Tag: new single

Lewsberg Share An Ear to the Chest

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One of the albums I’m most excited about hitting this next month is the fresh LP from Lewsberg. I’ve been following the band thanks to 12XU the last few years, and this new single ups the ante on the band’s sound, kicking in a joyous bit of bounce. Arie’s matter-of-fact delivery has a similar style to Stephen Malkmus or maybe even Bill Callahan, which is given this buoyancy by the chiming guitar work. Those riffs are razor sharp, encircling you as the drums push on with a snappy kick that’ll have your head bobbing in no time. This will be a release the cool kids at your lunch table, or water cooler, are talking about for the next few months. Plus! They’re coming to the US in September and October, with a October 5th date in Austin. Out and About hits on September 15th.

Indianna Hale Shares Another Single from Yesterday’s Glitter

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Admittedly, I have a cliche opinion about what San Francisco likely sounded like in the late 60s, and perhaps that’s filled with Hollywood misinformation…but even still, it seems like Indianna Hale has channeled the ghost of her current hometown. Her latest single is filled with groovy psychedelia and stunning musicianship. That said, it almost feels like the musical piece is really just a fancy get-up meant to set up the listener to swoon when Hale’s vocals open into their delightful croon. In fact, it almost feels like Indianna is haunting the Hollywood version of paisley paths, and I couldn’t be more stoked to spend more time with Yesterday’s Glitter; it drops on September 1st via Perpetual Doom.

Red Pants Announce Not Quite There Yet

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I love Red Pants so much that I had to send them a note to apologize for not getting the track up on Friday when they announced Not Quite There Yet. I spent a lot of time with their last LP, When We Were Dancing, but I’m super impressed with the immediacy of the first single here. Sure, you can definitely hear some Sonic Youth and Yo La Tengo, but I’m going to throw out some late-ear Low nods here. You can feel the noise element playing into the songwriting, but there’s still that almost meditative notion that seeps through the speakers, entrancing you with this brooding blast of rock. Tons of flair coming through too in the end of this jam. Look for the new LP to drop courtesy of Meritorio Records on October 27th

Jeff Moller Shares Still Intact

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We’ve been covering a lot of music from Oakland as of late, though I’ll admit, Jeff Moller‘s sound feels a bit closer to home, sonically speaking. There’s something a little wayward Western to it, just the right amount of twang hanging on those sliding guitar notes that rise through the edges. Moller’s voice definitely feels like a classic rock bit of balladry, and it doesn’t hurt that you get Jason Quever of Papercuts cutting through here on the drum kit. Jeff will be releasing his debut album, Sigh Baby on September 22nd, with expectations riding high after listening to the handful of singles made available.

Bobby Emmett Shares Sludgy New Single

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Though Detroit based musician Bobby Emmett may be unfamiliar to you, it’s possible you’ll recognize him, like me, from his over the top performances as a touring musician with Sturgill Simpson. Well it turns out Emmett can play a bit, and also has a knack for songwriting as evidenced by his new single “See No Evil.” It’s a sort of boozy, blues inspired jam with touches of funk inspiration and spectacular drum work. Check it out and enjoy below.

The Native Cats Announce New LP, Share My Risks is Art

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I was really stoked when the Native Cats got their whole back catalog up on the DSPs, but I honestly wasn’t expecting Chloe and Julian to jump out with a fresh record too! If you’re new to the band, you’ll hear them as the kindred spirits of modern post-punk, or maybe as a band looking back on that classic era of club punk from the early 2000s. For me, I find them straddling that territory, and as ever, making it entirely their own. It’d be easy to pull off the Rapture and throw frantic cymbal work all over this…and I’d love it. But, I love it more that that’s not where they travel; they seem more intent on using Chloe’s vocals to stake claim to the risks one takes as an artist, and more importantly, as a human being you can’t file or label. It’s bewildering and powerful, immediately making me run back and play it just to get it in my head again. They’ll release the Way on is the Way Off via Chapter Music on November 10th.

Mope City Share Eat Yr Promises Single

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Mope City has long been one of those little secrets, but as they look forward to Population: 4, its time everyone else gives the group a listen. They would likely be filed under slowcore nowadays, mostly due to pace. This new single, however, continues the ominous push they’ve made shared with us this year, toiling in that sort of experimental hardcore territory, tied to the shores of melody. Discordant notes and heavy riffs intermingle here, though the vocals feel like a young Kim Gordon beckoning you to come into the band’s recording space where they pummel you with those riffs all over again. And, just as you thought you couldn’t take it, they tease you with one more melodic tickle of the ear bones…and we’re done. If this is something you’d dig, Population: 4 is out via Tenth Court on October 13th.

Slumberland Records Sign Blue Ocean

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I got turned onto Blue Ocean a few years ago when the group put a few of their EPs together for Paisley Shirt/Dandy Boy…and today they get a further stamp of ATH approavl with the announcement that the band have signed on with Slumberland for their first LP. It’s incredibly difficult to pigeonhole the project; they create these layered textures, all working in unison, yet seemingly fighting against one another. At times my ears get drawn towards the crashing wave of screaming distortion; the rhythm section seems to work against that angst, coming in more playfully, almost bouncing; it all swirls together like this Captain Planet of DIY indie rock! All of that’s accomplished before we get swept up in the indifferent cool of the vocals. Absolutely in love here. Fertile State will be out on October 13th.

Cochlear Kill Share Rumiscent Single

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Being quiet for nearly ten years, Melbourne’s Cochlear Kill returns with this sparkling bit of dark pop. Upon pressing play, your ears are immediately met with these cascading riffs, some of them hitting on that crystalline note that feels like it’s a bit of glass shattering in a haunted house. Twisting and churning, the song creates this shimmering pop wash; it leaves plenty of space too, letting the vocals paint themselves softly atop the musical backdrop. At times the track feels like this huge black hole, swallowing you in heavy riffs, but then the vocals lead you on with this faint promise hanging in the distance. Looking forward to hearing more from the group in the future.

Seablite Announce Lemon Lights

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Another day and another dollar I’ll likely have to send to Mt. St. Mtn., particularly now that they’ve announced a fresh new LP from Seablite. Although they’ve sprinkled in some singles and an EP, we haven’t had a proper LP since 2019, so I’m excited to hear what’s finally coming our way. And, after spending several minutes running through the new single, I really like how they’ve come out. Sure, there’s some dreamy/gazey moments that are still wrapped in there, but something about the vocals really has me leaning towards those 90s alternative rock vibes. It’s a nice twist, allowing the band’s murkiness (also there in the video) to hang in the air, while still driving home this pop aesthetic they seem to have perfected, letting the hip kids indulge from all the various angles. Lemon Lights is out on September 29th!

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