Lo-Fi Pop from Jackson Scott

tumblr_inline_mhpmrvFGQc1qz4rgpDon’t you love it when there’s a shroud of mystery swirling around a musician and his work? Sure, it adds intrigue, but it also seems like the artists is making a statement like “hey, you don’t need to know me, just listen to my music.”  In the case of Jackson Scott I’m completely okay with that attitude, especially considering the songs are so ridiculously good.  There’s definitely a creepy vibe going on in these lo-fi pop jams, but I can’t help but find myself completely sucked in to the songwriting. He’s currently giving away his album, Melbourne, right now, so go HERE and get lost in his world.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/02-Evie.mp3]

Download:Jackson Scott – Evie [MP3]

New Old Tune from La Luz

3063780113-1Why post a new old tune from La Luz you say? Well, for starters, this is a solid jam.  But, it’s also to celebrate the cassette release of Damp Face via Burger Records today!  I first caught wind of the group via Finest Kiss, where the good people go, so I’m glad to share this opening tune with you today.  There’s a dream quality to it, with a surf-pop underbelly.  But, if you’re asking for my two cents, which you may not be, there’s a sultry side that wears more of a reflective R&B tone.  Make sure to check in with Burger, as they’ve got tons of hits coming your way this February.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/LaLuz_CallMeInTheDay.mp3]

Download:La Luz – Call Me In The Day [MP3]

Check Out Pond (w/ members of Tame Impala)

pond620I know everyone out there is all about the hype associated with Tame Impala, and it’s much deserved, for the most part.  What I like is the brother band, Pond, who seem a bit more experimental sonically, shooting all over the place musically.  I guess it’s sort of the same landscape where Tame began, shifting between genres left and right, often in the middle of a track.  We’ve really been digging this tune over at ATH, and if you’re into it, you can find their new album Hobo Rocket at your record store this Spring via the folks over at Modular.  All good thigns come to those who wait, and this will surely be a good thing.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/Giant-Tortoise.mp3]

Download: Pond – Giant Tortoise [MP3]

Fuzzy Rock from Dune Rats

365771269-1I figured there’s not a better way to kick off your week than by throwing some upbeat jams your way.  I just got this tune from Australia’s Dune Rats, which accompanied their NSFT video for another track they’ve recently put out titled “Red Light Green Light,” which you can find on YouTube.  But, this track is probably my favorite of the two, and I think it’s going to get you excited to catch the act when they make it to the states for SXSW.  It’s got hooks that are undeniable, plus there’s a garage quality that you know we all find endearing.  If they’ve got hits like this up their sleeve, then we’re in for something grand from these Aussies.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/02-Pogo.mp3]

Download: Dune Rats – Pogo [MP3]

Rose Melberg Wears Imaginary Pants

3132283664-1I wanted to bringing you something special on a Friday, something I thought you could really sink your teeth into before you hit the weekend. This little jam comes from Rose Melberg and her new project Imaginary Pants.  The duo has a collection of demos, but they sounds pretty incredible if you ask me. I like the opening jam, and I can see how the sound fits into the modern music industry, with vocal harmonies and a little bit of twang. They’re going to toss out this wonderful collection on Lost Sound Tapes sometime in the near future, so keep a look out. You can grab all the demos HERE.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/Imaginary-Pants-Imaginary-Pants-01-Cave-to-Cave.mp3]

Download: Imaginary Pants – Cave to Cave [MP3]

More New Music from Seatraffic

seatrafficI really like the dichotomy of the sound Seatraffic are creating at the moment.  Your first direction has you leaning towards a sort of electro bedroom pop, but the feeling of the vocals has more of a sprawling psych rock feeling behind it.  It makes for more than just your casual listen, providing the band with another certifiable hit from a few singles they’ll be tossing out in the up-coming months. If you’re in search of something that’s fairly unique, let your ears feats on this new song, and look out for more in the future.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/Seatraffic-Superficial-Heart.mp3]

Download:Seatraffic – Superficial Heart [MP3]

Being There – Breaking Away

beingthereRating: ★★★☆☆

It wasn’t too long ago that Being There released their debut record, but several spins into Breaking Away and you’ll see the growth in the London four piece.  The guitar playing is tighter, and the recording maximizes the pop sensibility of the group.  If you’re in need of a good pop rock record, then your best bet for 2013 is to begin here.

“Allen Ginsberg” gently begins things, with nothing more than the quieted vocal and a gliding guitar track.  While it’s the first track on the album, it’s also one of those that dictates the sincerity of the group.  But, they’re not eager to lay down an album’s worth of mellow pop tunes, jumping immediately into “Back to the Future.”  For me, the drumming wins out on this track, providing the backbone for the guitars to dig their way into your auditory heart.  Slight bits of twang during the chorus serve to bring the melody back into focus.

While I definitely appreciate the presence of upbeat numbers on Breaking Away, there’s a soft spot for the mellower tunes, like “Infinity.” The ringing guitars accompanied by acoustic strumming are reminiscent of some of my favorite tracks by The Lucksmiths, so it’s easy to see why I gravitate towards such moments.  Perhaps their brightest moments though come when they combine both elements, such as Being There does on the six-minute killer, “Silent Runner.”  You’ll hear a jingling tambourine steadying the track, with a nice melody warmly sung atop it all, but they play with the tension levels too.  There are bits of atmospheric guitar noise that swells midway through, making it more than just an average pop ballad.

Hints of a modern indie pop-gaze influence appear in songs like “Tomorrow” or “The Radio,” but I suggest you hold up to one of the more special songs that awaits near the end.  “17” is perhaps the hidden gem that many people with attention disorders might skip, due to its late presence.  I like the tonal changes in the mix for the vocals, but I also appreciate the steady pacing of the drums that work together with cascading guitar chords.  It’s a special moment that I’ve continuously played outside of my review purposes.

All in all, Being There have done an exceptional job of upping the ante from their first effort.  Sure, there are some derivative pieces here, but the overall feeling of the record more than makes up for that.  There’s enough mixture in the placement of songs to dictate repeated pleasure for listens all the way through, yet there’s also stand-out tracks that you can include in your mixes for friends.  Breaking Away is your chance to enjoy the simple pleasure of good pop music, and hopefully go on and share it with the world.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/The-Radio.mp3]

Download:Being There – The Radio [MP3]

 

Fun Pop from The ACBs

1159Where the hell has this been?  I got this track off the upcoming album from The ACBs; I’ve had it on repeat ever since that point.  There’s little bits of trading off between male and female vocals, but the hooks are simply irresistible. If you turn this tune up really loud, you’re going to find yourself pressing play over and over again, and that’s not a bad thing.  You’re allowed to let yourself go from time to time, and it looks like this KC acts are poised to help you with just that. Their new album Little Leaves will be out on High Dive Records on March 5th, so get ready to enjoy yourself.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/12-Record-Store.mp3]

Download:The ACBs – Record Store [MP3]

New Tunes from Dead Gaze

1726I didn’t really know much about Dead Gaze when I got the press release, but then again, I guess I did.  Cole Furlow, the man behind the moniker, has been rubbing elbows with the likes of Dent May and Bass Drum of Death, not to mention releasing tons of hard to find 7″ and other various rarities. Luckily for us, Palmist is going to release a compilation of all that material on May 21st as a self-titled compilation.  I have a feeling that you’re all going to enjoy the music here, as it’s readily accessible, yet artfully crafted.  Probably my favorite jam of the day.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/IFoundtheEnding.mp3]

Download:Dead Gaze – I Found the Ending [MP3]

Lost Animal – Ex Tropical

600x571-cRating: ★★★½☆

It’s hard to imagine a musician creating an entire album geared around what he, or she, can accomplish on a keyboard, but that’s precisely what Jarrod Quarrell aimed to do with his Lost Animal project.  Don’t you worry your little head, the songs within Ex Tropical are anything but basic keyboard tunes; they’re soulful ballads dabbling in sonic exploration.

The introductory track from Lost Animal is aptly titled “Intro – Beat Goes On,” giving notice that despite the confines of primarily using a keyboard to craft tunes, there’s a huge deal of soul lurking on the entirety of the collection.  Quarrell’s voice has a hint of gruffness, which provides a darker texture to the otherwise pop-laden hooks of this opener.  You’ll see that haunted soul completely take over on the following tune “Say No to Thugs,” which really seems like a less-orchestrated Spiritualized.  While it may be stripped down, Jarrod’s vocals really seek to evoke that last drop of emotion from the depths of your inner being.

It’s hard to escape the dark feeling that comes with Ex Tropical, and that’s aside from the obvious reference to a move away from sunlight in the title.  When you come to a song like “Dark Litter” there are definite sonic flourishes that add to the song, but the overall simplicity is what really allows you immerse yourself in what Lost Animal is trying to accomplish.  If you stripped it all down to a simple keyboard line, it’d still be a solemn number.  That being said, you can still find yourself some more playful moments popping in and out.

Just after what’s the darkest moment, for my ears, you get the playful striding beat of “Cold Cut Nature.”  It’s placed perfectly in the collection, giving you a more light-hearted vibe that originates with that bobbing beat.  You’ll even find Quarrell playing with his vocal approach by mixing up the tones throughout this tune.  It’s comparable to the driving beat that hides behind “Lose Your Baby,” even though the subject matter isn’t necessarily the most uplifting.  Such is the nature of the work on this record; it goes wherever it wants to go.  But, for my two cents, you should not pass go without listening to “Old Lovers.”  It’s hard to explain what’s more strikingly beautiful: the keyboard work, guttural emotion or the soft touches of backing vocals.  Whatever it is, this is surely a special song.

Honestly, Ex Tropical might not be a record for an everyday listen, but it’s an album that everybody needs to listen to at some point in time.  Jarrod Quarrell has found himself in the work he’s created for Lost Animal, leaving listeners with the perfect balance between barroom soul and pop balladry.  You’re not likely to find much else out there quite as unique as this, making this a hidden gem for those who choose to invest their time in the perfect listening experience.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/LostAnimal_SayNoToThugs.mp3]

Download: Lost Animal – Say No To Thugs [MP3]

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