Tag: new single

Dewey Share Outside of the Lines Video

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The Parisian noise rockers, Dewey, will be releasing their Summer on a Curb LP in the next few weeks (2/13 to be exact!), and this new single is definitely one that should catch American audiences. Huge fuzzy riffs ring out from the get-go, but they’re patience, soaking your skin like a soft rain; the weight of those riffs pervades the entirety of the tune, keeping the tune grounded in power. A brightness still gets offered to the listener, with the vocals coating the top of the song in melodic sugar; you can also hear these bright little electronic bits working in the background, layering the track with a bit of classic pop sensibility! The new LP is being put out by Howlin Banana Records.

Kamasakii +* Share Tiny Town

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Pulling out a lot of early morning bravado, so before we get carried away on that vibe, let us settle into the softened waves of kamasakii +*, a Brooklyn group bringing us a nice little piece of slowcore. They work with this beautiful contrast, both musically and on the vocals; this allows for the listener to kind of find their own center and drift with the tune. The rhythm section is dragging throughout, almost working against the fuzz of the guitars, slowly rocking you forward; you then get to hear the blend of male and female vocals, one offering heavier tones while the other brings in a little more sparkle. It’s a really cool jam to just sit with yourself and enjoy.

Don’t Get Lemon Share Matrimony Video

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If you live in Austin, or the surrounding areas, you might have caught the new Don’t Get Lemon single on the 101X Homegrown radio show this past Sunday evening. But, you now have access to the video treatment of the song, fully embracing the nostalgia and the flashing homage to great 80s MTV. Musically, they let the synth work roll over and over, dropping glittering notes atop thumping grooves that should prove exciting. The verses definitely entertain with their energetic punch, though you’ll also find brief little interludes that highlight the craft of the Austin trio. Their bandcamp page has three different versions of the tune, and the accapella is definitely an interesting way to view the group’s craft!

Prism Shores Announce Softest Attack

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Last year, Montreal’s Prism Shores delivered the most excellent Out from Underneath LP, and they’ve wasted little time, returning today with the news of another LP coming out in early Spring. In the song below, you can hear their lineage to noisy pop purveyors like Teenage Fanclub, building up swirling guitar bits in the background whilst pushing the vocals up front. For my two cents, there’s a definitive earnestness to their vocal performance, almost as if they’re fusing their power pop sound with hints of late 90s emo. It’s a successful track, and one that already has me looking for the funds to grab Softest Attack, the new LP out in April via Meritorio Records.

The Black Watch Announce Varied Superstitions

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I’ve lost count of how many records the Black Watch have put out at this point; the group, helmed by John Andrew Frederick, simply put their heads down and get to work. Just this week they announced Varied Superstitions, and do so with a single that, honestly, seems like they’re taking shots at me, with lines like “people will believe almost anyone these days!” There does seem to be a sort of tongue-in-cheek sentiment, however, as you can even hear a little “ha” in there. For me, the interesting twist on the track is the brightness on the guitar work, seemingly spinning sunnier sonics than what I’ve grown accustomed to hearing from the group. Their new LP is out via Blue Matter Records on February 27th.

Charm School Announce Skadenfreude Ploy

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While I love Charm School‘s work, the title of their brand new EP had me momentarily worried; would Skadenfreude Ploy be a rocking take on ska? Well, one listen below and you’ll realize the group mean business; they’re going to develop smashing post-punk buoyed by noise and, yes, horns. This tune incorporates a thundering blast from the get go, and theres a seeming sax squawk running through the background that builds up the noise structure. Andrew Charm has this disaffected growl on the vocals; it’s akin to like-minded acts, though the lyrical provides the anger that drives the song forward. The new EP is out February 20th via Surprise Mind.

Otoliths Drop Maeve’s Melody

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Tom Smith wrote the song’s on the latest album in between parenting naps, and the first single we’re hearing is an absolute pleasure, leaning Otoliths more into the power-pop sound that permeates the Bay Area sound. Ringing guitars in the tune are cyclical, riding up and down like like a ferris wheel, then pulled back to let Smith blast a nice little melody from the vocals. Even when thing get restrained, you can still feel that certain swagger that makes you feel good to have rock n’ roll at your fingertips. Crunchy and fun, so be sure to keep an eye out for the new LP, Lithos, out on March 20th.

Stuck Announce Optimizer

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When certain genres become formulaic, you have to push the sound a little bit, which is exactly what seems to be forming for Chicago’s Stuck. Their new single begins in the traditional sense of post-punk, sort of stalking the listener with the vocal work while the band lets the rhythm thunder and march in the background. Then the chorus hits, almost spastically hitting its own march, then opening to a kind of futuristic croon that has the group operating on their own territory; they double down with a pummeling close that kicks off at 2:25, rushing the sound through your speakers before wrapping things up. This tune will appear in Optimizer, running out on March 27th via Exploding in Sound.

Final Joyce Manor Single

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I’ll admit that listening through all the singles of the new Joyce Manor makes me feel about 20 years younger, as they’ve perfect classic pop punk sounds, albeit with a more mature perspective than where I was at 20 years ago! I love how they manage to balance the spirit of the song, musically speaking, with the slower vocal approach here, kind of keeping the listener off balance throughout. They’ve mastered the formula brandished by all their heroes, and in making it their own, they’ve got everyone excited for Friday’s release of I Used to Go to This Bar via Epitaph.

Dutch Interior Announce It’s Glass EP

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Looks like we’re destined to spend are morning immersed in our feelings, as we’ve got another slow-burner from Dutch Interior. My first few runs through, I can’t escape the feeling of the early 00s indie scene, where acts like Wilco and Clem Snide were all the rage, blending indie rock traditions with heavy country traditions. If you listen closely, you’ll hear another guitar line just beneath the front of the heavy strum; it’s got this spirit that seems like it could make its own way into the world, and in doing so, that keeps me tethered to the stretch of string arrangements bulking up the overall texture. This track will feature on the group’s new It’s Glass EP, out March 6th.

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