KIng Tuff – King Tuff

Rating: ★★★½☆

In the brief bio on Sub Pop‘s web page for King Tuff, and his new self-titled album, it alludes to the fact that the entirety of the record is just rock n’ roll and that you can’t really listen to it with critical ears.  For what it’s worth, the bio is pretty spot on, as King Tuff is something you’re just going to have to experience for yourself.  But, I’ll do my best to point out some highlights.

While “Anthem” is the official song to kick off the record, the best served song to begin your listening experience might be “Alone & Stoned;” it’s a bit on the poppier side, which could ease you into the listening experience.  King Tuff‘s vocals have a slight resemblance to Nobunny or Hunx, and his musical style is definitely similar, though this track does show you a nice bit of polish–though there’s still that element of playfulness.  That light-hearted attitude is something that definitely benefits the record, coming through on other songs like “Keep Movin” and “Baby Just Break.”

But, while KT can come across as setting out to have fun, he’s also got a penchant to infuse a bit of traditional garage rock into his tunes, just as he does on the album’s standout track, “Bad Thing.”  It’s fueled with guitar solos and an angrier moment that’s not present anywhere else on the record.  Personally, I dig the way the he slows the chorus down just a bit before blasting off into “I’m a bad thing” one last time.  It’s the hit single for sure, but stick around as this thing is full of other noteworthy tracks.

There’s softer ballad-ish moment lurking here and there, such as “Swamp of Love.”  It’s built around a strummed guitar and a piano backbone, but it illustrates that King Tuff might not be as tough as the name indicates.  He’s got other moments that come earlier, although possibly too short to be completed ballads, like “Baby Just Break.”  I think these are the tracks that standout the most to me, as I expected the whole record to have an certain amount of ferocity like “Bad Thing,” but aside from album closer “Hit and Run” there’s really nothing that’s just a straight out rocker.  Personally, it fits better this way; you get peaks and valleys on the journey, all with different bits of enjoyment, depending on the listener and what he/she is looking for in King Tuff. 

While it may not need critical ears to listen to this self-titled record, most of the audience will surely find it successful because of its ability to keep you from finding the songs stale.  You can get a quick rocker or a ballad; you can find hints of garage rock; you basically can find gem after gem waiting for your own personal discovery, so it’s probably best to get on it now–go pick up this album from King Tuff.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/King_Tuff_-_Bad_Thing.mp3]

Download:King Tuff – Bad Thing [MP3]

Folk Jam from Communist Daughter

I’m really falling in love with this new song from Communist Daughter, which just popped up yesterday.  The group is the project of Johnny Solomon, who has been working the scene in Minneapolis, but this new track should help him reach out to a broader audience. For me, I love the way he delivers the vocals, casual and heartfelt; I also have to admit that I love the lyrics themselves.  You’ll find gentle backing vocals and strummed guitar to make the song come to life.  Pick up your copy of this song, and more, on the band’s Lions & Lambs EP, which hits stores on July 10th.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/02-Speed-Of-Sound-EP-Remix.mp3]

Download: Communist Daughter – Speed Of Sound [MP3]

Old Jam (but new to many) from Silver Jews

Make no mistake about it, Silver Jews has definitely left a mark on the indie scene, especially considering the line-up of Dave Berman, Stephen Malkmus and Bon Nastanovich–they’re the only ones playing on this track.  Drag City is digging deep and releasing Early Times on June 19th, which is comprised of tracks from the group’s early EPs.  Just listening, you’ll notice the recording isn’t necessarily the best, but that’s what makes it such an interesting song, as it contains the talent the band went on to display, but also those tiny imperfections that endeared us to Berman and Malkmus in the first place. Hope you like it.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/1-06_Secret_Knowledge_of_Back_Roads.mp3]

Download:Silver Jews – Secret Knowledge of Back Roads [MP3]

More New Music from Poor Moon

It’s clearly a chilled out week on the Internet, as shown by us over here at ATH; this new track from Poor Moon is just another such example.  There’s an element of tropicalia/lounge act going on in this song; it’s got a similar touch to Jens Lekman‘s work of late.  After recently releasing an EP, the group is slated to unleash a self-titled full-length via Sub Pop on August 28th, and I’m hoping it all shapes up to sound just like this here.  Something about summertime and warm weather makes this song really come alive down here in Texas, or it’s just a great song all around.  I’ll take it either way.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Poor-Moon-Holiday.mp3]

Download:Poor Moon – Holiday [MP3]

Sweeping New Track from Arthur Rigby and the Baskervylles

There’s always something fascinating from grand music that rises and falls, especially when it has elements of folk wrapped inside.  When I heard this new track from Arthur Rigby and the Baskervylles, I immediately fell for it; I particularly like the string accompaniment that ties this song together.  The entire new EP, Tales from Pegasus Wood, is chock full of songs just like this one, which should have any one that enjoys this sort of grandiose folk tunes salivating.  Take a few minutes and lose yourself in this song for a bit.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/04-One-Stormy-Night-1.mp3]

Download:Arthur Rigby @ the Baskervylles – One Stormy Night [MP3]

Grass Widow – Internal Logic

Rating: ★★★★☆

Judging by the bio that Grass Widow throws up, you’d expect them to be sort of your run-of-the-mill post-punk girl group, but that’s a whole lot of cliche in one sentence; there’s so much more to the group’s album, Internal Logic, that it stands against your attempt to pigeonhole the group.  No matter what, this is something you’ve got to get behind, and you’ve got to do it right now.

All in all, the album clock in at just under 30 minutes, so you don’t have too much time to dwell on particular songs, and that works in the favor of this San Fran trio.  There’s a dark bubbling bass that opens “Goldilocks Zone,” the record’s first track, and the sparse guitar lines provide an added level of demonic pretense; it’s completely offset by the female vocals–possibly the best of the female vocals I’ve heard this year.  Near the end of the track it shoots off in a more guitar driven direction–it’s a nice little touch. For my money, I think the only thing that makes these girls post-punk is the fact that they’re writing songs thirty years after the initial explosion; these girls write punk songs.  “Milo Minute” is probably one of the most enjoyable punk rock songs I’ve heard in awhile, but I suppose some detractors might say the vocals are anything but punk rock.  That’s the attitude Grass Widow seems to take for the entirety of this album; they use what they have (3 girls singing) and apply it to the punk rock they love.

Of course, that’s just one dynamic on Internal Logic.  Other times, these girls don’t seem to have any interest in punk rock, rather they steer in a more alternative direction with warm vocals and somewhat discordant guitar sounds.  “Under the Atmosphere” utilizes some similar skills from earlier on in the record, but the construction of the song definitely lends to a more pop-centric feel: one that will surely win adoring fans. Still, they have the ability to combine both their favorite worlds, which is why the record’s such a refreshing bit of music to play over and over again.

The second side of the affair hits a lot harder and faster, yet still holds onto the girlishness that makes Grass Widow so endearing.  And in playing faster, they also illustrate some remarkable musicianship, shifting pace and styles within songs.  For some reason, I listen to songs like “Advice” or “Disappearing Industries” and I hear bits of Wire with the modern popularity of girl-pop thrown in to it.  It’s a unique combination of sounds, and one that makes listeners of Internal Logic beg for more.  We all love a lady and her guitar, but give me three chicks who can clearly outplay a lot of the boys, and I’m blown away.  Do yourself a favor and turn this up on the old stereo, and witness the prowess of a band at the top of their game.

[audio:https://austintownhall.com/wp-content/uploads/2011/07/GrassWidow-MiloMinute.mp3]

Download:Grass Widow – Milo Minute [MP3]

Catchy Pop Tune from Wilding

I’m definitely in a pop mood this week; I need a little skip in my step as I bounce into the summer.  When lurking on the usual Australian zines, I ran across this excellent track from Wilding, which definitely has shades of classic 60s Californian pop.  The group, which is mostly the project of one man, just released an album titled Bird’s Bread via Laughing Outlaw, and each track is just as uplifting as the next.  This is definitely getting my attention, so I hope you share my enjoyment when you hear this track.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Pale-Blue-Eyes.mp3]

Download:WIlding – Pale Blue Eyes [MP3]

Chaos in Tejas Preview: Screaming Females

UPDATE: Apparently Marrissa had to cancel due to illness, but we’ll leave this up because we love the band. We’re just a few short days away from Chaos in Tejas, but we still have a few bands we think should be on your radar. Screaming Females is one such act, and one that you surely have to be aquainted with by this point…but if not, here’s the good word.

The New Jersey trio have been working tirelessly since o5/06, with five full lengths to their name–including this year’s excellent, Ugly LP. There’s all kinds of ways you can label the band, from punk to garage to perhaps metal (if you consider their recent tour with Tragedy), but the band has one key element that makes them something entirely unique, something you might consider a spectacle; they have Marissa Paternoster.

Marissa is probably one of the most unassuming women in rock n’ roll, that is until you catch the band live.  She stands about 5 foot tall, average fashion sense, almost shy in appearance.  But, when she steps onto the stage, something transforms her into one of the most powerful women in rock n’ roll.  She slings her guitar around as she furiously strums, and that voice, dear lord that voice.  I remember the first time I caught the group as they were opening for Ted Leo a few years back (and you all know I love Ted) and she almost blew Ted off the stage.  This by no means indicates that Jarrett and Mike (the other two) don’t own their instruments as well, but if you’re looking for a live performance that will change the way you look at music, then you don’t need to go any further than by watching Screaming Females.  I promise you, if you want to catch one band, it’s this one.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/Screaming-Females-Expire.mp3]

Download: Screaming Females – Expire [MP3]

New Jam from Ty Segall Band

After watching Ty Segall rock it out Friday (we’ll have more on that soon), it only seems appropriate that we throw up this track today.  This is a song from his full-band effort, Slaughterhouse, which comes out on June 26th via In the Red Records.  You’ll probably find this track sort of indicative of the work Ty’s put into this year, as the music’s got a heavy bent, while there is an evolving softer element to his singing.  Regardless, when the band bang’s it out, you know you’re going to get right into it–Ty’s been killing it all year long, and it doesn’t look like he’s slowing down, so enjoy another great jam.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Ty_Segall_Band_-_I_Bought_My_Eyes.mp3]

Download: Ty Segall Band – I Bought My Eyes [MP3]

Great New Track from The Couch

We’re really excited for our friends in The Couch here in Austin, working diligently on their sophomore album, just after the release of 2011’s Old & Touchin Blue.  They’ve added Sara Houser to the mix, giving the band a bit of a new dynamic–meaning they’ve added an incredible female vocalist to the mix.  I this track, one of the two new singles, they give us a bit of a heavy stomp, allowing Sara to lay her sultry voice atop it all.  You can hear this single and others when the band hits up the Mohawk next week, June 5th.  Really excited for these guys (and girls!).

[audio:https://austintownhall.com/wp-content/uploads/2012/05/kaiser.mp3]

Download:The Couch- Kaiser [MP3]

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