Tag: new single

Luke Rathborne Shares Be the One Video

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Feel like I was kind of hitting too much on the post-punk note, so its great to have this Luke Rathborne tune to get in on over here. There was just something simple, something that just seemed to come together perfectly here. Perhaps it was the perfect melody, perhaps the song’s execution, but every time I press play, I end up tapping my toes, trying to learn the words so that I can sing along. I love Rathborne’s performance on the chorus too, just pure pop genius and definitely fitting for a Friday afternoon cruise into the sunset. Turn it up folks, you won’t regret it.

The Black Watch Share the Lonely Death of Mary Hansen

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As an avid fan of the Black Watch, I think the forthcoming record has the possibility to be one of their strongest to date. You can hear John Andrew Fredrick really pushing himself sonically, especially when you take into account the earlier single from the new album, “The Nothing That Is,” offering us a slightly playful disco sound. Here on the new single, the band swirl the guitars around your ears, almost in a disorienting fashion. The rhythm section pounds away, steadying things, matched by the solemn delivery of Fredrick; I love how there’s a great vocal foil too, bringing in a touch more melody to the heavier tones John offers. Is it possible that after all the albums and all the years that the Black Watch are just now hitting their stride? We’re definitely in for a ride when Fromthing Somethat drops on October 23rd via Atom Records. (Photo by Brendan Holmes)

Bee Bee Sea Share Day Ripper

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I loved the first two Bee Bee Sea singles, so why would I turn my back on the Italian trio for their third one? This one’s got a bit of a sort of prog meets psych, mashed up with a nice bit of garage rock. It’s heavy and outlandish, perhaps that sort of fury and flare you’d expect at an Osees (however you spell it now) show. Perhaps one of my favorite bits is just the slightest hint of a pop nod leaking in sparingly, all before the band just ramps up the energy and rocks the tune out to a close. The band are set to release Day Ripper on October 9th via Wild Honey Records.

Eades Share I Want More

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Eades really caught my attention earlier this year when they dropped their Microcosmic Things EP; it was chock full of songs with these nods to post-punk while still grasping onto current indie rock vibes. This brand new tune definitely reveals a bit more of the latter, and perhaps its all the better as the young band find their sound. I love the way the verses seem to really just kind of hang about in that casual manner, like they’re just relaxing in the sunshine, taking it all in. The chorus gives you an emphatic burst of guitar pop and shredding, especially when it moves off into that soloing territory for a calamitous end. Just another reason to keep an eye on this Leeds outfit.

Metayouth Drops Speech Balloon in June

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Didn’t want the world to think I’d gone completely soft, so when I stumbled upon this little rocker from Metayouth, I was totally ready to just post it for you. The track’s just this heavy riff working on tearing through the fabric of your speakers. Put your ear close, that’s not the only thing tearing through, as you can hear singer Dakota tearing through the wall of noise to offer up just the faintest dose of pop sensibility. It kind of feels like the whole world is full of promise, like we’re just all here pushing forward to tomorrow. Feel free to leave the rest of this shitty year in the rearview and push ahead with this jammer!

Say Hello To Sammm.

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As we cruise into Friday evening, why not take some time to familiarize yourself with a new artists I think you’ll find interesting. Samuel Geddes is an up and coming young Australian musician who makes interesting bedroom pop music under the moniker Sammm. Over the last year or so he’s released a few bold singles which have garnered some critical acclaim, but were largely missed by us. Well miss out no longer, I am all aboard the hype train on this one and am pleased to share Sammm.’s latest single called “Four Eyes”. I’m struck by the brightness of the guitar, the simple pop beat, and the raw energy behind Geddes’ vocals. Also stick around for the ending as this thing builds and builds into quite the intense crescendo. Enjoy the weekend.

Shy Boys Share Trash

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Not sure if it needs to be said, but the ATH crew became huge fans of the Kansas City outfit Shy Boys since they first burst on the scene back in 2014 with the release of their self-titled debut. With numerous singles and the sophomore album Bell House from 2018, the band has been posted about, discussed, and seen live on numerous occasions over the years. We dig Shy Boys. All that said, we of course suggest you check out this new single called “Trash” which was shared earlier today. One can always love those quiet vocal harmonies, paired with some poppier guitar sounds we’ve grown to love from the band.

Waves of Dread Share Another Single

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Not too far off from the release of II by Waves of Dread, and with that, we get the next single as promised. This one begins in the band’s more traditional fashion, screeching guitars shattering that noise barrier from the get-go. Still, the vocals sink back into the mix, pulling back the covers on the band’s pop sensibility. The band still find some room for sonic experimentation too, though I’m quite partial to those high-noted sparkles around the 1 minute mark. I think the promise of this EP comes with all the toying around; the band still feels very young in the grand scheme of things, so they’re all about exploration within the confines of their musical tastes…and as of now…Im right there with them.

John Christie Shares Skeleton Earth

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It’s interesting trying to decipher the meaning behind the title of John Christie‘s latest single, “Skeleton Earth.” Of course, some folks will dig deep into the lyrical meaning, and I’m sure you’ll find an obscured answer. But, the more I listen to this track, the more I’m drawn to the skeletal feel of the song itself. The drumming, for instance, is precise, and perhaps played with a touch of flare, but it never seems overbearing. Christie’s baritone too feels almost emotionless, like its this constant lifeblood drawn from the Earth, flowing through us all. At least that’s what I was thinking on when I listened through; good jam nonetheless.

New Indie Pop From Stray Fossa

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Man we get a lot of things labeled as “indie pop” sent our way and typically the tune is either super commercial, pop star style or simply to slow and meandering to be considered pop music. Well today I have a truly bouncing and bright pop number called “For What Was” from my old pals in Charlottesville based group Stray Fossa. This ladies and gents, THIS, is what I truly consider an indie pop number. It’s super catchy, the synths come in perfectly and the beat is incredibly infectious. Mark it up as one of the best I’ve heard in the genre over the last few months.

 

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