Japan Review Share Channel Waves Single

I’m not sure if Japan Review is on everyone’s radar just yet, but I’d really like to continue to push for the band’s inclusion in your listening rotation, thus why I’m here dropping this new single. From the get-go, you get this sampled machine gun drum beat, working in unison with this wall of guitar noise, clouding the horizon for the listener. Then Adam O’Sullivan drapes his voice carefully in the empty space, and while there’s a quiet softness, he seems pained, or tired (like us all). Still, the song’s not done there, moving into a more melodic moment for the chorus, then opening up in the track’s back half for sonic exploration of striking ambient noise. I’m totally in love with Kvetch Sounds; it’s out on October 29th via Reckless Yes.

Japan Review Share Kvetch Sounds

What on Earth is this beautiful sound coming from the latest Japan Review single? Immediately my ears filled with these discordant angular riffs, just heavily jangling, bouncing notes off one another to create this dense background of anxiousness. Moments later, synth work rolls into the picture, polishing the song like a fine gem, letting the melodic vocals calm your nerves as drums snap at the mix from below. Every sound works against each other, and in crashing together, they mix and leave you blanketed with this sublime piece of artful noise. I’m totally floored by this tune, and hoping that the whole of their new LP, Kvetch Sounds, lives up to this track; it’s out on October 29th via Reckless Yes.

Japan Review Announce Debut LP

Feel like it might just be a solid day to kind of hang in the corners of this darkened brand of dream pop/shoegaze notes, so here’s another to follow that Letting Up tune; it’s the album announcement from Glasgow’s Japan Review. The duo have evolved from the bedroom project of Adam O’ Sullivan into this creative duo fusing cavernous sounds to create a bit of melodic topsoil for your listening day. This announcement of a new LP comes with the single “Competition Winner,” which is dominated by this propulsive drum sample, allowing the band to sort of throw anything on top. Here’s there’s a blend of noise and melody, Adam’s voice lurking somewhere in the song’s purgatory; it all reminds me of the early days of Radio Dept. Kvetch Sound will be out on October 29th via Reckless Yes!

Th’ Sheridans Share I Don’t Wanna Be Dismembered

Next month, those on the outside of the UK scene will get treated to the charms of Th’ Sheridans, the London duo who’ve been crafting delightful pop rock for the better part of the last decade; they’ll be releasing a career-spanning compilation titled Pieces of General on September 10th. Today we get to treat you to a remastered version of “I Don’t Wanna Be Dismembered,” which originally appeared as a stand-alone single last year. The song operates with this ringing guitar accompanying Adam Sherif’s voice; you get through almost 1.5 minutes before the drums even enter the fray, but when they join up, you start marching and singing along, letting yourself go as Sherif’s distinctive voice flutters in front of those huge riffs that never seem to fade. Despite the song’s lo-fi aesthetics, it still has this impactful punch you can’t escape, particularly if you’re ready to digest the seriousness of the lyrical content. If you dig it, as you should, be sure to order the album from Reckless Yes before the September 10th release date!

Paper Birch Share Blue Heartbreak

Paper Birch are definitely one of those acts on my radar this Summer, particularly as they seem to be filling in that space in my life with fuzzy pop sensations. Their latest single from the forthcoming morninghairwater pulls back the curtains to reveal this wall of buzzsaw guitar and a fairly simply rhythmic track behind it. In crafting the tune in this manner, they allow for some further guitar excursion, jettisoning in and out of the buzzy background. Plus, using that canvas gives them the time and space to paint their combined melodies for you; it sort of reminds you of Damon and Naomi, and I don’t think anyone minds that! Morninghairwater is out July 30th via Reckless Yes.

Paper Birch Share Love for the Things Yr Not

UK outfit Paper Birch is a fairly recent collaborative project between Fergus Lawrie and Dee Sada, trading sounds and experiments between London and Glasgow, all of which led to the recording of the duo’s debut, morninghairwater. The press release calls in some Velvets nods, which you can definitely hear just from the emotional feel, but what I really like is the sort of static on those guitar chords. For some reason, it sounds like someone’s amp has a slight short at the input, yet still is able to emanate this beautiful noise. Plus, the balance of the vocals between Lawrie and Sada is something that should have you excited for the release of the LP; morninghairwater will drop on July 30th via Reckless Yes.

Nervous Twitch Drop Alright Lads Video

Feel like Nervous Twitch are taking me to task here, but their sound is so joyous that I don’t even mind that they seem to be mocking those rock show know-it-alls! Just listen, ask yourself if you know it all, then apologize and be better! As for the song, the band Leeds bunch just hammer away at this classic pop rock feel, somewhere between Elvis Costello and the Go-Gos, with hints of punk and classic girl-group pop swirling about your ears. It’s got just enough sugar to make you feel sweet, but an underlying bit of attitude (atop the band calling out those know-it-alls!) gives it just enough of an edge to make it a breezy jam you’ll want to spin at your next party! Give a listen! … Courtesy of Reckless Yes.

Order of the Toad Share Britons Marrakech

I’ll be honest, having been at the blog game for over 10 years now, sometimes sounds just get boring…so lately I’ve been looking for folks to do a little more, to stretch their sound (as if what I said matters). Luckily, our friend Robert Sotelo reached out to let us know that another project he was involved with, Order of the Toad, had a new release coming our way. So, here we are, with a new single and a sound that sounds like everything you’ve heard and yet nothing you can place. “Brintons Marrakech” has these little psychedelic guitar stabs, though there’s a sort of garage pop/60s girl group attitude layered in with the vocals; it all kind of slinks along, creeping artfully around every corner…tossing in an emphatic punch when needed. You want to be cool? This is what true cool sounds like. Re-Order of the Toad is available today via Gringo and Reckless Yes.

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