New Jams from Sleep Good

It’s always great when you realize one of your favorite local acts is putting out new music.  Sleep Good has been quite, at least with recorded tunes, since  2010, but I just figured out that they’ve recently dropped their new Monsanto 7″.  It’s definitely a gem, and I’m loving the A-Side “Summer Explosion.”  You’ll hear some soaring vocals fitting to an Austin summer, and my personal favorite is the way the guitar sounds here, with just hints of hip movement. I’m glad to see these guys are back, and I look forward to catching their show over at the Mohawk on August 3rd.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Sleep-Good-Monsanto-7-01-SUMMER-EXPLOSION.mp3]

Download:Sleep Good – Summer Explosion [MP3]

New Proto Punker from Fergus & Geronimo

You know by now we’re pretty big fans of Hardly Art Records, so we’re always happy to share the new tunes they’re pushing, especially when it’s by a band we love, such as Fergus & Geronimo. We’re getting closer to the August 7th release of the band’s new album, Funky Was the State of Affairs, and I’m really appreciating their state of mind.  Their earliest single was a bit of hodge-podge art rock, but this time they’re taking dead aim at second wave punk rock, using grooving bass work, spoken word delivery and a propulsive drum beat.  I can’t get the similarities to Wire out of me head, especially in songs like “Three Girl Rhumba,” though that track is more guitar than bass. Regardless, we’re totally jamming this tune out.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/02-No-Parties.mp3]

Download:Fergus & Geronimo – No Parties [MP3]

New Jamz from Lord Huron

We’ve been huge supporters of Lord Huron, but it’s been quite some time since we’ve heard anything from them…that was until today.  With information leaking to the Internet that their new album, Lonesome Dreams, will hit stores on October 9th via IAMSOUND, we’re getting that longing feeling. This first single sprawls out just like the tracks off their early Mighty EP, but it takes off with a bit of a gallop too, demonstrating the group’s progression since 2010.  I have a feeling this is going to meet our expectations in every way!

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Lord_Huron_-_Time_to_Run.mp3]

Download:Lord Huron – Time to Run [MP3]

Great Tunes from The Hobbes Fanclub

It seems like it gets increasingly difficult to discover new music others haven’t hit upon yet, so when a friend mentioned The Hobbes Fanclub in reference to Slumberland Records, of course I had to check it out.  Currently the group is offering up a compilation EP on their site for the “Name Your Price” bargain deal (we always suggest supporting the artists you love!); it’s comprised of now out of print singles.  The reference to SR was right on, as you can easily see this group sitting right alongside bands like PoBPaH.  There’s hints of shoegaze with the knifing guitars pushing through from the background, and melodic hooks that ring true to the heart.  Really glad I fell into this.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/The-Hobbes-Fanclub-The-Hobbes-Fanclub-EP-01-The-Boy-From-Outer-Space.mp3]

Download:The Hobbes Fanclub – The Boy From Outer Space [MP3]

Heavenly Beat – Talent

Rating: ★★★½☆

It seems like everyone from Beach Fossils is going out on their own these days (DIIV), but the music being created by bassist John Pena has a brighter bent than his bandmates, giving you a collection of songs that’s probably more suited to the “beach” title than even his original group.  Talent is chock full of bright pop tunes that provide listeners with a chance to let some of music’s natural warmth into their lives–you know, if that’s what you’re looking for these days.

Originally, I expected to find Talent as a bedroom listening experience, but “Lust” brought more to the table as soon as I pressed play.  There’s a brightness in the musical arrangements that supersedes the quieted vocal approach used by Pena.  It’s either the string arrangements or the throbbing beat bubbling beneath, but it provides more depth to a typical headphone listen.  “Messiah” carries on with it’s string arrangement stabs propelling the vibe of the record/track.  I completely dig the bass line working beneath the single too, which isn’t too much to expect I suppose, seeing as this is one of Pena’s specialties.

But, one of the things I dig isn’t necessarily the arrangements, though they all fit perfectly, it’s the tropicalia feel that comes along with the guitar sound.  Songs like “Faithless” or “Influence” have this mellow strumming that seems to have roots in Latin American beach tunes, or even classical Latin music.  When it’s combined with the other musical arrangements, it transports one to either the beach or to the heart of Mexico (maybe that’s only me since I lived there for a time).  Heavenly Beat has cleverly put a nice spin on this sound, making it instantly original, though there are other acts taking similar approaches.

Admittedly, heavy doses of listening to Talent can perhaps wear you down, as the level of differentiation is fairly minimal, but there’s something undeniably powerful about the record as a whole.  Each time I put it on, I find new elements lurking beneath a track I thought I already had figured out. It’s not every day you find a band that can create an album with a sound that seems limited to a certain extent, but still has the ability to surprise you over and over.  I mean, “Tolerance” still gets me every time, with each element entering at different moments, coming in and out of the speakers.  At times the guitar almost seems to disappear, then it comes in with hooks to grab you again. Such are the perks of a well-crafted record.

Side projects aren’t always able to eclipse one’s main project, but I think Heavenly Beat in a lot of ways has allowed John Pena to establish himself as a credible songwriter on his own.  Talent doesn’t have Pena playing a role where he’s revising his work, but rather sees him pushing beyond Beach Fossils to find his own sound, and he does so successfully.  If you want to find yourself wrapped up in the warmth of a solid record, then get your hands on this.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/02-Messiah.mp3]

Download:Heavenly Beat – Messiah [MP3]

Talent is out 7/24 via Captured Tracks.

Catchy Pop from Ski Lodge

I’ve been jamming this new tune from Ski Lodge that made it into my inbox over the weekend.  It’s got a little hint of that surfy-guitar pop that’s really popular right now, but I like that the vocals take on a nice focus in this track.  You can find the track on the short Ski Lodge EP, along with three other jams, all which are as equally as catchy as this one here.  It sort of reminds me of the innocence of the Drums early on, giving you that same casual bounce that just invades your mind.  Try it out!

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Ski-Lodge-I-Would-Die-To-Be.mp3]

Download:Ski Lodge – I Would Die To Be [MP3]

Experimental Jam from Solos

I always tend to think of Hella as Zach Hill’s project, but Spencer Seim was always a key ingredient in the group’s experimental math rock.  Recently Spencer united with Aaron Ross (not of UT Longhorn lore) to create Solos, a band still working on bending the traditional sounds of rock n’ roll.  The guys will be releasing Beast of Both Worlds via Joyful Noise Recordings on September 11th (going to be a busy day at the record store!), and it’s going to be a pretty intense affair if this single is anything to go by.  Of course, the music seems to be the main ingredient, with the lyrics coming across as secondary.  I’m definitely digging the powerful drumming here, and of course the fuck-it-all style Spencer has always employed.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/03-Carpe-Diem-1.mp3]

Download:Solos – Carpe Diem [MP3]

New Music from Martin Creed

Martin Creed is a pretty credible songwriter, winning the Turner Prize, and now he’s back with a collection of 18 songs titled Love to You, which is just now being released by Moshi Moshi Records.  He definitely owns a distinctive vocal, but I’m more interested in the craftsmanship that enabled the record to come together.  Every detail is intentional, every lyric placed perfectly, every note placed in exactly the right place, creating a collection of thoughtful songs that you’re not likely to find anywhere else.  This single is perhaps my favorite at the moment, but there’s other more upbeat tracks if that’s your bag too.  Enjoy some Martin Creed today.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/17-Youre-The-One-For-Me.mp3]

Download:Martin Creed – You’re The One For Me [MP3]

Quirky Pop Tune from Gregory Pepper and His Problems

I’ve always favored quirky singers who mess with the formulaic work of singer/songwriter fare, thus I’m enjoying Gregory Pepper and His Problems most recent track today. In my mind, it kind of reminds me of the lyrical playfulness of Travis Morrison, but with the musical allusion to Owen Pallett or Dent May.  The new record from Greg and Co. will be coming out on August 21st via Fake Four Inc., and it’s titled Escape from Crystal Skull Mountain.  Definitely enjoying the light-hearted attitude of this track right now, and I hope you do too.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/13-At-Least-Im-Not-a-Musician.mp3]

Download:Gregory Pepper and His Problems – At Least I’m Not a Musician[MP3]

Pale Sunday – The Fake Stories About You and Me

Rating: ★★★½☆

You can put all your preconceived notions about music in Brazil to the side now.  Pale Sunday are nothing like CSS or Bonde Do Role. While I appreciate the regional flavor of those acts, The Fake Stories About You and Me seems so distant; it’s an album of pristine guitar pop in the realm of bands like Lucksmiths or Nada Surf–it’s somewhere in the middle there.

It’s a short EP, but “Happy (When You Lived Here)” is perhaps going to be one of my favorite guitar tracks of the year; it’s easiest the best track from the band that I’ve heard to date.  Luis’ voice sounds incredible here; it’s calm and cool, yet there’s a smoothness that coincides with the rest of the music.  Everyone else’s accompaniment fits perfectly into the track, from the backing vocals to the steady propulsive drum beat. So good; I wish everyone would write tracks like this.

“About Your Life” seems a little bit more straightforward in the vein of classic pop songs.  The guitars aren’t quite as clean here, and the synths provide an extra element to the background. I can’t quite put my finger on what makes this song so familiar, but I put it all down to Luis Gustavo’s voice.  In contrast to the casual cool of the EP’s opener, here he sounds a bit softer, yet more distant in the mix.  It might seem like I’m not enthused by the difference, but I assure you that I’m having a hard time not playing this track over and over.  Screw it. I’m playing all four songs constantly.

Pale Sunday gives a bit of a bouncing drum roll on “That’s the Way,” giving the third track a bit of swagger and swing.  It’s a song about getting high with a friend or loved one, feeling lost in an emotional sense.  Towards the end of the song it sort of careens with guitar work that sort of bursts into a solo…perhaps providing the listener with that feeling of taking off into the far out realms of one’s mind.

When The Fake Stories About You and Me came to a close with “The Winter Song” I was taken aback at first.  It’s a song focused on strummed guitar, and a different pop appeal than the previous tracks. For me, it seems a lot more thoughtful, as if the band intended to leave you with a departing note about how we should go on with our lives. I like the way there’s a musical emphasis from the rest of the group that seems to arrive just after the 2 minute mark.  It’s a gorgeous track, and one that’s a fitting end to this EP.  Just as it ends, you want more, which might be my only detractor here, but with songs this good, Pale Sunday isn’t going anywhere any time soon. I’m grateful for that.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Happy.mp3]

Download: Pale Sunday – Happy [MP3]

The Fake Stories About You and Me is available now from Matinee Recordings.

 

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