Still, this album succeeds in its ability to completely depart into a more accessible pop spectrum, such as you’ll hear on “Everything’s Fine.”  Ringing bits of guitar accentuate the beats, and you’ll find it hard not to get stuck with the simple chorus in your head. Personally, I like the slight bit of restraint, as the beats aren’t pounding down your door; they’re airy, yet full of merriment.

Really, you could write about any of the new songs from Minks in the same manner, praising their thoughtful approach to songwriting, allowing for the hooks to bloom, rather than be buried beneath over-processed studio touches. There are, however, a few songs that step outside the boundaries set forth by Kilfoyle on this release, such as “Painted Indians.”  It playfully drifted in, as many of the songs do, but then the forceful entry of the lyrics were surprising, in a good way.  It provided a touch of variation, even as the verses received the calm smoothing vocal Sonny seems to prefer on this go round.

My first go round, I definitely gravitated towards “Margot” as my favorite hit on Tides End, but the more I listen, and the more I notice the care in every twist and turn, the more often my favorite tends to change. Right now, I’m really digging the oddly exuberant “Doomed and Cool.”  Sure, there’s an obvious nostalgic bent, even with the guitar tones, but I’m not going to knock anyone for loving old school pop music.  You should probably listen to “Ark of Life” as well, just in case you’re looking for your favorite new love song.

I think a lot of people are going to be on the fence with Minks after this listen.  Their first album was dark, yet enchanting.  Tides End, well, it’s simply enchanting.  There’s no mystery to the pop sensibility, and in many ways, that makes it much more enduring, and endearing. And, if you’re looking to get snobby, one can go through the whole record twice, and not feel like you’ve listened to the same thing…such are the careful touches that were put into the production and writing of this record.  I assure you, given time, you’ll find yourself really enjoying the listen from start to finish.

[audio:https://austintownhall.com/wp-content/uploads/2013/05/02-Everything-s-Fine.mp3]

Download: Minks – Everything’s Fine [MP3]

New Danceable Jam from Minks

MINKS-Tides-End-COVER--720x719The growing catalog of Captured Tracks has several bands that wear the flag for everyone, but there are some forgotten gems that I don’t think people really give enough attention to, such as Minks.  The last effort from the project, By the Hedge, was a special listen, though I don’t recall too many people taking notice.  With the upcoming effort, Tides End, I’m hoping that things are about to change.  It’s the purest form of bedroom pop, with an underbelly of danceability that will surely attach itself to listeners.  Be prepared for another under-appreciated record on August 6th.

[audio:https://austintownhall.com/wp-content/uploads/2013/05/02-Everything-s-Fine.mp3]

Download: Minks – Everything’s Fine [MP3]

New Tunes from Craft Spells

It’s going to be a huge year for Captured Tracks, and it’s got me super giddy sitting here at my desk. They’ve got releases from Minks, The Beets and who knows what else.  One band I don’t know a great deal about, but I’ve been jamming all day via P4K is Craft Spells (not to be confused with Cast Spells). Sure, it’s got that club-disco swing groove to it, but you mix that with a bit of far-off vocal effects and you’ll have me swinging my arms from side to side.  Honestly, that’s probably not such a bad thing, and a decent way to kick off the weekend. Maybe it’ll help get you started.  And you’re sure to find more hits like this on March 1st when the band releases their full-length, Idle Labor.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/After-the-Moment-1.mp3]

Download: Craft Spells -After the Moment [MP3]

New Tunes from Minks

You know that we’re fans of the NY label Captured Tracks, and they’ve just lined up another solid release coming our way January 11th.  Minks will be releasing their record, By the Hedge, and while many people have had the band on their radar for some time, it seems like their star can only grow larger nowadays.  Personally, this definitely has a Sarah Records feel to it, with a bit of coated jangling going on, using warm male/female vocals counterparts to smear gentle pop harmonies all over your speakers.  Looks like January 11th is going to be a sweet time for good tunes. Agree?

[audio:https://austintownhall.com/wp-content/uploads/2010/11/Minks-Cemetary-Rain.mp3]

Download: Minks – Cemetary Rain [MP3]

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