Baby Combat Share Heaven is an Izakaya

We’ve been jamming to Portland’s Baby Combat quite a bit the last year or so, and this new single continues to illustrate the beauty of Noel Yeo’s songwriting. It opens with a bit of restaurant noise, perhaps an allusion to the song’s love of an izakaya (Japanese pub). Then sharp guitar lines start to ring in your ears, with a heavy bass groove bobbing in the ocean’s beneath the front of the mix. I love how Yeo hits some high notes, like in the area right after the 1 minute mark, keeping the song earnest and playful. In the end, one of the reason’s I adore Noel’s songwriting is that it very much hits the notes of fuzzy pop, but it never quite settles; the track’s always seem to take a turn here or there, offering a little wrinkle that allows things to continuously captivate listeners and sound fresh.

Ted Tyro Release How Can Single

A band featuring members of Wombo and Murals, dedicated to the sounds of Talking Heads and Omni, is surely going to find its way on our pages. So, here we are with Ted Tyro and their latest single. Let the first half of the song set the scene, calmly wrapping guitar notes around you, allowing the vocals to sedate you as the drum work keeps time. Then, you hit the 1 minute mark and the chorus jumps in, shifting the focus into that more artful twist and turn you might find in a track from the aforementioned Omni. But, I’m digging on how its a little heavier here, at least in tone, just on the cusp the angular ways alluded to elsewhere, but rounded and darker…as the band are clearly making their own path with this fresh tune.

Last Week’s Jams, Today (4.4 – 4.8)

Here we are folks, another Monday. We’re starting off the week, as we always do, looking back at last week’s hits, just in case our five followers missed a song or two. We’ve got new indie pop stuff from Red Sleeping Beauty and Jeanines, plus new tunes from long-time ATH faves, Stephen’s Shore. Then there’s a new Chronophage album on the way, so we’ve got that covered here too. It’s a quick little way to breeze into your week here, starting things off nice and light. Enjoy!

Best Bets Share King Cnut

If you’re feeling, like me, a bit overwhelmed on this Friday, and just want a minute to turn up the noise and bang your head a little, then hit up this new track from New Zealand’s Best Bets. It’s a rocking from the get go, hitting with heavy riffs and guitar noodling after the band count it off at the start. The vocals definitely are filled with passion, almost sounding exasperated in their tone, but with just enough melody in the tone to make it feel like a solid bit of pop songwriting. Earnest and loud, which makes for great guitar pop all around. Grab On An Unhistoric Night from Meritorio Records.

Red Sleeping Beauty Drop Single w/ Amelia Fletcher

It’s hard to not fawn over a track that takes Red Sleeping Beauty‘s pop craftsmanship then throws in the marvelous support of Amelia Fletcher (Swansea Sound/Heavenly/Catenary Wires) on vocals. The thumping drumbeat gets us started, with a stuttering guitar line faintly toying in the background while the vocals enter pushing the accompanying guitar bits towards more of an outright jangle. When the chorus hits, the vocals get textured backing and the arrangements swell, building it into this indiepop gem that’s going to resonate with all sorts of pop fans. This glorious pop song comes to you courtesy of Matinee Recordings.

Popstrangers Announce In Spirit

I’ll be honest, listening to the first 45 seconds or so of the new Popstrangers single had me questioning where I’d stand when it came time to talk about it; it opens at a trudge, like slogging through the mud; I liked it, but wondered how long they’d stay in that spot. Suddenly, at 1:09, the song erupts into this gloriously fuzzy slow-burn, crashing against my ears with this wondrous melody. They set me up! Then they slide back in, only to set us all up with the charm one more time; even stretching it out a bit further…sort of like we got from the Wrens so long ago! The trio will release their new album In Spirit on June 10th via Rice Is Nice Records.

Automatic Share Venus Hour Video

I don’t know what it is about Automatic, but the band seems almost too cool for me to listen to on a regular basis. Today they drop another track from their forthcoming Excess LP, and I just can’t help but get sucked into their tunes. At its bare bone, the songs are these bopping exercises in rhythm, with little else moving through aside form the bass and drum work. Yet, there’s something in the way the vocals feel sheepishly hip, like they’re unaware how much cool exists in their craft. They remind me of this weird mixture of Deep Time and Pylon, thrown in with a nod back to 60s pop groups; Excess is going to rule, and it drops on June 24th via Stones Throw.

Sapphire & Steel Share Evelina

Jorn and Estella, or Sapphire & Steel as they’re presented here, have been working in the indiepop circle for quite some time, and as they continue to charm with their singles, we’re here to share those with you. This new single definitely has a nod towards classic Grant McLennan penned tunes, taking notes from the jangle pop realm, but perhaps dolling them up a bit in a more sophisticated package. Sweet guitar notes ring here and there, but they crash into the softened melodic vocal play of the two songwriters, offering up this sort of indifferent cool, like they know how good the song is, and they’ll leave it at that. I mean, listen to the way “Evelina” gets dropped in the chorus and try to tell me you don’t get the feels.

Stream Welcome to My (Strange) Jangle from Lil Hospital

Our friend Kevin Hairs is back again with his Lil Hospital project, having just released the brand new Welcome to My (Strange) Jangle EP this week. We’ve loved Kevin’s work, plus it’s great, so feels like you should have it on your radar! This whole EP hits a little bit of everything I’ve been into this year, kind of drawing on the San Francisco sound (of late), mixing it with a fondness of Robert Pollard and company, then drenching it in a heavy coat of indiepop jangles. Suffice to say, it’s classic guitar pop you can’t seem to get out of your head. Plus, if you’re in the Brooklyn area this weekend, Lil Hospital have a show with Jeanines at TV Eye…and if you’re not…listen to both bands.

Jeanines Drop Who’s in the Dark Single

I’m not going to lie; I thought there wouldn’t be a finer pop tune this year after hearing “Any Day Now,” but it seems that Jeanines were intent upon topping even their own great pop, and we’ve got it below. Alicia Jeanine’s vocal performance instantly pulls at you, coming off like some angelic Nico impersonator; Jed’s backing vocals add a slight buoyancy too, as if the track needed it. Amidst all the frantic jangle and succinct drum work, Alicia hits these high notes meant to shatter your heart with their perfect tonality. Then, a quick summary warmly wraps up the tune and its title, leaving you with the perfect piece of pop to put in your pocket and take out when in need of a little joy. Just another stellar example to get you excited to pick up Don’t Wait for a Sign, out April 22nd via Slumberland.

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