KIng Tuff – King Tuff

Rating: ★★★½☆

In the brief bio on Sub Pop‘s web page for King Tuff, and his new self-titled album, it alludes to the fact that the entirety of the record is just rock n’ roll and that you can’t really listen to it with critical ears.  For what it’s worth, the bio is pretty spot on, as King Tuff is something you’re just going to have to experience for yourself.  But, I’ll do my best to point out some highlights.

While “Anthem” is the official song to kick off the record, the best served song to begin your listening experience might be “Alone & Stoned;” it’s a bit on the poppier side, which could ease you into the listening experience.  King Tuff‘s vocals have a slight resemblance to Nobunny or Hunx, and his musical style is definitely similar, though this track does show you a nice bit of polish–though there’s still that element of playfulness.  That light-hearted attitude is something that definitely benefits the record, coming through on other songs like “Keep Movin” and “Baby Just Break.”

But, while KT can come across as setting out to have fun, he’s also got a penchant to infuse a bit of traditional garage rock into his tunes, just as he does on the album’s standout track, “Bad Thing.”  It’s fueled with guitar solos and an angrier moment that’s not present anywhere else on the record.  Personally, I dig the way the he slows the chorus down just a bit before blasting off into “I’m a bad thing” one last time.  It’s the hit single for sure, but stick around as this thing is full of other noteworthy tracks.

There’s softer ballad-ish moment lurking here and there, such as “Swamp of Love.”  It’s built around a strummed guitar and a piano backbone, but it illustrates that King Tuff might not be as tough as the name indicates.  He’s got other moments that come earlier, although possibly too short to be completed ballads, like “Baby Just Break.”  I think these are the tracks that standout the most to me, as I expected the whole record to have an certain amount of ferocity like “Bad Thing,” but aside from album closer “Hit and Run” there’s really nothing that’s just a straight out rocker.  Personally, it fits better this way; you get peaks and valleys on the journey, all with different bits of enjoyment, depending on the listener and what he/she is looking for in King Tuff. 

While it may not need critical ears to listen to this self-titled record, most of the audience will surely find it successful because of its ability to keep you from finding the songs stale.  You can get a quick rocker or a ballad; you can find hints of garage rock; you basically can find gem after gem waiting for your own personal discovery, so it’s probably best to get on it now–go pick up this album from King Tuff.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/King_Tuff_-_Bad_Thing.mp3]

Download:King Tuff – Bad Thing [MP3]

More New Music from Poor Moon

It’s clearly a chilled out week on the Internet, as shown by us over here at ATH; this new track from Poor Moon is just another such example.  There’s an element of tropicalia/lounge act going on in this song; it’s got a similar touch to Jens Lekman‘s work of late.  After recently releasing an EP, the group is slated to unleash a self-titled full-length via Sub Pop on August 28th, and I’m hoping it all shapes up to sound just like this here.  Something about summertime and warm weather makes this song really come alive down here in Texas, or it’s just a great song all around.  I’ll take it either way.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Poor-Moon-Holiday.mp3]

Download:Poor Moon – Holiday [MP3]

Beach House – Bloom

Rating: ★★★½☆

Let’s face it, there’s no one out there crafting music just like Beach House.  That is, except Beach House.  Seems redundant doesn’t it? Well, if you’re looking for a fault on the band’s fourth LP, then it might be that the group seems a bit cornered on Bloom.  While the music itself is beautifully emotional, it’s not too far from where they left off with Teen Dream; that’s going to appease hordes of folks, but it might also leave some detractors this go round.

Beach House has a knack of opening an album with brilliance, much like they do here with “Myth.” That twinkling keyboard line complimented by the lofty vocals of Victoria Legrand demonstrate that the duo will continue to find themselves atop year-lists, with few songs capturing the eloquent pop of this track.  When the group takes a slight turn near the 2 minute mark it’s clear to any listener that few songs can eclipse this one.  Bloom is filled with similar moments like this opener, but it’s hard to top your first impression of this listening experience.

“Lazuli” seems to have a bit more sparkle to its construction, which enables the track to stand out from many others on the record.  There’s an underlying quality of brightness to this track that’s not always present with regards to the wistful quality of Legrand.  You get the feeling that she pushed herself here in the studio, and it pays off huge dividends…these are the moments you long for from a group with such a distinctive sound.  Other moments such as this one exist on the record, and Bloom succeeds due to their presence.  “The Hours” is the shortest of the tracks on the record, and its brevity definitely is filled by the group pushing for a slightly different sound, be it the vocals or the guitar work.  And near the end, “On The Sea” gives us a completely different side of Beach House, using a less electronic side of the keyboard.  Really it’s Victoria who steals the show, and while there’s still that element of smoky fuzz in her voice, you’ll also notice a songstress giving the recording of a lifetime (in my opinion).

You see, Bloom has absolutely fantastic elements sprinkled here and there for the listener, so be sure to listen to the record through and through.  However, other tracks do find the group in some middling territory, seemingly unable to escape the remarkably distinct sounds they’ve created in the past few years.  Those moments were beautiful, but at times they do come across as a bit of audio overkill. Beach House is growing here, showing glimpses of new dynamics in their songwriting; they just haven’t completely distanced themselves from Teen Dream.  For some, that’s exactly what you’re looking for this go round; others, like myself, love it, but can’t wait to see where the group takes us on the next go round.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/01-Myth.mp3]

Download:Beach House – Myth [MP3]

More New Music From Husky

We knew little to nothing about Australian band Husky when we heard that they signed a deal with indie giant Sub Pop Records.  Now that we’ve had a listen to some of the band’s tuneage, we are offering up our support of the band and their hushed experimental folk style sound.  This new song “History’s Door” will also appear on the band’s upcoming U.S. re-release of their album Forever So.  It’s purty good.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Husky-History_s-Door.mp3]

Download: Husky – History’s Door [MP3]

New Tune From Father John Misty

I’m sure many of you know this, but let’s at least do our due diligence and note that Father John Misty is the official solo/side project of J. Tillman.  I get a bit hesitant to call it the guys first solo album, as some will do, but I just don’t see how a guy with a slew of recorded material under his own name will ever have a “debut” LP.  This is the first LP under the FJM name however, which goes by the name Fear Fun, and comes out May 1st on Sub Pop Records.  The songs within the album will give you a somewhat more upbeat feel from Tillman as opposed to his more recent solo work.  Until the release date, check out this new song “Nancy From Now On” and let us know what ya think.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Father-John-Misty-Nancy-From-Now-On.mp3]

Download: Father John Misty – Nancy From Now On [MP3]

Great Jam from Jaill

A few weeks back Sub Pop announced that it’d be releasing the new album from the trio, Jaill.  Their last effort, That’s How We Burn, is a vastly underrated record, unless, of course, you’re in the know. Their new set of songs is titled Traps, and it’ll be out June 12th.  Just one listen to this and you’ll hopefully see why I’m so excited to hear the whole collection. It’s got just the right amount of hooks, a bit of quirkiness in the vocals, and even a bit of foot-tapping going on.  If this is how I kick off summer, it can’t get here soon enough!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Jaill-Waste-A-Lot-Of-Things.mp3]

Download:Jaill – Waste A Lot Of Things [MP3]

New Jam from King Tuff

It’s crazy that Sub Pop just released this track by their newest signee, King Tuff, because I just bought the 3 7″ singles collection from Suicide Squeeze yesterday afternoon. KT used to jam with Happy Birthday, and he’s been banging around on his own for a long time as well.  The label will be releasing his self-titled debut on May 29th of this year, and I’m pretty sure you’re going to have a lot of fun jamming out to this.  Garage rock with hooks galore, just like the track we’ve got featured for you below!

[audio:https://austintownhall.com/wp-content/uploads/2012/03/King_Tuff_-_Bad_Thing.mp3]

Download: King Tuff – Bad Thing [MP3]

Sub Pop Records Sign Husky!

Well, we didn’t really know who Husky was either, until we read up on the Well ourselves.  Sub Pop officially signed their first Australian band, and considering we have a bit of adoration for all things Oceania, we had to fill you in.  The foursome released their record, Forever So, last year in Australia, and their new US label will be re-releasing it on July 10th.  On this track, I appreciate that there are touches every day indie rock, but slight details allow the central harmony to rise to the forefront in this track. They’ve also got a pretty interesting video to accompany the song that you can check out HERE.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/Husky-The-Woods.mp3]

Download:Husky – The Woods [MP3]

Funx3 Fest Interviews: Memoryhouse

As we get closer and closer that fateful date marking the beginning of our beloved Fun Fun Fun Fest, it’s time to get down to business. Let’s begin with a few interviews spotlighting some of our favorite bands playing the festival. Today we’ll bring you our very first Fun Fest interview focusing on Sub Pop band Memoryhouse. After the jump you’ll find interview questions from composer Evan Abeele.

Read more

New Music From Still Corners

I somehow missed on new music from Still Corners when it was announced awhile back, but I’m on board new and have been enjoying the new album Creatures of an Hour.  Prior to it’s release date on October 11th via Sub Pop, I can only offer you a taste of the album with it’s second single entitled “Into the Trees”.  Hopefully it will help point you in the direction of that release date.  The first single from the record, “Cuckoo”, can be heard over on the Sub Pop website.

[audio: https://austintownhall.com/wp-content/uploads/2011/09/10415.mp3]

Download: Still Corners – The Hunt [MP3]

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