Tag: new single

The Beths Return with A Real Thing

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Having had two North American tours cancelled by this damned pandemic since the release of Jump Rope Grazers, The Beths are ready to finally make their way back over here on the backs of their latest release…doing it with a fresh tune in their pockets to rock your way. Liz Stokes of course is the dominating force here, with the rise and fall of the hooks revolving around her delivery. That’s not to say the band aren’t hitting it heavy together, as the drums hit furiously, pounding out a frantic pace that matches with the fever dream that influenced Stokes’ writing on this particular tune. Plus, I’m not sure any power-rock group is writing choruses with as many catchy moments as this lot. They’ll be hitting the States throughout the rest of February, and then heading over to Europe for the rest of the Spring…so catch em’ when you can! Austin date at Empire Garage on February 15th!

Pinch Points Drop Am I Okay Single

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The Aussie scene’s been quieter than usual, with only the Partner Look LP coming to mind as heavy rotation pieces over here, so I’m glad Melbourne’s Pinch Points have this rad little single to share from their forthcoming LP. In this song, you get a nice little rolling indie rock feel, sort of like the low tides nipping at your ankles as you walk along the beach. I love the dual vocal approach, matching the emphatic notes together as the song punches along. Lyrically, you’re not going to find a more apt tune today, or for the next few years, with the song hopefully reminding us all just to breathe, let the world move around you and just take care of yourself…sometimes we need a reminder. The band drop Process on March 18th via Exploding in Sound/Misteltone Records.

Helena Deland Shares New Single, Swimmer

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When I think back on Helena Deland‘s Someone New, I always seem to regard it with some sort of elvish dreaminess; it always seemed like she was some magnificent forest creature sent to serenade. Now, as she prepares for tours with The Weather Station and Andy Schauf, she seems to be channeling a more traditional brand of folk, albeit one that still has this sort of forestry imagery in my brain. You’ll definitely find the track striking, with Deland’s voice sparkling crisply, with Winter winds blowing in behind in the mix (or so it seems). The video is all footage shot by Helena, with the guitar notes seemingly escorting you through each image upon their backs. Enjoy this one.

Loops & Loops Share Hate Finds a Way

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Man, I’ve been hyping Loops & Loops over the last few months with no shame at all, but this new tune really blows it all away. At times it feels like the sort of perfect guitar pop you’d get from a Dean Wareham penned tune, which I consider the highest form of praise. Then, hitting the chorus, you get a touch more direct pop punk punch, quickly driving the melody right to the ears. It’s a fuzzy little tune, hitting all the right notes as it goes through, and I’ll be honest, I can’t stop pressing play again and again. Give Loops & Loops a try, I beg you.

Half Dream Music Return with Too Much Single

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After all the praise I through at Half Dream‘s Monster of Needing EP, it seems only natural that I follow up with the band’s latest single, hinting at what’s coming later this year. You’re going to, of course, marvel at the power of Paige Berry’s voice; she’s got this dominating control that can spin a melody into a softened growl, which is matching up well with the band’s sound on this new track. It is, well, incendiary, firing off heavy riffs that bring in the punch almost immediately, turning the group’s dreamier folk nature into a force to be reckoned with, yet it never loses their personality. Excited to hear what’s in store for us later this year.

Letting Up Despite Great Faults Share She Spins

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We’re about a month away from the release of the new LP from Letting Up Despite Great Faults, and they’re dropping another stunning single on you for Bandcamp Friday. On this one, I love the dueling guitar lines, one jangling throughout, while the other has this more crystalline nature to it; they play off each other perfectly, creating an imbalance that leads into the perfect melody for the vocals. Mike’s voice is super soft here, and it allows the emotional appeal to work its magic, particularly when he gets a little backing harmony to provide a supportive lift. If you’re digging what you hear (why wouldn’t you?!), then be sure to throw some cash down today so you can grab IV when it drops in March.

New Tune From Big Nothing

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Well it looks like we are all stuck inside for the day in Austin so what better time to site around and put some new music on as we try to find things to do. My pals in Philadelphia based band Big Nothing have this new song called “Still Sorta Healing” which should offer some brightness during our cold and dreary day. I love the dream pop vibe akin to say Alvvays but with a touch more of an ever so slightly distorted guitar to give it this nice, subtle edge to it at times. I think you’ll love it.

Big Nothing will release new album Dog Hours on February 18th via Lame-O Records.

Another Love, Burns Tune — Album’s Out Tomorrow!

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Tomorrow’s the big day my friends; we’ve got It Should Have Been Tomorrow dropping this Friday, and Phil from Love, Burns has been sharing his thoughts all week long; don’t forget to buy the album in your preferred format from ATH/KUS/Jigsaw. Here we have some thoughts on “A Gate and the Ghost:”

“Franoise Hardys recording of La maison o j’ai grandi is all over this song. The tune and lyrics are my own, of course, but I wanted the song to have a gradual build up, something Hardy does on her recording. Its one of the few songs where I was quite specific with Hampus and, especially Kyle, as to what I wanted in the arrangement. Start off with the acoustic, drums, bass, then the keys come, and then electric rhythm, guitar solo, harmonies all going off. Gary Olson does all of the harmonies on the LP, btw. Im a big Franoise Hardy fan, like a lot of indie pop types. Charles Blackwell did the arrangement for La maison Mat Patalano did a lovely promo to go with Gate and the Ghost that features two years old me, filmed by my Grandad. The LP sleeve pictures were taken around the same time, by my Dad. Thats me and my Mum on the sleeve. We’re somewhere near Ballykinler, in Northern Ireland. Gate and the Ghost is about returning home (as is the Hardy song). And theres a building in it. Its no Cattle and Cain, but I think its the best song Ive written. I know for a fact that Lloyd Cole and Tracyanne Campbell like it. They said so on Twitter! I use my 1965 Burns Nu-Sonic this song, because that guitar has a fantastic tremolo. Its my Pale Lights guitar, and this is its guest appearance for Love, Burns.”

Brothers Griin Announce Joy City

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Brothers Griin is not a Flaming Lips side project; it’s a high octane dance party consistently evolving into beat-driven hooks by two dudes who just happen to be in the Flaming Lips…they also happen to add a bunch of their friends to the mix on their debut Joy City. And, to be honest, Nick’s been a friend of the site since the early days of Colourmusic! This track relies upon the hook thrown in from Abbey of Chair Model, adding this angelic coating of sweetness to the thumping of the work put down by the duo. Brothers Griin are a reminder we can still throw down and have a blast together (with masks and 6ft!). Look for their debut Joy City via Graveface on May 2nd.

More from Love, Burns and the LP, It Should Have Been Tomorrow

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Again, it’s great to see what an author has to say about their own work, get a little insight into their thought process. So we continue celebrating It Should Have Been Tomorrow (coming out the day AFTER tomorrow) by a few more great words from the Love, Burns songwriter himself, Phil Sutton:

Dear Claire was a song I wrote a few years back, recorded by my then group, The Soft City, that included Jason Corace and Dora Lubin, then Turner Stough and Kyle Forester guesting. Dora was the singer, Jason was (is) A Boy Named Thor. The song came out on a 7 inch EP, self-released. I think its a really good EP, that sort of got lost. We broke up when Jason, then Dora, moved away from New York. I always wanted to put Dear Claire on an LP, so we re-recorded the song with me on vocals, and a slightly different arrangement. We kept the looping organ though, the melody of which I sang to Kyle. This is one of two covers on the LP. The other is “Come In the Spring,’ a Pale Lights song. Covering myself. How indulgent!”

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