Tag: self-titled album

Hannah Lew Announces Self-Titled LP

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We’ve spent a fair amount of time writing about Grass Widow associated musical projects, so it feels only natural that we get a few words concerning Hannah Lew‘s debut LP. When you click play below, you’re going to be greeted by complete nostalgia, in so many ways; the video full of neon notes and tracers feels very much like an early MTV moment, and while that also works in terms of the music, I tend to push on 20 years into the early 00s. The music, of which I’m sure Hannah was aware, was thick with club beats and heavy grooves, sort of immersing us all in this dark brand of pop disco…Soviet comes to mind for me here. There’s this beautiful pullback around the 2.24 mark, letting angelic drifts filter out while a steady synthetic sound slides sneakily towards the stomping stop. The self-titled debut will be out on April 10th via Night School Records.

Circling Back to Devereux Scales

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In going through all the old emails from this year, it looks like I’ve missed a ton of really great music, like Devereux Scales, who released their self-titled LP a few months back. They’ve got this sound that’s reminiscent of Galaxie 500, at least if you’re going by the song we’re sharing below. It exhibits this deliberate patience, circling overhead with these delighting angularities. They seduce you with their vocal interplay, layering with this slightly angelic backing vocal to lift the tune’s melody right to our ears. And, if you thought everything was all beauty and crispness, then hold out for the latter half of the tune where they explore a heavier sonic stretch. Their self-titled LP is available for your listening pleasure right now!

Did You Hear Piggietails Self-Titled LP

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I know for a fact there is at least one person in the world that comes to this site to see what we’re unearthing from the Australian scene, as we love to cover the region’s sound. Piggietails popped up on our radar a few weeks back with a single from their self-titled LP; it reminded me of the the sort of disinterested pop that was coming out of Melbourne in the mid-2010 era. Their album fulfills on all those promises, with various members taking over the role of vocalist, so while the sound might be subtle, the charms change in and out, leaving you with a lasting impression that’ll have you coming back. Personally, I’ve been digging “And I’m Alright” and its circular craft, but that’s just me! Check out Piggietails, courtesy of Spoilsport Records.

The Cords Release When You Say Goodbye

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While we often comment on the youthfulness of the Cords, it has become more than clear that the duo have no intention of shying away from big pop tracks. I mean, if this track had come out in the 90s, it would have made it onto every single soundtrack or mixtape that came our way. There’s ringing guitars and a left-of-the-dial sentiment, all of it circling like a buzzard high above a horde of pop fans such as ourselves, each one of willing to drop, if only to have these delightful songs play again. Bright pop music might have faded, but songs this good don’t come out every day; you’ll want to grab the self-titled LP on September 26th, courtesy of Slumberland/Skep Wax.

Piggietails Drop CDs

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Up and coming Melbourne outfit Piggietails were only recently introduced to us over here at ATH, but with another solid number coming our way, it’s hard to ignore the new act as they push towards the release of their self-titled debut. If you’re a fan of the Aussie scene, you’ll hear some faint similarities, as the band can’t have avoided the sweet jangles of their homeland. But, with that in mind, they seem to take a broader brushstroke on this one, sort of embracing a Velvet Underground approach to letting the music make its own path, discarding all adherence to style in favor of just letting it rip. Stoked to hear the group making this sound all their own, putting Piggietails on my own personal anticipatory list; it drops via Spoilsport Records on September 19th.

The Cords Announce Debut Record

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It looks like I’ll be giving all my money this year to Slumberland/Skep Wax, as the two powerhouse labels have announced another joint release that I’m surely picking up. Today, the Cords have announced their debut self-titled album, and the new single picks up on all the promise they’ve displayed in the handful of singles that have popped up over the last couple of years. It’s an energetic rush of jangling guitars and steadfast drumming, snappy in the right spots while your cup is brimming with the melodic hooks on the vocal front. There is an innocence that pervades this tune, something that just allows you to lift your head above the foggy clouds of the sad world we live in, and for a moment, catch your breath and relish the joy in the simple things. Really looking forward to the entirety of their debut; it drops on September 26th.

Grey Causeway Prep Debut Album

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If you hang around a scene long enough, you’re bound to pick up some friends along the way, which is perhaps how Oakland’s Grey Causeway came to be; they’re a new band, but with veterans from acts like the Peechees, Smokers, Papercuts and more. On the opening track from their debut LP, they kick things off with these angular guitars that are reminiscent of post-punk forefathers. What I love about this tune is how they vocals employ a softer melody, working in contrast to those angular cuts, reminding me a lot of DC’s Dot Dash; it feels like if you grew up loving punk records, but couldn’t escape a pop infatuation. Just another home run for Dandy Boy Records, who drop the self-titled LP on May 25th.

King Husky Shares Heads Above Water

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I cannot quite explain, but there is something in the voice of Vidar Landa that feels supremely familiar. I’m not sure if that is because I have been spending a lot of time with the forthcoming King Husky album, or if there’s something in the tones…regardless, it makes the listening to his latest single another joyous pop listening experience. When his voice comes into the picture, it’s feathered tone just sucks you into the song’s narrative, almost a shared whisper between Vidar and the listener. A steady roll of drums and supporting arrangement allow for a building of texture, lifting the song and Landa’s voice higher in the mix. The self-titled LP will be out on May 9th, next week!!

Lone Striker Drops Blip One

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We here at ATH are huge believers in Tom Brown; he’s been a joy to cover as part of Teenage Tom Petties and Rural France, but his Lone Striker works is gifting us a glimmer of a different side of Tom. On his latest single, the track and its accompany video all encompass a walkabout; the soft snare touches provide a marching beat, albeit one that work’s at a glacial pace. But, like all things Brown, there are some finite little charms he sprinkles into his work; I’m in love with the sort of ghostly vocal sample that haunts this number. That overlapping vocal approach throughout doesn’t hurt one bit either, setting up the strings to hit you right in the heart. His self-titled album will be out on March 14th via Safe Suburban Home.

More Eaze and Lynn Avery Are Pink Must

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Both Lynn Avery and More Eaze have been playing left of the indie rock center with their various projects, but now they’ve united under the Pink Must umbrella. They’ve just set the world in motion for their self-titled debut, and we’ve got the delightful opening track here for you. The tune operates with a bit of bedroom groove work, mostly working on an electronic spectrum; the beat is manipulated and toyed with, warping it into something new at each turn. How? Well, they’ll completely stop in some spots, layer with grumbling guitar notes, or bend guitar notes into dissonance, allowing the shape to twist and reform each time. They’ll release Pink Must on February 28th.

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