Plastic Mirror Share New Single

I was first introduced to LA’s Plastic Mirror last summer when they had this delightful single that seemed to drop out of nowhere, and they’re back again with a couple of two new tracks. Their first EP had this broad pop approach, sort of letting the layers and the song structure play of the negative space to build emotion. This go round, the band seem to have employed a bit more urgency within, as there’s a newer pulse that pushes the track forward. The band’s allegiance to rally grand pop structures, circa mid90s Britpop, is still omnipresent, and as you listen, you’ll feel the anthemic nature of their craft when you hit those chorus bits.

Elephant Stone Return with Lost In a Dream

Having dropped a few of their more exploratory pieces already this year with the Dawn, Day, Dusk EP/Single, Elephant Stone is continuing their path through the forest of psychedelia. Listeners get pulled in quickly by the snappy drum work; it’s propulsive in nature, thus providing the guitars plenty of space to move in and out of the dreamier realms. Velvety vocals were prescribed, but as much as I love them through the verses, there’s a really striking moment at 1:20, shining a ray of sunshine right into your ears that completely melted me. I’m continuously impressed by the band’s ability to grow and turn back on themselves some 14 years into their career, consistently carving their own path in this musical realm.

The 1981 Share Notebox Single off Move On LP

Spoken word samples and a ringing guitar line pull you into your speakers when you press play on the newest single from the 1981. Soon enough, the drums kick on here and build this stomping brood that recalls some of the early Jesus and MC power hooks. But, then a cymbal crashes and the track turns more melodic momentarily, bridging the gothic structure with a bit of understated cool. I love the way the vocals really churn here, reminding me of all the loud guitar acts from the late 80s/90s that never turned away from bringing in melodic vocal hooks that kept you coming back again and again. The band will be releasing Move On via Dandy Boy Records on August 18th.

Daiistar Share Another Single from Good Time

Daiistar

I’m really interested to hear what Daiistar‘s debut album sounds like; they’ve been toying with me on every single they’ve dropped. Sure, they’re all in the same realm…psych, dream pop, shoegaze, but they’ve added in some layers to mix the tunes, which, for now, is keeping me on my musical toes. Plus, it’s all been really good, so you can’t argue with that start. This latest track from Good Time feels a bit like if Brian Jonestown just went off the deep-end into a sort of heavier realm; you can feel the weight of the guitars as the track swallows you up. Slow pacing only builds some solid tension, yet it never quite gets released, jamming out on the edges of dream pop as the song draws to a close. Fuzz Club will release Good Time on September 8th.

Playful Pop from the Cowboys

As of late there’s been a shitload of posturing about what’s cool and who’s cool in the scene or whatever you call it, but when you hear this track from the Cowboys you’re reminded that pop music supersedes all that bullshit; it’s about joy and frivolity, which is exactly what you get here. A stomping keyboard line sets up a ska nod (just me) that gives the track this insane bounce that will likely let you jump around the room joyously. Then you hit that chorus where the band turns the garage pop tendencies into a pure doo-wop swoon you’ll keep spinning on repeat. If you remember that rock n’ roll is fun and you can afford to take your life less seriously, then grab The Sultan of Squat, on August 25th via Feel It Records.

Scarves Share Candy Bar Single

Long ago, in a blogosphere far away, I wrote extensively about Scarves and their record, Delicate Creatures. Fast forward to last Friday, and the band dropped a fresh track, emailing us to let us know that the songwriting just clicked, and they were having fun just writing again, so they pressed record, and here we are. Musically, the group still feel like they’re a few degrees away from Death Cab, though having spent a lot of time with the band’s music, Niko’s vocals feel more natural and honest…so maybe Gibbard circa We Have the Facts. The tune unfolds casually, almost stream of consciousness in a sense, and with a strum, its over, leaving you with just an inkling of extra joy in your day.

Blonde Redhead Share Before Single

I thought I had our musical coverage all planned out today, but it’s hard to pass on a Blonde Redhead track, right? This new single does seem like the perfect bit of coffee pop, with Kazu’s vocals pushed way up in the front, as the texture operate in the background. My ears, at this early moment in the morning, feel like there’s sort of two songs going on behind her, only adding the depth; the percussive element seems separate from the work of the keys, like two distinctive pieces working in unison to build a backdrop for the vocals. You almost get this sort of jazz brunch feel, and yet, somehow, all these years later, the group still manage to make their work seem fresh and stunning. They’ll release Sit Down for Dinner on September 29th via section1.

Another Teenage Fanclub Tune

Look, I don’t care how many posts I have, or how many other silly sites cover them, there’s never a bad time to cover Teenage Fanclub. This new single is a reminder of that, as they had me the instant that jangling strum hits you in the face. Operating with a steady circular stomp, the song twists into this stretched out melodic piece that reminds me a lot of sitting around my grandparents house listening to the oldies station. They’re creating pop music that’s just absolutely timeless, and I couldn’t be happier to know that Nothing Lasts Forever is closer on the horizon; it’s out on September 22nd via Merge Records.

Prewn Shares Another Track from Through the Window

Admittedly, Prewn was not an act on my radar until they signed with Exploding in Sound for their forthcoming Through the Window LP. But, as soon as I heard Izzy Hagerup’s voice, I was mesmerized; there was something so distinctively haunting that I couldn’t get it out of my head. Now the latest single provides that same emotion, her voice rising and falling brilliantly from with the confines of the stripped down approach. While the tune has this cavernous feel, it eventually erupts into this cacophonous world of explorative folk that bends and turns as Hagerup puts her voice on full display. Look for the release to drop on August 25th.

Grimson Announces Climbing Up the Chimney

When Grimson was a young child, he began to pen the ideas of what would turn into his latest track, “Round Trip Ticket;” it was a track detailing the separation of his family across continents. But, as his songwriting proficiency advanced, notes and details turned into this fully fleshed out bit of baroque pop. From the start, there’s this swelling bounce that tosses you on the saddle and ushers you into the track; it gives the song this steady beat, allowing for the rest of the arrangement to really fill in the details. And what a great job there, as sweeping strings and Grimson’s Beatles-esque vocals seem to wrap match that bounce and build in this stunning texture. If you’re digging it, Climbing Up the Chimney is the name of the new LP, and it hits on September 1st.

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