Flower Graves Share Ociin Video

About a year out from the release of Living in Disguise, Flower Graves return with a psychedelic visual adventure…that’s not to mention the song’s sonic delight. The accompanying idea for this new single utilizes bright flashes and a technique that seemingly melts bright colors into one another, forming visuals along the way; leave breadcrumbs so you don’t lose yourself in the trance inducing jaunt. Turning to the musical element, you’re going to get rewarded there as well. Guitars cascade, creating this lush cavernous world; you can feel the guitars echoing through walls, sound reverberating through endless passages. The vocals share a similar attitude, densely coated, squeezing through crevices and calling to you like a haunted siren beckoning you to follow. It’s a pretty remarkable tune, and one we think you’ll fall in love with immediately; brought to you courtesy of Wallflower Records.

Mark W. Georgsson Shares One of a Kind

We’ve been keeping a close eye on Last Night from Glasgow, and they’ve got a new release on the horizon that I’m just now checking into, Mark W. Georgsson. His sound is a bit along the lines of folk/Americana, but what really attracted me to this single is the way the arrangements are layered to really create a swell of pop sensibility amidst the more traditional. Strings and bouncing piano give the faintest hop to Georgsson’s voice, and some clever “do do dos” are thrown in around the 3 minute mark to put a final stamp on the track’s ability to connect with the listener. This song appears on the Comes a Time EP, dropping on August 14th!

John Christie Shares Skeleton Earth

It’s interesting trying to decipher the meaning behind the title of John Christie‘s latest single, “Skeleton Earth.” Of course, some folks will dig deep into the lyrical meaning, and I’m sure you’ll find an obscured answer. But, the more I listen to this track, the more I’m drawn to the skeletal feel of the song itself. The drumming, for instance, is precise, and perhaps played with a touch of flare, but it never seems overbearing. Christie’s baritone too feels almost emotionless, like its this constant lifeblood drawn from the Earth, flowing through us all. At least that’s what I was thinking on when I listened through; good jam nonetheless.

Sorry I Missed This: Teen Idle Share Insomniac Dreams

So I’m only a week or so late here, but I really wanted you to wake up on Friday with something special: the new Insomniac Dreams EP from Teen Idle. It’d be easy to pigeonhole this is as something akin to dream pop or shoegaze, particularly since its been released by Sunday Records. But, I think that sells Sara Abdelbarry a little short. Sure, some of those touches are omnipresent, particularly in the pacing of each track, or maybe even that haunting guitar sound we know and love. Take, for instance, “Dreaming,” which seems more like an exorcism of personal demons, a song that feels like escapism. For me, the aforementioned genres are all about building emotion through their sonic texturing, and I love that; I love that experience. This, however, this whole EP has emotion just dripping through it. Sure, you can lose yourself in the emotive qualities of the musical notes, but I beg you to just sit there and feel along with the entirety of this EP. Grab it from Sunday Records!

The Midgetmen Announce It Is Now Recursive

Austin rabble-rousers The Midgetmen aim to make amends for their five year recording absence by dropping the It Is Now Recursive EP on July 24th. Our first listen to the band’s newest output is a furious little 2 minute number, and an exercise in using one lyrical line for the entirety of a song (they warned you!). I love the way the song opens up, encompassing that live sound that’s rare to get on tape; kind of makes me want to run around my living room screaming along while I pour beer all over myself. It’s riotous and pure fun, with a nice little guitar flare in the song’s middle; everyone gets a solo! Plus, if you grab the EP, you’ll get a remix version of this tune that hints at the band’s future foray into more electronically enhanced grooves! If you need a song to get you up, load a bowl and hop on your yard work, this is the one!

New Stuff from the ATX…

We’ve all got to represent our neighbors, right? So, here’s a few new tracks from Austin you should have on your radar. We’d be remiss if we didn’t give a shoutout to our friend Josh from Marmalakes, doing his solo thing under the name J. Halp. His Ahlen EP will be out at the end of the month, and there’s another sneak peak below; this one has a little bit more of an electronic vibe, giving off the range his EP will offer listeners.

We’ve also got the recently released tune from Urban Heat, the recently formed project from Jonathan Hortsmann (who used to play in ATH faves BLXPTN). There’s a bit 80s feel with his synth work here…and you know we feel you can never go wrong there.Go on and enjoy!

Dehd Share Month Video

Up until now, we’ve mostly been hearing the Dehd singles through the voice of Emily Kempf, but this round, we get to hear Jason Balla take the lead, so it offers a slightly different twist. You get about 15 seconds of his voice hanging out in the air alone. Suddenly, the rhythm section drops in and speeds up the song’s energy; the churning guitars still have that crispness you’ve by now begun to associate with the band. Balla’s performance doesn’t differ too much from Kempf’s, other than perhaps tone; they both have this knack for holding their notes and sort of draping them on top of the energetic propulsion of the band’s sound, working to provide that perfect contrast. Flower of Devotion is out next week via Fire Talk.

New Music from Iska Dhaaf

I felt like I need some solace and some clarity this morning as I was getting ready, and lo and behold, a new tune from Iska Dhaaf pops up in my world. I hadn’t heard from the band in about five years, and that track “Shut Up” was a polar opposite of the intimate performance they offer below. You can feel yourself sitting in the room with the group, hearing the vibration of the plucked strings echo in the room. The vocals have that fragility that almost makes you want to cry, almost as if they struggle to exist as soon as they hit the air.

Anjimile Releases Maker

Prepare yourself for a special single here, with the latest from Boston’s Anjimile coming along with the announcement of Giver Taker for Father/Daughter Records. At first, they reel you in with the powerful vocal performance, mostly working operatic notes over a quieted picking of guitar notes. My fascination grew, like a traditional linear plot. The song begins to build in light rhythm/percussion; you get some small layered conflicts via little flourishes in the distance, then the song begins to roll forward, still propelled by voice. The 2.5 minute mark reaches the song’s climaxes before it all begins to subside, ending abruptly and fading out. Giver Taker will be out on September 18th.

Merce Lemon Announces Moonth LP

Admittedly, Merce Lemon was not a name I was familiar with until earlier this year when Crafted Sounds sent the “Moon (Demo)” our way. But, that’s one of my favorite tracks of this year, so to have her turn around a few months later with a collection of new songs is quite exciting. I’m fascinated by how full this song feels, despite falling beneath the 1.5 minute mark. Opening with Lemon’s voice offers that songwriter vulnerability, and there’s almost just a hint of twang hanging on the notes. Soon, a steady percussive element breaks the track open, giving it sort of this rambling pop feel, raising the song’s bar even higher. Short, sure, but another bit of endearing spectacle. Look for Moonth on August 14th.

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