Tag: new single

More from Faded Cassettes

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One of my favorite discoveries of last year was Faded Cassettes, a bedroom project that bridges my love of the Spanish language with lo-fi post-punk. So, as we settle into the new year, why not hear one of the final singles from the forthcoming Doesn’t Know Me Yet EP. As per usual, the song is quick and snappy, using sampled drums to push the pace while the vocals are hiding in the shadows of the tune. Reminds me of a mixture between Blank Dogs and Black Marble, only with a little bit of a Latin twist. We’ll be covering more from the project, I’m sure, as we move along into 2026.

BS Return with Dead Flowers

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It’s always a good sign when the Austin scene can kick start the year with solid tunes, particularly as BS has always supplied us with hook-laden vibes that wiggle between indie rock and electronica. On their latest track, “Dead Flowers,” the band are offering up a really solid blend of the two, and while there’s a certain familiarity to the approach, they build in so many light twists and turns that their sound feels freshened. If you pull your ear closely, you can hear the chugging of the guitars in the far-off, allowing them to come up front before they stutter right back into another verse. Plot twists, hooks and grooves? Thanks BS!

Pullman Share Bray Video

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Before we get carried away with the day, we should try on a different hat, such as this new Pullman tune, hitting right before the group drop their new LP this Friday. Decades after their first releases for Thrill Jockey, the supergroup finds a home on Austin’s Western Vinyl, continuing their foray into post-rock. Immediately you’re thrown aback, with a distorted blast of muddy noise smashing in upon pressing play; the band’s expertise allows that initial blast to blossom into a more avant noise approach, letting each instrument follow its own distinct path to stretch the song into a noisy meditation. Little nature clips arrive with the video to provide a sense of serenity as the song’s weight provides a marked contrast. III arrives on Friday via the aforementioned Western Vinyl.

Twilight Sad Share Fresh Single

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Long long ago in a land we called the real Emos, I watched the Twilight Sad, enthusiastically soaking up their thunderous performance while a young man behind me snapped photos; it was here that I met our B. Gray, thus our eternal love for the Scottish outfit. Today, they follow up their recent single with Robert Smith by dropping another brooding number in order to announce their first LP in several years. This song wins me over in various ways, with my recent attraction being the tonal playfulness of James’ voice throughout the track; his control and switching back and forth completely captivate through the course of the song. Their continued evolution through the years has been quite a joy to follow, and we’re really looking forward to It’s The Long Goodbye when it arrives on March 27th via Rock Action.

Joyce Manor Share I Know Where Mark Chen Lives

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I think if Bob Nanna was working in the modern pop scene, he’d probably sound an awful lot like this new Joyce Manor single, and I mean that in the best way. There’s something about Barry Johnson’s delivery in the middle of the verses that just has this natural bounce to it, and in doing so, it opens up the chorus for this massive hook. That chorus hits you with this explosiveness that doesn’t shy away from being catchy, embracing the band’s lineage and pushing forward simultaneously. Personally, I’m drawn to their naturalness, if that makes sense, as the track’s don’t seem put on or like their mimicking their heroes, so it’s refreshing to hear a song hit in this fashion. Looking forward to I Used to Go to This Bar, out January 30th via Epitaph.

New Jams from Wild Billy Childish and CTMF

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Billy Childish shouldn’t be a surprise name popping up on our end, especially as his project Wild Billy Childish and CTMF has jumped into the fray of modern pop with a brand new 7″ for Spinout Nuggets. The A side has this stomping drum beat that feels primal and thunderous, while the vocal performance harkens to a sort of old British explosiveness…big sound with a twist of discord rocking out. Turn it over and you get a rock-a-billy take on the Batman theme, grooving and weaving through a mostly instrumental jam. Always great to see what Childish is up to, but you better hurry, as there are only a handful of 7″ left!

Dry Cleaning Share Final Single from Secret Love

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When listening through the lyrical content of the latest Dry Cleaning single, it might come as a surprise that the initial concept came to be through the viewing of advertisements in the Virginia Tech History of Food and Drink archives…but, it’s the message that should resonate as we turn towards a new year. The theme of “being sweet” could mean many things, ultimately leading all of us to look to more kindness…to ourselves and community. What I love the most about this track is the way Florence Shaw switches up her typical spoken-word delivery into a charming little croon; you get your first chance to hear it right after the 30 second mark. Wonder what else the group have in store for us when Secret Love drops on Friday via 4AD. Here’s to more “Joy” in 2026.

Flesh Cherub Offers Blind Single

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My personal aim for 2026 is to continue to operate all over the musical map, within the realm of my personal tastes. For me, an artist like Flesh Cherub is one of those haunting voices that you turn to when the world seems at its grimmest moment; there’s this heavily pained delivery, yet it’s got this uncommon beauty to it that keeps me thinking of a world between Jeff Buckley and King Krule…striking imperfection! The weight of the guitar strum was so soulful that it soaked deep into my skin, unable to scrub it off (not that I wanted to!). While there’s a definite vibe in the first half, wait for the burst of noise that greets you around the 2:05 mark, carrying the song into this splendid world of where serenity and cacophony do a proper dance. The artist will release Drowning in the Expanse of Looking Up on January 17th via Crossing House.

Another Bop from Milano Flash

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Just before the end of the year rang out, we brought you news of a new act from Sweden helmed by the Angergard brothers; the duo are known for their roles in Red Sleeping Beauty and Club 8, respectively, but they recruited Eleni Tzavara for vocals as they kicked off Milano Flash. Once 2026 hit, the band wasted no time dropping this heavily synthetic banger; the thumping alone got me excited, but then they added some nostalgic “whoa oh” moments throughout to maximize the hooks. Eleni’s performance almost feels like its disco-adjacent, smoky and nearing digitalization, with each line delivered as the groove punches through the roof. Have a little fun with this ditty.

New Winged Wheel Single Drops

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It amazes me how indifferent the indie scene seems to be to Winged Wheel. The band features indie rock stalwart Fred Thomas, rock legend Steve Shelley…not to mention folks like Cory from Spray Paint, Whitney Johnson and Matthew J. Rolin; this is a fucking indie rock supergroup if there ever was one! So yeah…they’ve got anew single from their forthcoming Desert So Green LP, and it operates in the fashion of a discordant Stereolab; the progression of the song definitely pulls from a psychedelia meets kraut-rock fusion, losing all pigeon-holing as it spins you around and around. I loved the cavernous effects that rocked through the vocals, seemingly distant yet locked into the front of the mix so it draws you further into the tune. The latter half of the song has this great little breakdown that twinkles and sparkles into this harrowing bit of psychedelia that should have your ears pinned back so you can grab a copy of the new LP; it hits on January 9th via 12XU.

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