Tag: new single

Another Great Track from Maura Weaver

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When we first encountered the new work of Maura Weaver for her forthcoming Strange Devotion LP, I marveled at her balance between folk elements and modern pop sounds. On her latest single, there’s a bit more of a retreat into the folk realm, but in doing so, her natural calm quiets the song’s waters, creating this rich, caramel dreaminess. The opening reminded me of early Cate le Bon, but as the track unfolded it was like stepping out of the cool AC into the Texas heat, blanketing me in this warmth that’s simply unavoidable. Strange Devotion is out on September 19th via Feel It Records.

Piggietails Drop CDs

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Up and coming Melbourne outfit Piggietails were only recently introduced to us over here at ATH, but with another solid number coming our way, it’s hard to ignore the new act as they push towards the release of their self-titled debut. If you’re a fan of the Aussie scene, you’ll hear some faint similarities, as the band can’t have avoided the sweet jangles of their homeland. But, with that in mind, they seem to take a broader brushstroke on this one, sort of embracing a Velvet Underground approach to letting the music make its own path, discarding all adherence to style in favor of just letting it rip. Stoked to hear the group making this sound all their own, putting Piggietails on my own personal anticipatory list; it drops via Spoilsport Records on September 19th.

Pop Tune from Star Moles

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I will admit that this time of year is rough on me, for various reasons, so I can’t always keep on top of the tunes. But, when this Star Moles track popped in, I knew instantly that I’d be sharing it. There’s something enchanting and pure about songwriter Emily Moales voice; there’s this bewilderment brimming beneath a solid confidence that continues to charm, offering listeners a true voice to sprinkle in your weekly playlists. The steady beat allows for little riff strums to hum in unison with the melody, whilst little nuanced brushstrokes add texture behind. If you’re looking for your favorite listen, might we suggest going to listen to all of the new LP, Snack Monster?

Joyce Manor Return with All My Friends Are Depressed

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I have to cop to being only a part-time Joyce Manor fan; they have some bangers for sure, but occasionally they go over my head. This new single, however, had me instantly, with a guitar line that I thought was going to take them to a Go-Betweens-esque pop punk jam…and to be fair…that is what it is. That said, the easier nod would be to pull in some Johnny Marr comparisons, and the vocals also have that swaying croon that creeps right into that same arena. It’s nice to see some of the blends between the two-genres, as that sort of soft indiepop and punk all share history. Hoping we hear more like this from the group!

Rad Gnar Share Never Felt Like This Single

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If you need an energetic push to kickstart your Monday morning, you’ll want to have your fingers on the volume dial as you turn on this new Rad Gnar single. The Austin band have deep roots in the scene, featuring members of Breaklights and Basketball Shorts (who dropped a great LP on our label years ago!). But, with all that history, it’s nice to hear Ben and company stretching their sound beyond some of their pop punk roots into an all encompassing pop rock sound that just rips. I love the eagerness of the vocals on this, which feel more akin to a Superchunk B-side, while guitar shredding is on full display. And just because they’re banging out these feuding guitar sounds doesn’t mean they can’t bring the proper hooks…just you listen to some of the vocal melodies alone! Loving this and looking forward to the release These Past Few Years, dropping on August 29th.

I Was a King Announce Until the End

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If you’ve been following the storied career of Norway’s I Was a King, then you’re likely going to take a close listen to their new single, with the group spending more time on the melodic core rather than some of their power-pop tendencies. That said, if you’ve listened to the group’s work, they’ve always hung on the softer side of the genre, and they dive into that vibe here in a way that has them sounding like they’re dusting off some old tendencies and pushing forward. I love Anne Lise’s light backing notes layered behind Frode’s lead, providing the textured love the group is known for creating. They completed the work on Until the End with Bill Ryder-Jones, so we should expect something meaningful coming our way on October 17th.

Alexei Shishkin Releases Ode to Carl Dennis

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While utilizing a different on Good Times, the songwriting capabilities of Alexei Shishkin are still quite evident on his new single, “Ode to Carl Dennis.” It was another one of the songs that took shape over a four day span with songwriting partner Bradford Krieger, with the musical composition coming earlier before applying the lyrics upon review. I love the up and down rise of the vocals matching the way the song seems to kind operate like a car going up and down a series of hills, hitting high notes, rolling down then back up again. A little directional change hits the song around the 1 minute and 2:20 mark, and that special little plot twist serves as a diversion in Alexei’s craft. If you’re looking to see what four days of improvisation sounds like, give Good Times a listen on September 5th via Run Defense.

Creative Writing Drop Slide and Dice

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When you crank up this new tune from Creative Writing, there will certainly be some familiarity in the group’s sound. I keep getting little pieces of Parquet Courts, albeit with a less frantic approach; the energy drives forward, but this lot seem to be wrapped up in more of a melodic sensation coursing through their sound. While the song has a distinctive underground growl to it, they let it take a turn midtrack, giving a little bit of a diversion for the listener before they drive home their sound at the close. Another exciting track from Baby Did This, out October 3rd via Meritorio Records.

Tiberius Release Felt Single

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As they gear up for the release of their new record, Troubadour, I thought I’d check in on Boston’s Tiberius. Their latest single has me returning to some of my earliest roots in the indie world, as I can hear some sonic similarities in Brendan Wright’s voice; there’s a distinctive delivery and pseudo-drawl that is reminiscent of Clem Snide/Eef Barzelay, and I’m not mad at it. Musically, they’re working in this territory where Americana grabs a bit more weight, taking a genre and giving it a little bite, capturing the genre’s ability to rock in the live setting and putting that to tape. If you’re digging it, Troubadour is out on November 10th via Audio Antihero.

Living Set Share Last Wave

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We marveled over the recent Living Set single that dropped earlier in the summer, relishing the blend of genres fueled by Quin Galavis’ musical inspiration. Now, they come to us with a new single, which furthers their sonic exploration with a softer vibe and vocals by Annecy Liddell. There’s an electronic backbone that begins the tune, providing us with a more intimate setting, accent by the snappiness of the percussive element. There are certainly rock moments, if you listen to the guitars in the background, but the group are careful with their placement, never letting them overstep until absolutely necessary…and then, they come crashing into the song like the last wave that washes all the beauty away to have us press play and start again!

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