New Music from Ukiah Drag

ukiahThe last time we heard from the Ukiah Drag, the band had this devilish storytelling aspect to their songwriting.  This time around, as the band readies their new album, they hold onto that demonic presence, though there’s more emphasis in the volume.  It’s like a fuck all of psych and post rock, blended into this mixture of entrancing western-sludge.  Their new record, In The Reapers Quarters will be released September 9th via Wharf Cat Records.  From the sounds of this, it’s going to be something quite different than your average fare.

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Steady Groove from Childhood

childhoodIt’s been a rather slow Monday in terms of new music and whatnots, so why not throw this gem your way.  It’s the latest single from Childhood, and it hit the web late last week, offering a look at the band’s forthcoming album, Lacuna.  It took me a bit to get into this song; it didn’t hit as immediately as the bright-colored art work would have had me believe.  Instead, there’s a bubbling undercurrent of steady pop grooves, taking an approach that’s rarely used; I actually appreciate the fact that you’ve got to immerse yourself in the tune a bit.  You have time? Give it a listen; the record comes out on August 11th.

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Another Tune from Sam Coffey and Iron Lungs

samIt seems like Sam Coffey and Iron Lungs are walking a perfect line between my past and present.  Their earlier single, “Calgary Hill” sounded like perfect power-pop, blending melody into huge guitar chords.  Now, on the next single, they take on an old school mod feel, like The Jam kicking it with the Clash; it’s a fine mixture.  This is one of the great things about the band’s latest release, Gates of Hell, there are great nods to various genres, but it never seems to tire on the ears of the listener.  The album is out this week on Southpaw Records.

[audio:https://austintownhall.com/wp-content/uploads/2014/07/02-Hold-Me-Close.mp3]

 

Generationals Ready Alix

generationWe’re continuing our trip down the pop yellow brick road with the return of Generationals.  We’ve always loved the band; they’ve been one of the most consistent bands in pushing out pop music for the last several years.  They’re readying their newest album, Alix, which will be released via Polyvinyl on  September 16th.  This track pretty much sums up the group’s offerings; there’s a nice hook in the melody with a steady beat meant to give a little bit extra pop to your ears.  All signs point to another successful release from the duo.

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Feel Good with Saint Pepsi

saintpepsiFriday’s are for feeling good, forgetting the week behind you, and just having fun with your family and friends.  I’m pretty sure this single from Saint Pepsi will do precisely the trick; it’s like a more dance floor-ready version of Twin Shadow, with those sharp guitar cuts and infectious beats kicking things along.  This track is the featured tune on his Fiona Coyne 7″, which is being released via Carpark Records on August 12th.  If you’re in need of something to pick the day up, then turn the volume loud and spin this song a few times…your day will get better in no time.

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Austin Spotlight: Love Inks at it Again

loveinksIt’s been a great week for Austin acts, with Basketball Shorts and Letting Up Despite Great Faults all releasing new tunes, and now we have another one of our beloved locals returning to the fold, Love Inks.  Of course, the star of this slow-core show is going to be Sherry, who’s vocals dominate all the bands work, but I personally love the restraint that’s being shown.  Guitar lines are relaxed, moving beneath the pulsating electronic beat; it’s a great atmosphere for the group to showcase just how powerful they can be, without actually being, powerful, in regards to volume.  Their new album, Exi, will be out on September 9th.

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Dark Tune from Whirr

whirrThis track popped up the other day, and I’ve had a really hard time getting it out of my head.  There’s something about the wash of atmospheric guitars that creates this interesting brood, while another guitar track angularly plays beneath.  I like how those guitars, however, are rather low in the mix, meaning the band could unleash fury in the live setting, or hold onto the pattern presented here.  Either way, Whirr is likely to cause a decent stir when they release their album Sway, followed by a fall tour; it’s being released on September 23rd via Graveface Records.

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Noisy Number from Running

runningIf you’ve got a record label run by Ty Segall, the chances are that you’re going to get some noisier elements in there, right? That’s precisely the case with the new 7″ offering that he’s putting out with Running.  Here you’ll hear an opening that’s basically a screeching guitar line brooding over a darkened bass, while drums steadily pound away.  Eventually, vocals break in with a demonic shout from what seems like a hollow metallic cavern.  It’s an assault on your eardrums, especially when you arrive at the end where it breaks into what sounds like a disastrous emergency broadcast message.  I dig it, and if you’re like me, you can grab the 7″ from God Records on July 22nd.

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Austin Spotlight: Letting Up Despite Great Faults Return

10336826_10154252742045122_4351492479774252113_nWe here at ATH have always stood behind Letting Up Despite Great Faults.  They blend shoegaze and indiepop, and it’s always done quite successfully.  Their last album, Untogether, was one of our favorite a few years back, and now they’re set to return with Neon.  One thing you’re likely to notice is that singer Mike Lee has allowed Annah Fisette to play a larger role in the vocal performance, as evidenced by this first single; her voice definitely is the perfect counterpart to Lee’s vocals.  It all makes forms an infectious blend of pop music that’s sure to warm the band’s fans, and gain new followers.  They’ll be releasing their album on August 12th, including a show at Holy Mountain on the 16th that we’re proud to sponsor.  Pop doesn’t get much better than this.

[audio:https://austintownhall.com/wp-content/uploads/2014/07/02-Wrapped.mp3]

 

Fresh Music from Laetitia Sadler

laetitiaI’m really enjoying the newest single from Laetitia Sadler; there’s something in the inflection as she sings that really grabs me.  There’s a bit of oddity to it, though it’s able to grab hold of melody at the same time.  It reminds me of the much misses Deep Time, though the music has more of a singer-songwriter aspiration, albeit one that’s maximized by strings and horns.  This song will feature on her new record, Something Shines, which is slated for release on September 23rd via Drag City Records.  It also doesn’t hurt that she was a big part of Stereolab either, does it?

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