Show Review: Almost Heaven @ Brushy Street Commons
We dance because the stillness becomes unbearable
It seems fitting that the Austin-based electronic/rock duo Almost Heaven took to the stage of Brushy Street Commons on Friday, January 30th, to celebrate the release of their EP aptly titled Raw Cranium, as national unrest took the stage for the world to see. Dance music and dance music culture have historically been a physiological response to constraint – political, social, economic, or cultural. If the response comes in the form of Almost Heaven, we will be dancing our way through these times in the best way possible.
More words and photos after the jump!


The group over at
It’s hard to shield yourself from the world’s current events in 2025. There are wars going on, a Russian-happy president in the Oval Office, and Elon Musk is our billionaire asshole-in-chief. For a band like
Breaking up is hard to do, but it sure does make for good music.
About 20 years ago I downloaded a copy of Say Anything‘s “…Is a Real Boy” from my university’s local file share server (sorry, Max). Wracked with guilt over the amount of times I played that album, I finally ponied up the cash for the album and a poster. While on summer break from college in 2007 my best friend and I hopped into her shitty 2001 hatchback, popped in the cd and made our way to Hard Rock Dallas in that sweltering heat to catch two of our favorite bands, Saves the Day and Say Anything. The show was electric and full of antics worthy of it’s own review, but I digress.
This past Sunday at the Paramount Theater in Austin, 






We’re anti-Fascist, we’re anti-violence, we’re anti-racist and we’re pro-creative. -Joe Strummer (The Clash)
This past Sunday night, 5 members of the band