Tag: new single

Shy Boys Share Trash

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Not sure if it needs to be said, but the ATH crew became huge fans of the Kansas City outfit Shy Boys since they first burst on the scene back in 2014 with the release of their self-titled debut. With numerous singles and the sophomore album Bell House from 2018, the band has been posted about, discussed, and seen live on numerous occasions over the years. We dig Shy Boys. All that said, we of course suggest you check out this new single called “Trash” which was shared earlier today. One can always love those quiet vocal harmonies, paired with some poppier guitar sounds we’ve grown to love from the band.

Waves of Dread Share Another Single

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Not too far off from the release of II by Waves of Dread, and with that, we get the next single as promised. This one begins in the band’s more traditional fashion, screeching guitars shattering that noise barrier from the get-go. Still, the vocals sink back into the mix, pulling back the covers on the band’s pop sensibility. The band still find some room for sonic experimentation too, though I’m quite partial to those high-noted sparkles around the 1 minute mark. I think the promise of this EP comes with all the toying around; the band still feels very young in the grand scheme of things, so they’re all about exploration within the confines of their musical tastes…and as of now…Im right there with them.

John Christie Shares Skeleton Earth

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It’s interesting trying to decipher the meaning behind the title of John Christie‘s latest single, “Skeleton Earth.” Of course, some folks will dig deep into the lyrical meaning, and I’m sure you’ll find an obscured answer. But, the more I listen to this track, the more I’m drawn to the skeletal feel of the song itself. The drumming, for instance, is precise, and perhaps played with a touch of flare, but it never seems overbearing. Christie’s baritone too feels almost emotionless, like its this constant lifeblood drawn from the Earth, flowing through us all. At least that’s what I was thinking on when I listened through; good jam nonetheless.

New Indie Pop From Stray Fossa

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Man we get a lot of things labeled as “indie pop” sent our way and typically the tune is either super commercial, pop star style or simply to slow and meandering to be considered pop music. Well today I have a truly bouncing and bright pop number called “For What Was” from my old pals in Charlottesville based group Stray Fossa. This ladies and gents, THIS, is what I truly consider an indie pop number. It’s super catchy, the synths come in perfectly and the beat is incredibly infectious. Mark it up as one of the best I’ve heard in the genre over the last few months.

 

New Music from Iska Dhaaf

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I felt like I need some solace and some clarity this morning as I was getting ready, and lo and behold, a new tune from Iska Dhaaf pops up in my world. I hadn’t heard from the band in about five years, and that track “Shut Up” was a polar opposite of the intimate performance they offer below. You can feel yourself sitting in the room with the group, hearing the vibration of the plucked strings echo in the room. The vocals have that fragility that almost makes you want to cry, almost as if they struggle to exist as soon as they hit the air.

Driving Number From Pynch

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As we all continue to push through more quarantine life this summer, it’s been fantastic for us music bloggers to keep receiving so much new music from artists working from home. Today we have this new tune called “Somebody Else” which was written and produced by songwriter Spencer Enock for his band Pynch. The tune definitely has a more lo-fi take on the garage rock genre of a band like The Strokes if their songs incorporated a more driving sound with epic progressions. As someone who typically looks for those solid and spell binding song progressions, this one is right up my alley.

“Somebody Else” is available on all streaming platforms now.

Fear of Men Return with New Single

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I was in love with Fear of Men; I was even fortunate enough to book them for our Welcome to the Jangle party a few years back. But, they’ve been relatively quiet for the past four years or so…until today. Today the band share their first new single in some time, and with it, we get a glimpse at a band expanding their sound. Sure, that saxophone will get the billing for “Favorite New Toy,” but I think some of the pulsing electronic notes really give this darker edge contrasted against the sparkling notes of singer Jess Weiss. It’s a powerful lyrical piece too, one that perhaps we’ve overlooked before; Weiss seems intent on reclaiming life on her terms, particularly if you listen to the line “I hope you see this/That I’m not going to break.” I missed this band. More to come…I hope.

Slight Of Delivers Title Track of Other People LP

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I love when you hit upon a band that’s somehow creating music that feels nostalgic, yet presses forward with its own vision, like the latest from Slight Of. There are definitely guitar bits that feel every bit as if I’m reliving my earliest days as a tape collector in the 80s. Still, that’s unfair to label it as some sort of throwback, as the song moves in other directions too as the track progresses. For one, the vocals have that feel as if Jim Hill is gasping for breath, almost like he’s channeling some sort of indie pop crooner. Weave it all together, with just a slight hint of every day pop hooks and you’ve got a winner…or so says I. Other People will be out on August 28th via Dadstache Records and Figure 2 RC.

American Friend Release Debut Single

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For quite awhile now I’ve been touting Jana Horn (she dropped a song on Slack Capital 3 too) as one of Austin’s great voices. This past Friday, one of her projects, American Friend, released their debut single. She’s joined by Adam Jones, of Deep Time, for percussive elements, definitely building in some textures to thicken up the sound around her guitar and vocals. “His Energy Runs Backwards” might be the most traditional of the two tracks on this 7″, with the fragility of Horn’s voice carefully treading above the instrumentation; Jones jumps in the song’s latter half to join too. “Cancer City” shows the duo really moving beyond the boundaries of the genre, incorporating a squawking clarinet (courtesy of Carl Smith) to the intoxicating mixture of guitar and drums. Definitely something you should invest your time in today, if you so choose.

Corasandel Share Cracked Light

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I’m not sure how familiar you are with Corasandel at this point in your life, but I assure you, as I’ve done in the past, this band is simply brilliant. Today I’m really happy to share a brand new tune from the band, being released as a digital single by the ATH revered Shelflife. The band are categorized under ambient-shoegaze, and I can see those elements here, but I also feel like they’ve also begun to blend into slight bits of post-rock and slowcore; it doesn’t really matter because you can’t pull yourself away. It does open up crafting an ambiance, mild notes floating on top the mix. Soon, feathery vocals enter the fray, soon joined by these thunderous drums; there was a moment around the 1 minute mark where I felt like the world stopped; I saw myself spinning in some cliche space moment. I love how the sonic arrangements begin to push the sound just as the vocals do; the song, in its own fashion is filled with this urgency that bursts forth into this elegant soundscape that closes the song. The single’s out officially on June 26th!

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