Matt Kivel Shares Vampire Weekend

The entirety of Matt Kivel‘s new record is all about storytelling, detailing his life as a musician living in LA, and how he made it out alive! His latest single instantly hits at the struggle to make it out, musically from the city, with a nod to Vampire Weekend and their success during the 00s. Going through, I love the sincerity with simplistic charms like “my sad songs aren’t sad enough/my weary songs aren’t weary enough, reflective and yet openly self-deprecating. His guitar play in the middle of verses is pretty special too, displaying his craftsmanship, lovingly including a bit of gritty guitar riffs; plus a nice little Everly Brothers nod never hurt nobody! Escape from LA will be out via Scissor Tail Records, with a release show here in Austin on the 12th!

Strange Men Share Under the Compass Rose + Drop Come Yesterday

Sorry for the long-winded title on this post, but I’m a bit frazzled as I play the new LP from Strange Men. They just released their debut album after a handful of singles, and I’m honestly surprised that there hasn’t been more buzz from the West Coast contingent, as the band rips. The tune below reminds me of the perfect smash between Pains of Being Pure at Heart and Comet Gain, noisy in the right spots with a beautiful tendency to lean into the pop side of things. Elsewhere on Come Yesterday, you’ll find scuzzy rockers and little indie nuggets, all of which will make you appreciate the group’s first offering!

Diles Que No Me Maten Revisit Manos de Piedra

If you’ve been on board with Mexico’s Diles Que No Me Maten, the odds are you’ve either heard this song live, or you’ve heard it on their earliest album, Edificio (2020). But, as the band have grown both sonically and as humans, the song began to take a different shape, ending up in a different space than where it was before. So, as they’re currently working on a run in the US, it seems like the perfect time to circle back and rerecord the tune for new audiences. I was really drawn to the pronounced punctuation at the 2 minute mark from Jonas, before the song goes bleak and begins to space out into something like an accented piece of spoken word. Really love what this group is working on.

We Are Joiners Drop White Thread

Feel like every place I turn, someone is struggling or someone is bummed or someone is seeking a better day, so I wanted to kick off the day with this We Are Joiners tune. The Dutch trio open up pretty aggressively, even embracing that maniacal manner with a screaming vocal nipping at the heels of the world. But, what sold me completely was the beautiful chorus, collecting the noise and swirling it around in a pot of delicious hooks; they continue to mix in melody and noise throughout the song’s final minute, and each time I press play, I’m falling further with the group’s sound. Crank it up and piss off your neighbors!

Club 8 Offer Monthly Single

For the briefest of moments I thought I was going to get Club 8 covering Faith No More, but alas they turned the heavy thump of drums into another playful pop ditty. This single is their 11th installment of monthly singles, and they’ve been pretty consistent in terms of their style, blending in little electronic moments with a classic indiepop sound. I think over the last few singles, and like the one below, they’ve really flexed some of the vocal abilities, which you can hear as the song crests to its close. This is a brief one, so press play and be prepared to soak it all up!

Begging Dog Share Common Place

I have really been enjoying the jams from the forthcoming Begging Dog LP; there is something in the rhythm section and the buzz that works beneath that seems to nod towards Blank Dogs…on the production side at least. That buzz and pop keeps the track punching forward, but the draw is the way the vocals get delivered, hanging in this sort of cavernous fashion that feels like everything is echoing off the walls. Every time I listen I hear different influences, and the video provides another layer, with Jeff Kleinman stalking a stage much like Ross Farrar of Ceremony…or any other rad band you love. Demo 1 is out December 12th via Dais Records.

New Pop from Veps

There’s been a fair amount of buzz, at least in our ears, from Norway’s Veps, who’ve just released the follow-up single to their summer banger “My Champagne Socialist.” You get teased into this track by this little bit of playful keys, while the group begins to subtly build their sound with distorted guitars texturing the underbelly. When they get to the chorus, there’s this little playful moment as they expand the syllables on “digeridoo-do-do,” giving a lighthearted nature to the song…and of course, I’m a sucker for a little hook like that. Their new ditty comes to you courtesy of the kind people over at PNKSLM.

New Jam from Soft On Crime

I’ve covered Irish outfit Soft on Crime quite a bit over the last few years, so of course when the group put out a new little ditty I had to make sure you all were in on it. There’s this sense of longing and bewilderment that seems to creep out through the vocals, which upon first listen might share some similarities to Bob Pollard. That sensation allows the group, who traditionally employ raucous noise, to settle into a bit of slow burn, highlighting their adherence to pop standards of our day. You can actually stream all of their Noz Mat EP, although it doesn’t officially come out until December!

Accessory Shares New Singles

As avowed Dehd fans, we’d be remiss if we didn’t at least shine a light on Jason Balla’s new-ish solo work as Accessory. There’s a construction similarity in the way the song’s he’s just shared sound, but in that same fashion, there’s definitely something lighter burrowing up from beneath. Each of the two tracks seems textured with imperfections and charm, starting off in this sort of solitary mode that unfurls into a great expanse of pop magnificence. “Ums” is a bit brighter than “Do You” upon first listen, but the last minute of the latter is just this blissed out expanse of indie rock you can’t ignore. Play both of these jams as much as you want, as you won’t tire here.

Home Front Drop New Single

I was just talking to B.Gray yesterday about my need for something that felt energetic like the best of synth pop, but had just enough of an edge to keep my rock n’ roll desires in check. Lo and behold, Home Front drop one last glimpse into their Watch It Die LP; it sounds like the Killers, if they weren’t so dramatic, instead growing up with a skateboard beneath their feet. The whole of the song embraces this anthemic quality, as if they were building arena rock hits they could deliver to you in small dingy spaces that would make you feel alive. The new LP is out on Friday via La Vida Es Un Mus Discos.

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