Nathan’s Top Albums of 2025

I could wax, poetically, about the meaning of year-end lists and how they turn us onto great tunes to create our playlists, but instead, I feel like this is my sort of last gasp post of the year, in what seems like a last gasp moment for blogs. I instilled some silly rules on myself in crafting this list…but if I disclose that, it could ruin your fun of jamming to all these records. So here’s a list…put whatever meaning into it you can, and just remember, I love to do this…even when its tough to string words together…so please keep coming back and we’ll keep doing this.

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Last Week’s Jams (10.13 – 10.17)

There was a lot of really great music, and in all likelihood, we’re nearing the end of the yearly cycle, where I expect to kind of see a flutter of singles then the lists will pop up! On our end, we covered a lot of the ATX this week, with new stuff from Jet Cemetery, Don’t Get Lemon, Gus Baldwin and Living Set. There were some new tunes that really rocked me, like Deathcat‘s pop punk masterpiece, not to mention the new Winged Wheel noise pop piece. Even managed to find some room for old favorites like Living Hour, Pia Fraus and Bubblegum Lemonade among the masses! Crank this playlist up, as it starts with a banger from Possible Humans.

Possible Humans Drop Standing Around Alive

There were so many good records that came out on Friday, from new the new Massage to the Telephone Numbers LP, but one that I probably didn’t give enough attention to in the lead-up was the new LP from Possible Humans. The Melbourne outfit has been mostly quiet since their brilliant Everything Split, delivering some of the best guitar pop you’ll get to hear this year. In their songwriting, they typically take a solid bit of propulsive rhythm and lock it into something special, letting it settle into that locked groove so that the guitars can spit out their delightful harmonies. There’s nine track of energetic indie rock jams, and they waste no time, so from “Slouching Hat” to “Akimbo,” you’re going to get the ultimate pop reward! Out now via Hobbies Galore.

 

Top 25 Albums of 2019

This is the list you’ve all been waiting for, well, sort of. This is my Top 20 LPs of the year. Admittedly, there’s none of the high profile hitmakers on here, but that’s not to say that I didn’t enjoy those albums. I loved Purple Mountains just as much as the next person, same with Weyes Blood, but in a pickle, would I choose it over that Martha LP? Uh, absolutely not. Plus, I ran a lot this year because I got tired of being fat, so the majority of this stuff is pretty upbeat and “runnable.” There’s no order because all are equal under my ears.

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Another Revisit with Possible Humans

Everyone raved about Everybody Split when it came out, but it was a super limited release for Possible Humans, barely making its way overseas. Now, however, we’re all getting a chance to get our hands on that heralded LP, thanks of course to Trouble in Mind. Today they’ve shared a video for “Lung of the City,” which mostly features live footage lurking on the horizon why we’re shown footage of a graveyard; it matches the ominous tone of the song’s lyrics…while it’s okay to not be scared to die alone, it’s ultimately an inevitability. I love how this song just sits really open; there’s that vocal hook of the chorus, but most of the track’s about the band’s ability to flex their musical muscles. The reissue of the LP will be out on August 2nd.

Possible Humans Announce Everybody Split ReIssue

Okay, so maybe this Possible Humans isn’t exactly a reissue, per se, but maybe just a world-wide release so you can all enjoy what those 200 folks over in Australia were able to get their hands on back in April. Everybody Split garnered raves from P4k, and of course, ever with a finger on the Aussie pulse, Trouble in Mind jumped on board to give the band’s debut a broader release. All that leads us to the track below; it’s different than say your Twerps or your RBCF, at least here. Weirdly, this track sounds an awful lot like what GBV would sound like if they found/wanted a proper studio recording; the chords (both guitar and vocals) sound worn out, like their on their last breath. That modest pace builds the tension, allowing for the song’s latter half to really let the guitars/vocals free, taking off on their own before returning home. If you have this LP, you’re lucky, but if not, TiM has you covered on August 2nd.

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