Tag: new single

Stray Fossa Share Change the Film

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I like to start my mornings with a bit of lightness, maybe some sprightly energy mixed in, which made this new Stray Fossa tune a stunner of a track to kick off your day. Of course, you’ll hear those dreamy guitars that are all the rage in my usual listening rotation, but I really adore the way the vocals embrace a gentle spirit, balancing the sharpness of the riffs and the magic of the melody. For some reason, it feels like a Ducks Ltd song stuck in the kindness of the Sarah Records era, and I’m absolutely all here for that. It’s the first single from the band this year, and fingers crossed they bring us more delighting sounds such as those below.

Johnny Maraca and the Marockers Share Hot Boy

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There’s something great about the simplicity with which Johnny Maraca and the Marockers approach their craft, cranking out a blend of old school rock n’ roll, albeit with a bit of a modern punch-up. You can hear bits of the Dolls or later garage rock acts, though here it’s dealt with such clarity that you’re instantly latched onto the hooks. And boy are there hooks! Even when his delivery is most biting, Johnny has these syllabic hiccups in his delivery that send chills down the spines of pop fans like myself. The new Little Heart record is a celebration of the great history of rock n’ roll; grab you copy on April 25th from K Records.

Bibi Club Cover Stereolab’s Orgiastic

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I’m of the belief that Bibi Club‘s Feu de Garde was one of last year’s severely overlooked albums, and hopefully with the newly announced deluxe edition, people will revisit it a bit. Today, I’m happy to guide you towards the group’s cover of Stereolab’s “Orgiastic,” which highlights the band’s sharper edge in regards to their pop constructionism. While I love the original version, it can feel heavy at times due to the percussive element and the setting of the vocals in the mix. In contrast, Bibi Club clear out some of the space, letting the voice shine a little more up front, pushing more angular notes, and the rolling electronic elements are removed periodically before a noise blast sets the song completely in motion. Feu de Garde (Les Braises) will be out May 9th via Secret City Records.

Amy Millan Shares Make Way for Waves

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After announcing a new record, Amy Millan is swinging for the fences, and she’s two for two on the singles, in my eyes at least. I found this tune quite stellar, and for once, it had less to do with Amy’s voice (which is still powerful), but more with the creative arrangement that works beneath the song. Sharp beats mix with piano notes and ebbing bits of bass guitar, waiting for the beat to thicken and the chorus to set off. Millan claims the song was pulled from a lost Stars demo, then handed over to songwriting partner Jay McCaroll, culminating in this tune. The hand drawn video was created by artist Gaia Alari, perfectly capturing the calmed nature of this tune. Amy will release I Went to Find You on May 30th.

 

Foamboy Drop Edibles

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If your life doesn’t have enough fun in it on this Monday morning, might we suggest that you try out a little Foamboy? It’s the perfect track to get your body bouncing and your smile creeping up the side of your face. You’ll probably even laugh a little at the lyrical content, as the narrator shares their experience with edibles gone wrong. All of the story gets set to this spinning bit of bouncy pop, where every note has my tapping my toes and swaying from side to side. This is where indiepop sounds start to take a risk and truly get out there, yet never shying away from our need for a little joy, even in our own space. Look for the group’s new Lime, Knife, Time, Hand EP to hit with more pop on April 4th.

Mythical Motors Share Car Rainbow Record

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You’re looking out your window, seeing Spring bloom before your eyes…or at least that’s what we’re seeing in our neck of the woods…and to go perfectly, you need a great song, like this new Mythical Motors jam. After a twinkling guitar intro, the song drops into this brilliant brand of jangling pop and deliciously warming melodies. The softened tones of Matthew Addison’s voice this go round are reminiscent of the work Glenn Donaldson’s been doing in Reds Pinks and Purples, though I’ll admit, Addison has more of bounce to this jam. It’s quick and sunny, and worthy of repeat, all things that point towards the future success of Travelogues and Movie Stills, which hits on April 18th.

Icarus Phoenix Drops The World That We Live In

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Drew Danburry has been on a prolific songwriting streak since putting out his last LP this past August, and he continues with another from the Icarus Phoenix catalog. Drew says the initial premise of this song was that we could all have a larger impact and change the world, and while that sentiment seems to have faded for many of us, it’s important that we cling to that hope, and push for it. Perhaps that’s why this song’s got such a draw for me, still seeing me clinging to the idea that “we can change it/we can remake it.” Let’s not forget that hope, and forget that artists like Drew make that possible.

Buffet Lunch Drop Whitsun Sound Video

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One of the record’s I’m looking forward to the most in April is the latest LP from Scottish act Buffet Lunch; they’ve got this sound that feels like a study in indie rock, taking the elements that have been in favor, then sort of spinning them as their own yarn, pulling away from the immediacy to reveal a more thought-provoking brand. This jam is in no rush here, trickling on these little samples and discordant rings, steadying before the vocals come in. Things only get more harrowing from there, with the shredding manipulating your senses, almost pushing you away with its sharpness and grating nature; the group push you, twist you, and beg your expectations to evolve with them. They’ll release Perfect Hit via Upset the Rhythm.

Kick Back with Liam Mour

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Hitting some soft rock tones, I wanted to move into a little bit of a different space now with Liam Mour‘s latest track. The German artist is a master at beat work, and this one fuses a bit of retro breaks with futuristic sonics that elevate every note. I love the way the song feels like a tranced out club groove, then erupts with this wall of fuzzy guitars around the 1.30 mark, really guiding and twisting the song into its own brand of magnificence. The heaviness of that moment carries in and out, but ultimately fades as the song returns to its more sedate nature. This tune features on the new All Set Lets Swim EP, out March 28th.

Wholihan Shares Dried Up Creek

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I’ve been playing catch up this morning, as I took off immediately after SXSW to hit up a family vacation, so the emails are everywhere! Which is how I hit upon Wholihan, an artists new to me, but whose voice is certainly something I’ve been drawn to this morning. The artist has a slew of observational singles to his name, but his latest for some reason recalled Eef Barzelay, partly because the voice was distinctive, but also because there was this way with his wordplay that really highlighted the poetic craft. Musically, the song takes on a songwriter’s craft, albeit with a bit of a down-trodden nature due to the tones and self-deprecation. Try this one on for size.

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