Isn’t it exciting when you find a new band that just draws you in immediately and yearns for repeated plays? For me, it’s one of my favorite feelings and I’m always happy to share it with all of you. Today my “new band smell” comes by way of Danish group Yune, and their brand new single “Odd One Out”. This one blends some lovely bits of bedroom pop with some darker, heavier bass elements to create a truly mesmerizing single.
This song appears on the Yune debut album AGOG which is due out April 24th.
I’m not typically one to revel in the joys of demos and remixes and all that. But, I really really love the Oilies, and I really really really love this new track…even in a demo version. There’s something in its simplicity that’s supremely rewarding; it almost feels like the song is just on repeat for much of the track…careful ears will hear slight changes. Vocals subtly change the presentation, but if you’re like me, you might have been so entranced you didn’t notice on the first run though…so go back and listen to this all again. Honestly, I just want to hang out in a world where this track is on repeat forever.
I’ve spent the last week or so really digging deep into Pure Soul, the newest LP from John Steiner’s recording project as Boy Romeo. Every time I press play, I can’t help but wonder how some folks get big and famous, while others toil in obscurity. For me, this whole LP is a brilliant collection of pop songs; it should be a huge record, even as indie standards go. You can just take the singles to start. “Let’s Roll” has this surf-y swagger filled with hints of doo-wop and vocal layering that would make Brian Wilson smile. “Sophie” brings in a high-stepping jangle, meant to kick your heels up and have some fun, even with a sly hint at 80s club dance floors. But, a great LP needs a ballad, which you get in “Daydream” as the album draws near a close. That doesn’t even cover a song like “Pastels,” which could draw Steiner some Dent May comparisons, but here we have him going all in with a big horn solo added to the mix. Oh, and you need an art-y song too? Well, there’s “Waiting for My Call,” which stretches a solid pop number into a synth exploration. This LP has it all, and you can have it all too if you grab a copy from Z Tapes tomorrow when the album drops! Here it all below!
I love a good pop tune, even more so when it comes across in this sort of warped manner, such as the latest single from Bleach Day. The duo received a lot of praise for Where to Dream, and most recently helped with production duties on Wished Bone’s latest LP. Here, we have them building what seems like a very straight-forward pop number; the song’s general structure rides the backbone of piano notes. But, the vocals have this effect that holds the pop sensibility while still sounding obscured, then they bury it behind layer upon layer of textures. It’s like a pop quilt, little notes sewn into the fabric of other notes here and there. This should make the new album, As if Always, quite an adventure; it drops the first week of March.
Man, WIAIWYA is on an incredible roll these last few weeks; they just announced new Jeanines last week, and now we have European Sun. The band is comprised of Steve Miles and a bunch of friends, including the likes of Amelia Fletcher (Catenary Wires, Heavenly, etc) and Sarah Corrie (Velocette, Comet Gain). Unfortunately, the story behind the song’s first verse is a bit distressing, which Miles says he thought of while thinking upon his mother’s childhood; the message gets hidden beneath playfulness and dry humor, but the sentiment remains. For this reason, the John at WIAIWYA is sending folks to donate to Refuge, a center helping women and children fleeing domestic violence. You can also just skip the song and donate to a good cause HERE.
Let me just say this…if you’re writing guitar pop music at this very instant, please make it sound like Dropkick. The Scottish outfit have been around for a bit, but the forthcoming album, The Scenic Route, just seems to get better with each single used for promotion. Listening below, you’ll hear that ringing semi-jangle, encouraging a slight toe tap and head bob; it’s subtle, as are the band’s many charms. Sure, the vocals could be described as warm or gentle, but I think of them more as pleasant…something I’d sit and listen to with my mom on her back porch. It’s short, it’s catchy and makes you feel good about the world (for once), so be sure to pick it up from Bobo Integral; it drops on February 7th.
Looks like we’re spending a lot of time up in the Scandinavian part of the world today, which popped up earlier, and now brings us Remington Super 60. We’ve covered the band before, showing our appreciation for their beautiful pop sound. Here they return with this subtle, almost lounge-ready, gem; the pacing definitely lends itself to a moment of early morning reflection. Nice gentle bubble of bass beneath the feathery vocals; this is the sort of number that’s going to make your day infinitely better just be soaking in its natural warmth. The band release their aptly titled, New EP, today, so if you enjoy, go hear the rest.
Bristol outfit Pet Shimmers are crafting some sort of new-age pop fuckstorm; they’re taking the standard format and warping and twisting it around the backbone established by lead maestro, Oliver Wilde. Their sounds definitely are reminiscent of the sort of mish-mash of folk and bedroom pop; it sounds like the madness inside the caverns of one’s mind, but it’s being crafted and developed by a seven-piece pop outfit. I’ve been really impressed with their debut LP Face Down in Meta, and I think it’s going to sneak onto some people’s radars once they complete their tour with Sandy (Alex G); the album drops next Friday!
There was tons of music passed over during our little hiatus, but one that I was really looking forward to sharing was this delightful track from Dummy (featuring members of Wildhoney). It’s a five second wait before the band reveal their pop-heavy sounded; I love the way the “ba-ba” backing vocals are almost used as their own pop instrument rather than just a vocal. The main vocal sits back coolly in the mix, kind of hanging out while the fuzz swarms and pulses in and out of your eardrums; the song’s filled with all these little layers and textures you’ll keep coming back to sample each bit. It’s the sort of ear candy that builds the anticipation for a future release, which we’re told is slated for later this year.
Pelvis Wrestley have two things going for them: 1) an incredible band name 2) the music to back up said band name. They’ve got this great new single, “Susanna,” which they’ll be celebrating here in Austin over at Cheer Up Charlies (w/ Fanclub and Lord Friday the 13th). This new track revolves around a really heavy synth beat, propelling the song forward while Benjamin Violet hangs his pop sensibility along the vocals; I really love the rise and fall factor that coincides with the chorus on this one, particularly as it takes the song toward a soaring close. Come join the band tomorrow night at Cheer Ups if you’re in town, and keep an eye out, as rumor has it, there’s an EP on the way in 2020.