Le Pain Drop Obvious to You

When you drop names like Stereolab and Alvvays in your band description, you better be able to back it up. Le Pain did so with their first big single this past summer, and they’re back on the grind with a fresh single on the horizon. This single’s a little more open, using some more casual indie rock guitar notes akin to early Real Estate, creating this more expansive vibe as opposed to their early saccharine treats. But, the creamy vocals from sisters Madeline and Olivia intertwining still provide that intoxicating brand of pop that is sure to have folks salivating as they await news on a full length. We’ll let you know when we hear.

Zinskē Share Horseface Josey

While the Chris Lipczynski and Zinskē might not be a household name just yet, I’d love to have a chance to change your mind as the band set up for the release of their debut LP, Murder Mart. For starters, Chris has this incredibly distinctive voice, bordering on grizzled, though careful to cling to melodic structures; his delivery, particularly in the chorus segments provides this extra layer of listener satisfaction. Musically, this is the spot on example of good old-fashioned indie rock. You get dueling guitar lines, riffs that drop between distorted speaker-busters and jangling angular cuts. I love how the song seems to get loud as possible without ever getting incredibly loud…plus you get this little guitar noodle just after the 1 minute mark. Everything about this, from the craft to the production just screams that this is perfect (from now on). Press play, there’s no need to go further, that other stuff just isn’t this cool!

Blushing Announce Possessions LP

Long long ago, in a galaxy here in Austin, we helped release one of Blushing‘s earlier EPs; they’ve since gone onto bigger things, and now the news is out that they’ve signed with Kanine to release their new LP, Possessions. The first single is a delight, not just because it features Miki Berenyi (of Lush), but also because it shows continued growth in their sound. I love the various movements within the song itself; this song’s got those dreamy jangles to open up the score, but also fades right into this gritty indie rock feel, before splitting wide open to allow for Miki’s voice to drape across the sonic groundwork they’ve put before you. Should be exciting to hear the whole LP when it comes to fruition; the new LP drops in February of next year.

Jessica’s Brother Share Finding Snowdrop Single

The end of November will bring us the next Jessica’s Brother album, but on the way, perhaps we can enjoy this new single. This track has this sort communal psychedelia to it, which I’ll be honest, I wasn’t quite expecting. The song has this tendency to let the notes meander, going on a nice little musical walkabout, so to speak. It allows for the band, and their backing vocalists, to kind of create this sort of campfire seance, the sort of passionate performance where everyone, listener and musician, sinks into the fabric of the tune. Yet another reason to look forward to Just Rain, out November 26th via Fika Recordings.

The Acharis Share False Positive

Feel like we should start our Monday’s coverage off by going super heavy, and there’s no better way to do that than by turning up this new track from the Acharis first. Their first single from their forthcoming LP had them sort of playing with the poppier side of the dream/gaze realm, but this new one is full-on heavy massacre shoegaze. You can hear the weight of those distorted guitars, crushing against your speaker, trying to get out into the world. Sure, the vocals have this central smoothness to them, but don’t be fooled. I love the breakdown in the end; you can hear these emphatic emotive howls from the background, adding further darkness to the tune. The band will release Blue Sky/Grey Heaven on November 5th.

Farewell Horizontal Share I’ll Miss This Headache

I’ve been jamming a lot of Farewell Horizontal as of late, and I feel like you should too. I don’t want to minimalize their talent, but I feel like the duo have a sound that seems fairly simple; there’s no frills or necessary ambiance to disguise missteps. Their songs are just pure, unfettered pop rock. They’ve got these huge riffs that have just the right amount of distortion to make you feel like you’ve got morning fuzz on your teeth, but not outlandish enough to lose sight of the song’s melodic inclinations. There’s this faint little shift in the intonation on Pat’s vocals in the opening lines that just gets me every time I press play. Don’t be afraid to indulge on the good old rock n’ roll. Be sure to give their new album You’re Not an Empath a solid listen or two!

22 Halo Announces New Album

You ever fall in love with a band on the very first track you hear? Well, admittedly, I didn’t know much about 22 Halo until today when our friend Jon over at Lost Sound Tapes shared that he’d lined them up for a new tape. And, so I pressed play. Sweet seductive discord! Those crisp guitar notes rang out immediately, united almost instantly with thudding rhythm and heavy vocals, and I couldn’t pull myself away from the tune at all. Then there’s a counter vocal, balancing the track with this perfectly feathered vocal that takes some of the more angular notes and forces them to feign smooth. They seem like one of those bands very much caught up in the current music climate, yet wholly unique, so I’m here for it. “Ripple” is just a tease at what’s to come with Garden Bed, out October 29th via Lost Sound Tapes!

Bridge Dog Share Former Life Single

Sydney’s Bridge Dog claim to adhere to a musical model that’s equal parts Belle and Sebastian and Pinkerton-era Weezer, both which I’m totally behind as well. Today we’ve got the first single from their forthcoming EP, and it’s exactly as you expect, sprinkling in these subtle vocal melodies behind these heavy guitar riffs and a wash of keyboard notes. Come to think of it…this feels like the promise of the Rentals fulfilled, and that’s about as high as a compliment as I can give. I love how the fuzzy riffs done interfere, knowing their place in the mix, which leaves us with this perfect little bite of a pop song. More news on the EP to come real soon!

Benz Shares Cave In Track

I’ve heard a few tracks from Ebba Salomonsson’s Benz project, and they’ve been stellar, though I’m always late to the game on posting them, and then I forget. But, with her latest, “Cave In,” I just couldn’t pass up on the opportunity to get this one out into the world. The pacing of the tune is intoxicating, perfect for late night drives under starlit highways or maybe that time when you float in space with Shatner. There’s a delicacy to Ebba’s voice that just pulls you deep within to the song, even as things begin to get a little more exploratory, with rougher edges that rattle your speaker. A lovely tune from the lovely This Could Be the End EP, out November 5th via Rama Lama Records.

Japan Review Share Channel Waves Single

I’m not sure if Japan Review is on everyone’s radar just yet, but I’d really like to continue to push for the band’s inclusion in your listening rotation, thus why I’m here dropping this new single. From the get-go, you get this sampled machine gun drum beat, working in unison with this wall of guitar noise, clouding the horizon for the listener. Then Adam O’Sullivan drapes his voice carefully in the empty space, and while there’s a quiet softness, he seems pained, or tired (like us all). Still, the song’s not done there, moving into a more melodic moment for the chorus, then opening up in the track’s back half for sonic exploration of striking ambient noise. I’m totally in love with Kvetch Sounds; it’s out on October 29th via Reckless Yes.

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