Tag: self-titled album

Holly Miranda Has It All

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hollyInstead of going on about how Holly Miranda is a female songwriter with looks and songs, let’s just enjoy listening to this great new single of hers.  I love the nonchalance in her lyrical display here, not to mention the coated fragility that seems to seep through.  And, instead of just giving us a singer-songwriter touch, she adds some atmospheric flourishes behind it all, strengthening the heart of the track; it puts her in a league where few other live…female or not.  Look for her self-titled LP to hit on May 19th via Dangerbird Records.

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Digging This New Van Dale Jammer

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vandWhen you press play on the tune below, you’re going to think it’s your run-of-the-mill indie rocker; it’s got a decent pace, but it’s mostly relaxed college rock (not that that’s bad by any means).  Still, you’ve got to hold on as Van Dale unleashes some crunchy guitar that brings a boisterous bit of noise to the typical affair.  It takes on a tone of what I always dreamed and hoped Weezer would become…they didn’t…so we’ve got these guys to bring it instead.  On March 31st, the trio will release their self-titled album via Fleeting Youth Records.

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Hooked On This New Grounders Track

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groundedI’m not really sure what it is about Grounders, but I’m entirely hooked on their sound.  Seemingly, the song is all over the place, touching on various genres, from electronic-induced pop to swirling dreamgaze.  That being said, there’s an undeniable pull that draws the listener (in this case me) into the track. There’s so much going on in this tune, that you’re almost begging to play it again before it’s finished, just so you can go back and check all the musical highlights occurring within. The group releases their self-titled album on May 12 via Nevado Records.

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You Never Get Tired of Wire

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1521775_665148380190715_237386686_nThe punk history books always look towards the Ramones or The Clash, but the one group I always gravitated towards was Wire.  Sure, Joe Strummer brought in some Jamaican influences, but I always felt that Wire were the one group that really pushed the boundaries.  30 years and more later, they’re still crafting music we can find vital to our daily listening lives.  This new single has the band working with their anxious angular guitar cuts, but the vocals provide a softness that offers the song a strength that very few, if any, bands can master.  It’s a tune from their forthcoming self-titled album, which is slated for a April 13th release…and just another reason why music nerds will look to the band as one of the best constants in history.

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Premiere: Birds of Night Prep New Self-Titled LP

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4212Just because we rep Austin doesn’t mean we don’t look around Texas for great tunes from our neighboring cities, which is where we ran into Denton’s Birds of Night.  The group’s new single has this guitar that cuts through the pounding rhythm section, tied in tightly with a great Southern vocal that wears a Texas drawl proudly.  It reminds me a lot of local band A. Sinclair, just offering up a heavy dosage of great no-frills rock n’ roll. Their album, Birds of Night, was recorded by Midlake‘s McKenzie Smith at his Redwood Studio, so you know they’ve already caught the ear of some Texas heavy-hitters.  Here’s to them reaching beyond our state line; look for the album on April 21st.

 

Wake Up with Karl Kling

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karlklingI’m typically not the one on the site that runs the electronic side of things, but I needed an extra pick me up after hitting up five shows in the last week, so I thought I’d toss out this new tune from Karl Kling.  It’s a track that’s rather infectious, and it’s got just enough bouncing bass to really get you moving about your place, or your office if you’re so inclined.  Airy vocals and heavy beats will get you dancing if you know what’s good for you. Look for his self-titled album to hit on March 3rd via Crazy Heart Records.

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This Is a Pretty Sweet American Wrestlers Tune

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kellyIt took me a few days to really sink my teeth into this American Wrestlers single, but I’m really glad that I gave it the appropriate time…what a great song.  It’s got the little bits of pop that make me swoon, from the sound of the vocals to the track’s volume burst that kicks in just after the 1 minute mark.  It’s the brand of pop songwriting that has me tapping my toes and bobbing my head.  It’s another impressive dose of craftsmanship presented to us by the Scot (now Missourian) songwriter. Look for his self-titled debut album to come out via Fat Possum on April 7th.

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More Music from Quarterbacks

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QUARTERBACKS-by-david-grimaldi-2There’s one record on the horizon that I think everyone is going to love; it’s the newest self-titled album from Quarterbacks.  You’re not going to find an album full over-indulgence, but instead you’ll get a ton of short songs, each delighting in its own way.  There’s hints of jangling pop in there, which you know I love, but there’s also a passion in the songwriting that really makes the whole record rather uplifting.  I guarantee this will be a hit for you all; look for the LP on February 10th from Team Love Records.

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Cotillon Brings Something New to Burger Records

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coatyIf I told you Cotillon was on Burger Records and you hadn’t heard the band, you’d likely think the group would offer something in the vein of garage rock.  But, with this album, the label is continuing its efforts to branch out into new territory, having this latest single offer little more than just a tinkling piano and some vocals.  It’s a short little ballad, yet it’s one that continues to push my excitement for the self-titled effort from the one-man project (January 26th).  Think gentle and pretty, yet far from mundane.

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Beech Creeps Offer Noisy Pop Sensibility

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creepinClearly, one can press the distortion pedal and let the guitars ring loud; we’ve seen that quite a bit over the last few years as noise and shoegaze have made their full return.  But, Beech Creeps do it with a style that really exemplifies the band’s natural inclination towards writing pop songs.  The guitars swell throughout the track, and that’s all well and good, but the slightest vocal touches seem to turn the song from something dangerously monstrous into a hook-laden burst of noisy joy. You’ll be able to hear more of the same, hopefully, when the band drops their self-titled full length on March 3rd via Monofonus Press.

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