Probably a redundant post on my end, as I keep talking up the new Shame record. Perhaps there just isn’t too much on the heavier side of things that I’ve been able to get into this year (Idles sounds like a shitty Hot Snakes/TxisR). So here comes Shame, building in the song with this anxious post-rock for the first minute before the vocals enter the fray; they stick to their own formula in bits, though the release here is tamped down on its first entry, and honestly, an afterthought for me. What I do love is the melodic venture the song takes around the 3 minute mark, almost charming listeners before starting to sputter into discord and noise. I am interested to know why a lot of the band’s videos feature the lot in motorized vehicles, but save that for another time. Check out “Snow Day,” an homage to the 2000 hit movie! Drunk Tank Pink drops the day before my birthday (1/15) on Dead Oceans.
The moment we’ve all been expecting has come to be; Shame, today, announce their brand new LP, Drunk Tank Pink. There have been hints that something was in the air since the release of Songs of Praise…but I’m actually referring to the musical style they’re brandishing on their latest batch of singles. They seem to have discarded the formulaic call and response post-punk that’s become quite the fad, instead favoring a more elaborate approach, often slowing things down to let notes ring out and build that internal tension for the listener. There’s still a solid release, but there’s time to reflect, rather than just be bashed over the head by blunt rock. Drunk Tank Pink will be released the day before my birthday on January 15th via Dead Oceans.
I know folks don’t agree with me, but I feel like Shame is the at the top of the food chain for this sort of brand of post punk; I think maybe only Protomartyr come anywhere close. But, this brand new track, recorded from an earlier live set showcases how the band have begun to blossom, incorporating new elements into their sound; it’s only making my stance all the stronger as they take what quickly became a stale genre into new territory. Heaven knows I need a new record now, but knowing they’re stretching their sound, I can be patient knowing there’s this power on the horizon.
The year 2020 has been nothing short of a shit show, but it’s about to get a little bit better for all of you out there; Shame have returned with a brand new single, a hint at the shape of things to come. Songs of Praise alerted us to the band’s brand of rock n’ roll, with their live sets only furthering the ferocity of their recorded work. Since then, there have been tons of imitators, but nothing comes close to pulling this off. A thundering groove is established by the rhythm section, with a twang of discordant guitar notes ringing out, slowly, then with more pace. Charlie Steen’s vocals are emphatic and pointed at first, eventually fading into this scrawling note across the track as it pushes forward at a frenetic pace. There’s a glimmer of hope out there folks. Just a glimmer.
I hate to say I love BDRMM as the group are just making a name for themselves by signing to Sonic Cathedral…but dammit, I love the hell out of this song. It teases you, acting like an instrumental, but don’t mind that, you’ll get your lyrics. I love the natural bounce of the song, slowly adding layer upon layer…guitars, atmospherics, percussion, bass…then another guitar comes noodling its way in, tossing its jangling post-punk vibes all over the place. If you want, skip to the 1 minute mark, wait about 20 seconds, and you’ll still get that emotional musical release we’re all seeking; a blast of shoegaze opens the curtains to a fairly empty stage that reveals the matter-of-fact vocal delivery set to the front of the mix while guitars dance about in the distance. Dammit. This band fucks. Look for their If Not, When? EP on October 11th.
This is our year end list for albums of the year. There’s four of us here, so it’s hard to come to a consensus, but we did our best. Feel free to argue and tell us where we went wrong; we realize our list is quite a bit different than most. Read more
Only a few short days now ladies and germs. Only a few short days away from the glory that is Austin City Limits Music Festival. We’ve been doing things a little differently this year and changing up our coverage with unique previews and playlists in place of our usual interviews and band previews. Hopefully you’ve found something interesting to prepare you or a loved one for the upcoming weekend. I spent most of my morning compiling a huge playlist of bands I plan to see over the course of the festival and yes, Disturbed is on the list. And Lisa Loeb…Fight me. Consider yourself prepped.
You can trust my genius musical skills and play in the given order, or click on the first video and shuffle the order to your liking.
One of Austin’s favorite festivals has announced their 2018 Lineup. We already know that ACL Festival will happen on October 5-7 and October 12-14…but now we know what we’re getting! Personal highlights include David Byrne and Metallica/Deftones (I’ve recently been traveling down a secret metal wormhole with a lot of teenage reminiscence). A return of The National is never a bad thing, as they’ve delivered some of my favorite ACL moments in the past. B. Gray will be super stoked on Sylvan Esso and CHVRCHES. We’re also bound to love some of the acts lurking at the bottom of the list, like Sharon Van Etten, or my pick of the fest, Shame! If this whole thing is up your alley, then perhaps you’ll want to grab some tickets right HERE.
BGRAY NOTE: Post was staged before the full announce, let’s take a moment to react. The variation and diversity here is the best it has been in years. Sir Paul McCartney, Metallica, David Byrne, Twin Shadow, St Vincent, The Breeders, Blood Orange, Arctic Monkeys, Sharon Van Etten, Janelle Monae, Childish Gambino, Father John Misty – this is the best lineup on this side of the Atlantic. Get those three days now, cuz who knows if one-days will even be made available.
Your friendly neighborhood ATH staff members have emerged from SXSW week and I think we’re all finally ready to reminiscence on what transpired. As we’ve done in the past, it seems like a perfect time to hand out some awards for the festival with superlatives that we made up like 5 minutes ago. Keep in mind we saw a lot of bands, had a bit to drink, and ventured out to more venues than we can possibly remember. So buckle up, hit the jump and see who we deemed worthy and deserving of our very prestigious awards.
Shame signs to Dead Oceans with a ton of UK hype behind them. It’s definitely going to be interesting hearing out the rest of the band’s tunes come across; this single’s great, but you could see an album of like-minded tracks wearing you out. It works around a bit of call-and-response punk ethos, though you can clearly hear that the band has a pop-centric focus…be it in the chorus or in some of the guitar sounds. It’s a good introduction, but we’ll hold out on full fandom until their debut drops in 2018.