Tag: self-titled album

Grey Causeway Prep Debut Album

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If you hang around a scene long enough, you’re bound to pick up some friends along the way, which is perhaps how Oakland’s Grey Causeway came to be; they’re a new band, but with veterans from acts like the Peechees, Smokers, Papercuts and more. On the opening track from their debut LP, they kick things off with these angular guitars that are reminiscent of post-punk forefathers. What I love about this tune is how they vocals employ a softer melody, working in contrast to those angular cuts, reminding me a lot of DC’s Dot Dash; it feels like if you grew up loving punk records, but couldn’t escape a pop infatuation. Just another home run for Dandy Boy Records, who drop the self-titled LP on May 25th.

King Husky Shares Heads Above Water

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I cannot quite explain, but there is something in the voice of Vidar Landa that feels supremely familiar. I’m not sure if that is because I have been spending a lot of time with the forthcoming King Husky album, or if there’s something in the tones…regardless, it makes the listening to his latest single another joyous pop listening experience. When his voice comes into the picture, it’s feathered tone just sucks you into the song’s narrative, almost a shared whisper between Vidar and the listener. A steady roll of drums and supporting arrangement allow for a building of texture, lifting the song and Landa’s voice higher in the mix. The self-titled LP will be out on May 9th, next week!!

Lone Striker Drops Blip One

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We here at ATH are huge believers in Tom Brown; he’s been a joy to cover as part of Teenage Tom Petties and Rural France, but his Lone Striker works is gifting us a glimmer of a different side of Tom. On his latest single, the track and its accompany video all encompass a walkabout; the soft snare touches provide a marching beat, albeit one that work’s at a glacial pace. But, like all things Brown, there are some finite little charms he sprinkles into his work; I’m in love with the sort of ghostly vocal sample that haunts this number. That overlapping vocal approach throughout doesn’t hurt one bit either, setting up the strings to hit you right in the heart. His self-titled album will be out on March 14th via Safe Suburban Home.

More Eaze and Lynn Avery Are Pink Must

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Both Lynn Avery and More Eaze have been playing left of the indie rock center with their various projects, but now they’ve united under the Pink Must umbrella. They’ve just set the world in motion for their self-titled debut, and we’ve got the delightful opening track here for you. The tune operates with a bit of bedroom groove work, mostly working on an electronic spectrum; the beat is manipulated and toyed with, warping it into something new at each turn. How? Well, they’ll completely stop in some spots, layer with grumbling guitar notes, or bend guitar notes into dissonance, allowing the shape to twist and reform each time. They’ll release Pink Must on February 28th.

Gus Baldwin and the Sketch Drop Luxury Television

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It’d been a minute since I caught a Gus Baldwin show, and while he was technically playing as a member of Bubba Lucky, his performance reminded me of the incredible guitar work that courses through his own band’s new LP. Clicking play below, there’s an immediacy in the songwriting that’s reminiscent of acts like Jay Reatard; I love the frantic nature that’s emphasized by the screeching guitar licks that bounce across the speakers. The whole band gets in on the action here too, taking almost a full minute of instrumental breakdowns to flex their musical skillset before they rip right towards the close. Gus Baldwin and the Sketch drop their self-titled LP on January 31st.

The Wickies Offer We Tried

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I’ve only recently gotten into the Wickies, mostly because, as you clearly know, I’m absolutely in love with Quinn Kinsella-Mulkerin’s voice, and have been since I first listened to Big Blood. But, her current project, illustrates the reserved side of that power, holding it in just a bit, letting it carry the song without making it the sole focus. Together with songwriting partner Aiden Arel, the duo build these indie rock structures that manage to encompass the playful spirit that the Moldy Peaches and make it seem serious. Their self-titled album is dropping next week via Ba Da Bing Records, and I already get the feeling that this young act is years ahead of their time, and we’ll be looking to them for years to come.

Whisper States Shares Ghost Rode

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I love being surprised by a press release, like I was with this new Whisper States single. There’s lots of mention of songwriter Chad Molter’s work in various Dischord bands, not to mention working with Joe Wong and Mary Timony. So, I pressed play on this new jam, and boy, not what I was expecting, but also, in the best way. One of the only similarities I found was the driving rhythmic push that creeps beneath the surface, perhaps the heaviest edge the song brings to the surface. But, there’s so much reward here, harkening to a different era of American pop music, perhaps finding some footing in the pastoral folk, albeit one brimming with hints of Elephant 6 pop sensibilities. I’ll definitely be checking out the self titled LP, which drops on September 6th via Trap Set International.

Teenage Tom Petties Share Night Nurse

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Dear Teenage Tom Petties. I sincerely need you to stop writing such catch pop songs that, quite frankly, are ruining my day. I’m sitting here looking at an email inbox of over 100 new tracks and albums, but all I want to do is listen to this new track. I love how you’ve pushed the gritty bits of guitar to the distance; they’re not completely gone, but they allow the pitch of the vocals to really sell the melody. Oh, and then you went and threw in some “whoas” and handclaps. Are you serious? How can you expect anyone to get anything done when you’re writing with such whimsy and joy, all the while tossing in hooks galore? You’ve ruined my day. Alas, I’ll have to go grab a copy of your new self-titled record, dropping on August 2nd via Safe Suburban Home/Repeating Cloud.

Ghost Fan Club Share Now and Then

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If you sit with this new single from Ghost Fan Club, you’ll likely find yourself straddling eras between current bedroom pop and early 00s indie rock. As the Bandcamp for the project says, the songs were recording “alongside spooky spirits,” and while that may be tongue-in-cheek, there’s definitely a shadowy solemnity to the song, which gives it that familiarity you want from the perfect bedroom pop piece. But, listening closely, you can also hear the affinity for folks like Isaac Brock, particularly in the way some of the guitar notes warble and bend in your speakers; it goes nicely with the the layered vocals from the ghosts that pop up sporadically, adding emphasis to the tune. The self-titled Ghost Fan Club LP will be out on July 14th.

Animal Surrender Share After Single

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When you listen to the latest single from Animal Surrender, those who know the circle that the band runs in will surely find some familiarity here; the track is a reimagining of Mike Wexler‘s 2020 tune “After.” In the original tune (you can find it HERE), the track has this rolling movement to it; it feels like it is constantly moving forward, even as Wexler’s vocals have this steadied pace. Animal Surrender, fascinated by the concept of love being the one true constant after everything we experience, turn the song into a meditation. The track almost drifts on the wind, almost working in the reverse fashion, as the vocals seem to be the driving force of energy in this version. If you’re fascinated by this tune, you’ll find more wonders when you open the band’s self-titled release, out on. May 17th via Ernest Jenning Record Co.

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