Tag: new single

Alien Nosejob Shares Split Personality

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There are two things you can almost always count on in life: Goner Records and Australian rock n’ roll, especially when it comes to the prolific nature of Jake Robertson’s project, Alien Nosejob. He’s just announced a brand new LP, looking back at that Nuggets-era boogie rock n’ roll, albeit with a spicier modern twist. For the first minute or so, the track plays with the trope, kicking out that pronounced garage stomp. But, hit that 1:16 mark where the melody sneaks under your skin and you’ll be hooked on the track. Find a fiery solo breaking the track down, turning it into an all out burner that has you rushing to pre-order the LP. The Derivative Sounds of…Or…A Dog Always Returns to Its Vomit is out October 27th via Goner Records.

Anna Hillburg Announces Tired Girls

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It’s a shame that we always pigeonhole San Francisco as a sort of land of dreary fog, particularly when you listen to the music we’ve covered the last few days, like this Anna Hillburg tune. Something in this track provides me with this majestic wistfulness; it’s dripping with nostalgia, but by incorporating the pianos and trumpet throughout, the tune pushes you towards the sun’s rays as they break through clouds. Hillburg’s definitely got her singing pipes down too, moving in between piano lines and that constant buzz of the cymbals tapping in your ear; I love the vocal control, fluttering between short accentuated notes and stretched out belters. Tired Girls, the new LP, is out on October 13th via Speakeasy Studios SF.

Tony Jay Share Isolated Visions

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It’s probably early on in your day, if you’re reading this as I post it. If that’s the case, your day just got better, as there’s a fresh Tony Jay track to dive into right now. Even though the song takes on this mellower vibe, something about it feels adventurous, encouraging you to throw a knapsack over your shoulder and head off into wherever. Intertwining vocals from Michael Ramos and Karina Gill offer this sense of bewilderment, disorienting in the best possible way, begging you to bundle up tight and turn your headphones all the way up. There’s a moment in the song with some light shaker, and you can hear a little rattle in the snare, and for some reason, I just kept diving into that moment; there’s also a really sharp guitar line that sparkles right around 2:25 that stood out to me. More songs please! Tony Jay releases Perfect Worlds on September 15th via Slumberland.

Feeling Figures Announce Migration Music

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Unsurprisingly, it sounds like K Records have another stellar release on their hands, this time with a new LP coming from Feeling Figures. For fans of the label, this new single feels precisely what I imagine it was like growing into a young adult with K’s catalog on your tape player. There’s almost this natural indifference to the churn of the guitars, riding the wind on the back of beat, waiting for the vocals to soar into picture. Nothing seems overdone or exaggerated for musical effect, tightly wound up around this simplistic DIY ethos. Plus, there’s plenty of open space here too, allowing the musicianship to frolic about in enchanting fashion. Old school vibes with new school flair; Migration Music is out November 15th!

Helpful People Share Title Track from Brokenblossom Threats

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If I were to find faith in musical humanity, it has to be with people latching onto the latest from Helpful People, the duo of Carly Putnam and Glenn Donaldson. The track if fueled by this steady strum, almost muted in its notes, with little twinkles of keys or synths bubbling up from beneath to add some textural elements. Putnam’s voice is really special in this performance, never wavering from the solemnity that seems to drive each lyrical line. You can feel a bit of Glenn’s latest work slide in too, particularly in the middle of the tune where space opens up to this delighting musical excursion. Helpful People will release Brokeblossom Threats via Tall Texan on August 27th!

 

Steven Adams Announces Drops

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Imagine turning on a record and hearing your favorite parts of modern indiepop sounds fused with the fuzzy pop of greats like Grandaddy…that’s where this new Steven Adams track hit me. There’s moments when it feels playful and coy, like letting you in on this catchy little secret. Then, you get a little plot twist and the song opens up entirely, taking on that natural gallop with guitars running alongside one another as the urgency crests into this really sweet melodic moment from Adams. This is one of those song’s I just couldn’t get enough of, from the moment I pressed play, all the way until the end, it’s just a straight ripper. Steven Adams will be releasing Drops via Fika Recordings on November 10th.

The Serfs Announce Half Eaten By Dogs

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This fresh tune from the Serfs, accompanied by an album announcement, was the tune and groove I didn’t know I needed. At times, there’s some synth work that has that crystalline stab like a record from the Knife. But, there’s this heady pulse being pushed here, squeezing every ounce of cool into these shuffling beats working in the undercurrent. Little vocal samples creep and lurk around every corner, but the core vocal is cold and distant, almost indifferent to the twist and turn of every beat bouncing off your bedroom walls. This feels like my soundtrack, the groove for a kid who can’t dance but does it anyways; the band release Half Eaten by Dogs via Trouble in Mind Records on October 27th.

Melody Fields Share Hallelujah Single

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I know it’s early in the day, but I can’t help other than to indulge myself with this sweet tune from Sweden’s Melody Fields. Honestly, everything about this track feels like a seedy early 90s dance track; its got this almost tribal percussive element, bouncing along to these keys as the track swirls with these delicious ups and downs. There are some vocal samples in and out, but they’re more like ghostly whispers or folks grooving on the floor to this mystical world the group have created. This track is available via a new 7″, but it’s also expected on the forthcoming 1991 LP, out later via Coop/Nudie.

Lewsberg Share An Ear to the Chest

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One of the albums I’m most excited about hitting this next month is the fresh LP from Lewsberg. I’ve been following the band thanks to 12XU the last few years, and this new single ups the ante on the band’s sound, kicking in a joyous bit of bounce. Arie’s matter-of-fact delivery has a similar style to Stephen Malkmus or maybe even Bill Callahan, which is given this buoyancy by the chiming guitar work. Those riffs are razor sharp, encircling you as the drums push on with a snappy kick that’ll have your head bobbing in no time. This will be a release the cool kids at your lunch table, or water cooler, are talking about for the next few months. Plus! They’re coming to the US in September and October, with a October 5th date in Austin. Out and About hits on September 15th.

Indianna Hale Shares Another Single from Yesterday’s Glitter

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Admittedly, I have a cliche opinion about what San Francisco likely sounded like in the late 60s, and perhaps that’s filled with Hollywood misinformation…but even still, it seems like Indianna Hale has channeled the ghost of her current hometown. Her latest single is filled with groovy psychedelia and stunning musicianship. That said, it almost feels like the musical piece is really just a fancy get-up meant to set up the listener to swoon when Hale’s vocals open into their delightful croon. In fact, it almost feels like Indianna is haunting the Hollywood version of paisley paths, and I couldn’t be more stoked to spend more time with Yesterday’s Glitter; it drops on September 1st via Perpetual Doom.

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