Best Coast – The Only Place

Rating: ★★★★☆

Chances are, if you know anything about Best Coast, it’s that front woman Bethany Cosentino really likes cats.  Or perhaps you’ve delved into the tuneage of said cat-obsessed female and found that she also creates some pretty sunny California pop jams. Best Coast have shown they can crank out some quick paced and fun jangly pop, but can they be more than that?

Substance has never really been Best Coast’s style; their first album, Crazy For You barely passes the thirty-minute mark, with each of the thirteen songs not averaging much more than two minutes apiece. If length of songs is any indication of the changes that this band has undergone, than it’s clear that they’ve grown up a bit. The Only Place has a range of songs, but the majority reach three minutes. Even at this first glance, you can see that the second time around this group is straying from dropping into the pattern of becoming the same old same old. The first song and title track, “The Only Place” sets things off on the right foot. From the moment you press play, it’s like opening a bag of sunshine and ocean spray into your speakers. It’s classic Best Coast: we’re still having fun, we’re still hitting the beach and those guitar riffs are still surfy.

The biggest difference between this sophomore release and Crazy For You is maturity. Yes, the songs aren’t chock full with lyrics of eloquent diction and complex syntax, but Cosentino has definitely stepped it up. She has moved past the overt simplicity of songs like “Happy,” in which repetition was the song’s key lyric. On The Only Place, even on one of the shorter numbers, “My Life,” there’s still an immense amount more of actual lyrics that make sense to generate some kind of story instead of just the moody emotions of a California Girl.

Another sign of this maturity is a big push for stronger, slower songs on this album. One of my favorite numbers, “How They Want Me,” combines Cosentino rocking the ballad, with the continuation of the groovy guitar of the rest of the tracks, some interestingly detailed percussion topped with some “oohs” and “ahhs,” that layer to give this song that extra punch. It’s tracks like these and others like “Do You Still Love Me Like You Used To,” which lead me to believe in the longevity of this album. Whereas Crazy for You got a little tired a little fast, this albums packs a greater punch than just a few listens.

It’s a perfect album for the upcoming heat and freedom of summertime. So roll down your windows and savor those last few weeks of a breeze with Best Coast.

New Pop Number from Stevie Jackson

If you read this pages, you’re probably aware of how much I love Belle and Sebastian, so I will always buy into a side-project.  But, Stevie Jackson is making it really easy, as his first single from I Can’t Get No Stevie Jackson is an old school pop gem–the sort you and your parents will both rave about.  He’s releasing the album via B&S’s Banchory Recordings on July 3rd, and you can expect something lush and clever coming your way.  This track just goes to show you that while Stuart Murdoch may man the helm, there’s plenty of great songwriters hiding in the wings of my favorite pop group.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Where_Do_All_The_Good_Girls_Go.mp3]

Download:Stevie Jackson – Where Do All the Good Girls Go [MP3]

Mystery Jets – Radlands

Rating: ★★★★½

The boys in Mystery Jets have come quite a long way, staring first with their angular guitar pop and moving forward into a full-fledged pop group.  But, with all their success, the band needed a move to Texas for a different perspective, leading to their most accomplished album to date.  Radlands, despite some roots in Texas, remains a uniquely MJ affiar, one that shows the group far advanced in their songwriting prowess.  For my ears, they’ve crafted a pop album that hits on almost every note, from start to finish, a feat worthy of high praise alone.

“Radlands” opens the album with just the echo of a guitar, soon joined by Blaine Harrison’s vocals.  It takes a moment before you hear the slight introduction of strummed guitar, which then bursts into a full-band affair.  As the guitar rings, you hear Blaine take control with his soaring vocals, but then the group settles back down to the vocal/guitar approach again; few people are making such well-crafted pop songs like this. And it doesn’t just stop here, with the first several tracks from Radlands easily being called knockout punches.  You’ll find a bit of a Texas jangle when you listen to “You Had Me at Hello,” which features perhaps one of my favorite choruses from the group’s career.  Personally, I dig the fragility in Harrison’s voice on songs such as “Someone Purer.”  He can belt out a chorus with great strength, but a great deal of his power comes from his ability to reign that in when it’s needed most.  If you’re looking for a traditional pop moment with verse chorus verse chorus, just give this track a listen to find yourself pure pop gold–it even has some “ooh oohs.”

One thing I’ve always appreciated about Mystery Jets is that while there’s some elements of high brow music, they still remain youthful and playful.  This album’s playfullness comes via “Greatest Hits.” It’s a song for writers, answering the age old question of the influences for the band as a whole; at one point, the group gives a nod to Neutral Milk Hotel, Belle and Sebastian, The Kinks and the Minutemen all in a twenty-second span.  There’s whimsy all over these tracks, which is one reason why I think the group writes some of the best pop tunes around–they’re songwriting is serious, but their heart still says music should be fun. Radlands also indicates the band’s willing to takes risks, especially when you look at the duet between Sophie Rose and Blaine.  It’s definitely a tune that seems influenced by the group’s recording in Texas, and like all songs on this record, it succeeds; it’s clever, and yet heartfelt. 

Sitting here writing this review, I’m trying to think of how to include every single song in this review, as I know I left off some hits like “Sister Everett.” But, it’s probably too long-winded to try and touch on all the highlights of this album, although  I easily could do so.  Radlands is one of the best simple pop albums to come my way in a long time.  There’s no spectacle, there’s no hype, it’s just great songwriting wrapped up in the perfect way.  For this reason, and a ton of others, Mystery Jets remain high upon my list of best pop groups; cheers to you lads.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/03-Someone-Purer-1.mp3]

Download: Mystery Jets – Someone Purer [MP3]

Beach House – Bloom

Rating: ★★★½☆

Let’s face it, there’s no one out there crafting music just like Beach House.  That is, except Beach House.  Seems redundant doesn’t it? Well, if you’re looking for a fault on the band’s fourth LP, then it might be that the group seems a bit cornered on Bloom.  While the music itself is beautifully emotional, it’s not too far from where they left off with Teen Dream; that’s going to appease hordes of folks, but it might also leave some detractors this go round.

Beach House has a knack of opening an album with brilliance, much like they do here with “Myth.” That twinkling keyboard line complimented by the lofty vocals of Victoria Legrand demonstrate that the duo will continue to find themselves atop year-lists, with few songs capturing the eloquent pop of this track.  When the group takes a slight turn near the 2 minute mark it’s clear to any listener that few songs can eclipse this one.  Bloom is filled with similar moments like this opener, but it’s hard to top your first impression of this listening experience.

“Lazuli” seems to have a bit more sparkle to its construction, which enables the track to stand out from many others on the record.  There’s an underlying quality of brightness to this track that’s not always present with regards to the wistful quality of Legrand.  You get the feeling that she pushed herself here in the studio, and it pays off huge dividends…these are the moments you long for from a group with such a distinctive sound.  Other moments such as this one exist on the record, and Bloom succeeds due to their presence.  “The Hours” is the shortest of the tracks on the record, and its brevity definitely is filled by the group pushing for a slightly different sound, be it the vocals or the guitar work.  And near the end, “On The Sea” gives us a completely different side of Beach House, using a less electronic side of the keyboard.  Really it’s Victoria who steals the show, and while there’s still that element of smoky fuzz in her voice, you’ll also notice a songstress giving the recording of a lifetime (in my opinion).

You see, Bloom has absolutely fantastic elements sprinkled here and there for the listener, so be sure to listen to the record through and through.  However, other tracks do find the group in some middling territory, seemingly unable to escape the remarkably distinct sounds they’ve created in the past few years.  Those moments were beautiful, but at times they do come across as a bit of audio overkill. Beach House is growing here, showing glimpses of new dynamics in their songwriting; they just haven’t completely distanced themselves from Teen Dream.  For some, that’s exactly what you’re looking for this go round; others, like myself, love it, but can’t wait to see where the group takes us on the next go round.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/01-Myth.mp3]

Download:Beach House – Myth [MP3]

New Tunes from Guided By Voices

Guided By Voices is certainly an acquired taste for many, but if you listen to this track, you’re going to have to recognize the songwriting gifts of Robert Pollard and Co. You can find the song on a 7″, as well as the new LP Class Clown Spots a UFO, which hits stores on June 12th.  In my mind, this is perhaps one of the best songs the group’s written.  For one, there’s a good solid length (something often lacking from the group) and Bob’s voice sounds remarkable here.  It’s about as simple as a pop ballad as you can get, and I’m loving it!

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Guided-By-Voices-Class-Clown-Spots-A-UFO-New-Version.mp3]

Download:Guided By Voices – Class Clown Spots A UFO [MP3]

Scuzzy Beach Rock from Guantanamo Baywatch

Dirtnap Records has done a pretty solid job with releases this year, and they might just have another one on their hands with the new record from Guantanamo Baywatch.  The album is called Chest Crawl, and this track is pretty much a solid snippet of what the whole thing will sound like to your ears.  It reminds me of a weird surf rock jam that lives somewhere between Thee Oh Sees and the Cramps.  It might not be for everyone, but it’s the kind of stuff I’ve been into lately. Give it a little taste.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/guantanamo-baywatch-boomerenga_2012-05-04-164705-4137-0-0-0.128.mp3]

Download:Guantanamo Baywatch – Boomerenga [MP3]

Great Jam from The Intelligence

For months I’ve waited for the official word on the newest record from The Intelligence, one of my favorite acts.  Luckily, the album came my way last week, and now I get to share with you one of the reasons I’m so excited for you to hear Everybody’s Got It Easy But Me; it hits stores on June 19th via In the Red.  It’s a rambunctious jittery rocker with a discordant guitar chord that rings in the background throughout. If you get your hands on the whole album you’ll also realize that this band’s got a knack for writing hooks within the realm of arty guitar rock.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/08-They-Found-Me-In-The-Back-Of-The-Galaxy.mp3]

Download:The Intelligence – (They Found Me In The Back Of) The Galaxy [MP3]

Great Upbeat Track from Big Wave Riders

Last year Big Wave Riders released a nice little EP that caught my attention, so with news that the band will finally have a full length coming out later this year via Soliti Music, I just had to post about it.  Never mind the fact that I already love this group’s first release; this new track is absolutely marvelous.  Honestly, I know the music isn’t as fitting, but there’s a vocal element at times that reminds me of Jarvis during “Common People.”  Listen closely and see if you can hear it too! If not, then just enjoy this song for as long as your mouse will let you hit repeat; I’ve been doing it all day.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Waiting-In-The-Wings.mp3]

Download:Big Wave Riders – Waiting In The Wings [MP3]

Clever Tune from New Beard

Occasionally you come across an inexplicable track that makes its way into your listening rotation and just sort of sticks there.  That’s much the case with this new track from New Beard, a proclaimed freak rock group from NYC.  But, when I listen to this song from their debut New Beard City, I can’t help but think of the early days of Architecture in Helsinki.  There’s layers of non-traditional percussive elements centering around a casual vocal and strummed guitar.  I can just jam this track all day long, again and again; it’s just catchy and well-written, so now you can enjoy and share with your friends.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/NewBeard_Doom.mp3]

Download: New Beard -Doom [MP3]

Sad Bastard Songs from Mbilly

It’s been awhile since I’ve revisited the quite side of my listening tastes; I’ve been delving into the rock n’ roll lately.  However, Portland’s Mbilly really sunk in with me today, especially listening to the following tracks from his upcoming LP, Malheur (June 5th).  My favorite of the two at this instant is the soft beginning of the album’s title track, strolling along gently with pure emotion.  The latter of the two tracks is more of a duet that demonstrate’s singer Helfrich’s ability to pull every ounce of his soul out through his voice.  Maybe you’ve been looking for some softer music to go and get lost inside; I hope this does the trick.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/mbilly_malheur.mp3]

Download: Mbilly – Malheur [MP3]

[audio:https://austintownhall.com/wp-content/uploads/2012/04/mbilly_allliveslived.mp3]

Download: Mbilly – All Lives Lived [MP3]

1 66 67 68 69 70 78
Social Media Auto Publish Powered By : XYZScripts.com