Evans The Death – Expect Delays

etdRating: ★★★★½

90’s nostalgia is fairly easy to come by these days and one of the facets in which this longing for the past has manifested itself is in a renaissance of the alt-rock of this decade. Evans The Death, comprised of young Londoners barely out of their teens, combine this nostalgia with their own twist of the present to push them past mere imitation and into something creatively different.

Immediately when you embark on Expect Delays, it’s impossible to miss the influence of 90’s alt rock that this band’s sound is so deeply steeped in, especially that of The Cranberries. The juxtaposition of Katherine Whitaker’s impossibly high vocals with the grunge guitar produces the same transfixing quality of the past, but Evans The Death do it so well that you don’t really mind. Songs like “idiot Button,” fourth up on the album, is the closest you’ll get: the soaring vocals glide atop the grounded stop and go percussion and distorted guitars to create a dichotomy of light and dark sound that is as eerily beautiful as it is haunting. Same with ever sunny “Just 60,000 More Days Till I Die,” but here the acoustic guitar part fills in where the electric guitar fades out, and Whitaker’s lyrics are chilling: “Take me to a hospital, send me back to school, something’s wrong in my world.”

But the album never feels like a cheap imitation, or merely a copycat, as the band adds in several other genres to their mix to avoid this very phenomenon. You get the post-punk and jangly rock influence as well, which this band incorporate seamlessly as well. Early on they give you “Sledgehammer,” on which Whitaker’s vocals are another elements to the noisey rock they’ve got going, using their force with added echoes to make for a dark version of jangly guitar rock. “Bad Year,” still on the first half of the album also is one of the most pop-like tracks from this band, complete with catchy choral hook and infectious guitar riffs scattered throughout. Later on the band gets heavier and heavier, with deep cut “Don’t Laugh at My Angry Face,” which is the most metal track on the album while still maintaining the grace that inherently surrounds this band.

Expect Delays is an incredibly emotive album, as Evans The Death makes music around their survival through the humdrum of modern life. They’ve managed to lift the same deep resonance of past genres and transpose this to the present and the result is quite wonderful, even if it is dark and dreary. Isn’t that the world we’re living in?

 

Brand New Joanna Gruesome

grewsumThis new Joanna Gruesome has to be one of the hottest commodities not yet out there; I feel like everyone is talking about it…and no one is saying a bad word.  So, when a band and a record like that comes along, the best thing we can do is to turn up the singles, and prematurely (possibly unjustly) make up our mind. This tune has a real soft side, which is one of the reason’s I’m in love with it. Still, the band brings  their tenacity, switching between that softness and a brash bit of rock n’ roll.  Look for Peanut Butter to hit on May 11th via Slumberland Records/Fortuna Pop.

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Another Young Guv Tune

bcI’ve been approaching the new Young Guv effort with a bit of trepidation for some reason; I think the first single caught me off guard, but I can see why the always reliable Slumberland Records grabbed this new LP, especially after jamming this tune all day.  There’s a bit of gritty shoegaze in the way the guitars swirl around in the mix, but Ben Cook definitely takes hold of his newer pop-centric aims on his vocal display.  This is one of those tracks that could seemingly break through the universe and catch hold of every pop fan out there; it’s that good. Look for Ripe 4 to hit the streets on March 10th.

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Cuz Pitchfork Said It Wuz Cool: ft. Joanna Gruesome and Jimmy Whispers

grewsumThis is a new feature for me. I’m currently just re-posting what P-Fork had to say. They’re huge; they get priority. So, if you read this already, skip ahead. Sorry for wasting your time, kind of. The first jam is from Joanna Gruesome…it’s a more rocking version of their previous hits.  It comes from their next LP, Peanut Butter, which has a release date on Slumberland/Fortuna Pop near the end of Spring.

The next jam is from Jimmy Whispers, who I wrote about a few weeks back, and he’s riding the coattails of P4K to the bank! He’s constructing these bedroom jams that definitely bare some DIY/home-studio perfections, but dammit if they’re not catchy as hell. You’ll find the tune on Summer in Pain, which hits stores on March 24th. And remember, this is all cuz Pitchfork said it wuz cool.

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Evans the Death Push The Noise Up

evenIn the past, I think the music of Evans the Death has had an element of safety to it; it’s not that I don’t appreciate that…by any means. But the instant this guitars feedback in this new single, it was the instant I realized that these youngsters are branching out in directions I didn’t quite expect…though it’s very much welcomed. It’ll be nice to see a young group grow up, sonically before our eyes. There’s this oddity to Katherine’s voice too, not in an off-putting direction, but in the tonality that really allows her vocal performance to hold the song together.  It’s another exciting reason to look forward to the band’s new LP, Expect Delays…being issued by Slumberland and  Fortuna Pop on March 10th.

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The Softer Side of Young Guv

younggzaWhen you’re working with a band like Fucked Up, people are bound to make assumptions about what your solo work will sound like, right? You’d think Young Guv, the band’s guitarist would bring us some sort of heavy-edged punk, or maybe the power-pop influenced touches he brought on his recent EP with the Scuzz.  But, it seems like Ben Cook has some doses of R&B smoothness built into his work; it’s evidenced in this groovy hit he’s just put out in anticipation of his new LP.  The title of the record is Ripe 4 Luv, perhaps giving us a hint that we should expect more songs like this; it’ll be released by Slumberland on March 10th.

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Get Grunge With Evans The Death

evans Evans The Death, if you haven’t heard of them, are a group of indie rockers currently from London who are at the cusp of putting out their sophomore record. Expect Delays is expected to come out March 10th of next year on Slumberland Records, but you can have a listen to the track below right this instant. “Don’t Laugh At My Angry Face” starts with a ton of feedback and continues this trend with guttural guitars and precision pauses before the song really hits its stride. Then the percussion just hits with waves of cymbals as the band takes you through with their stop-and-go tune. This song will melt your face off. In the best way. Listen.

 

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Hard Rock from Hard Left

hardTrying to cram as much hard rock into your day as possible, which is why I’m bringing you this new Hard Left track…the second tune from the new band.  It was first brought to my attention because it features Mike Schulman of Slumberland Records, but the song has this great boogie to it, hiding beneath the scuzzy recording.  Yea, there’s a bit of a growl to the vocals, but you’ve got to have a hint of anger when you’re singing about Skinheads, right?  The band will release this single on a 7″ via Future Perfect Records on December 8th; here’s to a better tomorrow.

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The Mantles Are Back with a New 7″

mickeysThere’s just something that captures your ear like a catchy good tune, and it seems like The Mantles keep pumping those sorts of tunes out. Recently they left us with the gem of an LP, Long Enough to Leave, and they’re back with a brand new 7″ that’s set to hit stores in December.  This particular tune puts more of a dreamy California spin on their sound; there’s a slight little vocal call-and-response that adds a nice dosage of pop emphasis to the track as well.  If this band hasn’t captured your ears and heart just yet, then maybe this song will do the trick for you.  Look for the 7″ via Slumberland just in time for the holiday giving of gifts.

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Beautiful Indiepop from Allo Darlin (Again)

alloThe more I hear from this new Allo Darlin, the more I swoon.  There’s something magic about a perfectly executed indiepop tune, and this one is more than just magic.  I love the vocal interplay between male and female, fittingly coming across like friendly banter between lovers.  There’s indiepop, then there’s the spectacular, and this track is definitely falling in the latter category.  Their new album, We Come From the Same Place, will surely be in your hands on October 7th when it gets a US release by Slumberland Records. That’ll be followed by a nice long US tour too, including an Austin date at the Mohawk.

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