Blues Lawyer Drop Video for Nowhere to Go

The Bay Area, for me, is one of the hottest musical commodities in the States at the moment; it seems like every band is just dropping hit after hit. Blues Lawyer are no different, with this quick burst of fuzzy pop to rock you right out of your seats. Pounding drums melt with these angular riffs, both rushing through the gates from the instant you press play. The chorus hits with this powerful little emphatic stomp, briefly, then running right back out the door with that driving rhythm; we’re all in a hurry out there. It’s an infectious vocal delivery that certainly makes the song’s darker subject matter seem sunny and bright…like only the best pop can do. If you’re digging it, grab All in Good Time from Dark Entries on February 17th.

Mary Anne’s Polar Rig Announce Makes You Wonder

It’s hard breaking through the US/UK press to offer refreshing music, and to be honest, if folks aren’t given stuff directly, they’re not always likely to seek out the good stuff outside of the geo-musical landscape. Good thing we’ve got some connections in places like Sweden bringing us the goods from Mary Anne’s Polar Rig, who just announced their new LP, Makes You Wonder. This Malmo duo isn’t really playing by any rules or expectations; they rip through their songs with sharp riffs and explosive moments. It’s all delivered in an off-kilter manner, keeping the listener on their toes, turning unexpectedly one second then tossing melody right in your face. Malin’s vocal performance is so primal at times, it’s hard not to be captivated by what’s coming through your speakers; it reminds me of that 2002 EP from the Yeah Yeah Yeahs in a lot of ways, so I’m completely on board here. Makes You Wonder is out in March via Rama Lama Records.

Doom Flower Release Sweep Video

Going back through all the incredible tunes from early in 2023, I’m reminded that Doom Flower still feels like this hidden gem folks haven’t latched onto quite yet. Having just released Limestone Ritual, this video is a reminder of the darkened haunts that pop music will creep around. Immediately, the video and the sound immerse you in a heavy wash, creating this almost industrial vibe, awaiting Jess Price’s entrance. When Price comes in, her voice lifts the ambiance, albeit just a wee bit; her voice rises, but then almost seems to fade as syllables and lines end, being washed over by the waves of music (and visuals). Be sure to delve into this whole LP, out now via Record Label Records.

Buildings and Food Shares New Single

Sometimes you pen a song and just let it sit for awhile, planning to come back to it at a later date. Such is the case with the latest single from Buildings and Food, which Jen Wilson says had its origins way back in 2001. But, this go round, she’s opted to take the acoustic strums and vocals and layer them with various beats and electronic textures, aligned with her current songwriting habits. I love how there’s this natural vibrance to the musical element, now even more poppy with the careful beat work added beneath. It works in perfect contrast with the mellower vibes of the vocals, hanging just beneath the surface now. Always stoked to see what Jen is up to, so consider this another solid addition!

The Chairman Dances Share Alone at Waverly

The Chairman Dances will be releasing their new album Small Comforts at the end of the month, but not before we get one more tasty morsel fro the record to entice us. The first thing that struck me in this tune was the lyrical craft; it’s got this playful storytelling that reminds me a lot of Stuart Murdoch, feeling both personal and a little self-deprecating. Then you dive into the craft and the song’s arrangement swells with little touches like the way the drums seem to rumble across the back or the way the guitar strums seem to lift the syllabic delivery of the vocals. It’s a delicate pop tune for those seeking to immerse yourself in someone else’s storytelling.

Julian Never Shares Ursuline Single

We are not too far off from the release of Pious Fiction, the new LP from Julian Never, thus we deserve one final single before it hits the streets. Right? This one gives us a slightly different glimpse at the craft, and most noticeably the voice, of Julian Elorduy. There’s something about the production here that gives Elorduy a more darkened croon, something almost haunting in his presence. The guitars are stripped back a bit, save for their little solo jaunt around the 2 minute mark, so the vocals are forced right up front, giving off this American gothic appeal to the tune. It’s nice to hear a slightly different twist on Julian’s work, only building our anticipation for Pious Fiction; it drops next Friday via Mt. St. Mtn.

Alison Eales (Butcher Boy) Announces Debut LP

I can’t imagine you not being a fan of Butcher Boy, so today’s news that Alison Eales will be releasing her debut solo LP should come as a surprise treat. Upon listen, the track almost seems like a purely vocal performance, a remarkable one at that. There’s a slight little bounce from the electronic work, albeit with subtlety so as not to overstep the front of the mix. You’ll also find backing vocals also buoying Eales, deepening the melodic nature. Lyrically, the song is an homage to Glasgow, though that homage finds the town both inspiring and troublesome. Looking forward to hearing how the whole of this LP shapes up; Mox Nox is out in March via Fika Recordings.

Frankie Rose Returns with Love as Projection

What great news to wake up to today! We’re going to get a new LP from Frankie Rose this year, courtesy of Slumberland Records. Today we’ve got the fresh new single from the record, and it’s a reminder of Frankie’s ability to blend melody into darker textures. This tune feels sparkly too, like the sun is shining on the keys creating this crystalline shimmer that drives the melody into the listeners ear. It’s nice to hear Rose completely indulge in a more electronic sound, yet seemingly still be linked to her accomplished past. Look for the new album, Love as Projection, to drop on March 10th.

The Hepburns Drop Who Cares

2023 is underway, and we’re already back on our indiepop kick, with this fresh new tune from Welsh outfit, the Hepburns. Jumping off immediately with this jangle adjacent springy bounce, the song moves quickly into delivering melody via the vocals from Matt Jones; I love the way he tends to drag out the last syllable with an extra blanket of cool. Plus, we get Estella Rosa of Nah (among other projects) doing some backing vocal work here, only thickening that sweet pot of pop. The tune hits out on trying to find a little meaning in the songwriting when everyone’s fighting for the crumbs on the indie rock table. Enjoy.

Razor Braids Share Nashville, Again Single

The year hasn’t quite picked up yet, so this new track from Razor Braids is the perfect way to slow roll your way into 2023. It’s a slow burner, almost like the last flames flickering out on a Winter fire; you’ll also get just the faintest hints of that sort of western guitar bending, snaking around the beautiful melodies the band have crafted here. Personally, there’s this great moment waiting for you at the 3 minute mark, the guitars feel heavier and there’s the slightest burst like a sputtering firecracker. Plus, if you dig it, the band have also attached a cover of Weezer’s “Buddy Holly” to go with this new single!

1 183 184 185 186 187 272
Social Media Auto Publish Powered By : XYZScripts.com