SXSW Interviews: Secret Cities

Keeping up with some of our previews for the upcoming crazy SXSW festival, today we’ll focus on up and coming band Secret Cities.  We fell in love with these guys last year when they released their debut LP Pink Graffiti and have been following them ever since.  Lucky for us, band member Charlie Gokey was kind enough to answer some questions about his band and their upcoming sophomore effort.  Follow the jump for his responses.

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New Track from 1,2,3

As of right now, the world probably doesn’t know too much about the Pittsburgh duo, 1,2,3, but that’s soon to change, especially with the band signing to Frenchkiss.  While the release date for the band’s debut record is still a bit tentative, the Internet has been given this new track, which is expected to be one of the featured tracks from said debut. There’s definitely a nice little groove that moves through this song, and with a full-band in the live setting, you can expect this to group to win everyone over, especially when they make their way to Austin, Tx for SXSW. Give a listen.

[audio:https://austintownhall.com/wp-content/uploads/2011/02/123_ridingcoach.mp3]

Download: 1,2,3 – Riding Coach [MP3]

SXSW Watchlist: Twerps

Some good friends of ours from Down Under have been steadily putting out great music, and we’ve tried to do our best to spread the good word here in the States.  One of these bands, which we’ve mentioned before, is the Twerps.  They’ve got a nice little bit of melancholy to go with some oceanic jangle, which is just the right kind of stuff for my ears.  Their newest split single with the Ancients, Black Eyes, is out now, and they’ll have a new one just in time for the band to hit up Austin for SXSW; we’ve got one of those tracks to premiere for you all.   The Twerps will be playing their showcase on Saturday, March 19th at the Black and Tan.  But, if you’re not in Austin, don’t fret, as the band has scattered dates all over the country, so catch them before they bounce abroad again.

[audio:https://austintownhall.com/wp-content/uploads/2011/02/Bullies-192.mp3]

Download: Twerps – Bullies [MP3]

New Music from Davila 666

Considering that two of the ATH writers have spent time living abroad in our past, how could we not support the movement of good rock n’ roll from our Latin American bretheren. So here you have Davila 666, a band from Puerto Rico, a band about to release their new album, Tan Bajo, next week here in the states.  It’s a bit noisy, using rhythmic grooves to provide a nice bit of hyponitizing hooks for listeners.  If you need help translating for this track, feel free to hit us up, as we swear we’re studied in Spanish.  And, if you like what you hear, don’t only buy the record, go see the group in March when they come to Austin for SXSW.

[audio:https://austintownhall.com/wp-content/uploads/2011/02/davilaregreso.mp3]

Download: Davila 666 – Esa Nena Nunca Regreso [MP3]

New-ish Track from Tape Deck Mountain

There’s tons of bands coming our way for SXSW, and so I’m trying to cover my bases here, and get the word out on as many great bands as I can.  Tape Deck Mountain are one of those band’s who’ve been slowly flying under the radar since their 2009 release of Ghost.  As a band, they craft these extremely eerie songs, but in doing so, they’ve created these soundscapes, perfect for just letting your mind soak in nothing, well, except the music that is.  They’ve just put out the Secret Serf EP, so at least they’re cool with modern motifs.  I have the sneaking suspicion that this could be one of those excellent shows that people will talk about all week.  It’s also just a killer track to space out to before Friday hits and the party starts.

[audio:https://austintownhall.com/wp-content/uploads/2011/02/tapedecksecretserf.mp3]

Download: Tape Deck Mountain – Secret Serf [MP3]

SXSW Interviews: Generationals

ATH: You’ve got a new album coming out, Actor-Caster. How will this album compare with the work/sound of Con Law? Did you try any new tricks this time around?

Grant: This album is a little more cohesive than Con Law. The songs hang together a little better. I thought that the diversity of that record was one of its strong points, but we wanted to make this new record more of a unit than a collection of different influences. Not too many new tricks. I think we’ve gotten better and more confident at producing our demos. The demos we came in with for Actor-Caster were very close to what ended up on the record. A lot of the actual tracks from the demos made it onto the final record, so I think that reflects the fact that we’re getting closer to honing in on exactly what we want at an earlier stage in the writing process. As a result of that, I can hear that the performances are stronger and more confident, the vocals are stronger and better performances. We didn’t really worry about whether or not we could even make a record, which was something that we struggled with on the first one.

ATH: As a band that hails from New Orleans, how does the city’s music history influence your music, or do you tend to work against that history, choosing to create your own sound entirely?

Grant: It’s not a direct influence nor is it an anti-influence that we actively try to work against. That is not to say that we don’t appreciate traditional New Orleans music. Very much the opposite, Ted and I have spent a lot of our time in New Orleans going to see bands and musicians play traditional New Orleans music, especially in our high school years. Specifically The Meters, Art Neville, Irma Thomas, Rebirth Brass Band. We are huge fans of the city and the kind of music that New Orleans is famous for, we just don’t try to play it.

ATH: At this point in your career, where are you guys hoping to go, either musically, or popularity wise, etc.? Let it be known, we’re thinking you should be huge.

Grant: Thank you. We also think that we should be huge. I just read online that LCD Soundsystem instantly sold out their final show at Madison Square Garden. We will feel like justice has been done when we can instantly sell out the Louisiana Superdome instantly, which holds about 80,000. We would also like to be the first band to play a concert from the top of Mount Everest which we would broadcast over the web for all to see. We are currently talking to some folks at WFMU in New York about sponsoring that concert for us.

ATH: What are you looking forward to about your trip to Austin for SXSW? Are there any bands you’re looking forward to seeing? Sites or restaurants you have to hit up?

Grant: We’re playing a Force Field party on Wednesday 3/16 that I heard Lower Dens will be on also, we are admirers of their stuff so I hope that rumor is true. The Park The Van showcase at Mi Casa Cantina on 3/18 is going to be insane. We’re playing with Floating Action, The Spinto Band, Giant Cloud, Brass Bed and Empress Hotel. And that place is not a big venue so I know it’s going to be packed and it’s going to be so fun.

We really love Austin, we were there in August recording the Trust EP and we just fell in love with it. I can’t wait to get back. I will go straight back to Maria’s Taco Xpress on S. Lamar, Home Slice Pizza on S. Congress, we love Club De Ville and I can’t wait to go hang out there again. I’m getting really excited thinking about it!

ATH: You guys are a band who has this huge sound on record. In the live setting, do you think that you’re album transfers the way you want it to? Are there things you wish you had on hand to boost the sound, or things you wish you could leave out?

Grant: We have been tinkering with the formula of our live show for a couple of years now and I feel like we finally got something that I think is translating the songs really well to the live setting. At this point we’re playing the songs very faithfully to the recorded versions. We added a fifth member to the lineup so that we can fit in more of the parts and we’ve also added a couple of trumpets for all the shows we’ve done this year so far and we intend to keep that going for the foreseeable future. It might get hard for all the SXSW events we are playing, but we are trying really hard to set that up the horns for SXSW right now. Our old drummer Tess has started her own band called Au Ras Au Ras and we replaced her with our friend Juston Stens who has a style of drumming that is much closer to the records that we’ve made. Including horns, we’ve had seven and eight people onstage at a time for all of these shows, so I feel like we’re getting to where we are finally able to really put a really full huge sound together for the live shows, which is fun.

ATH: You’re in Austin, you meet a random guy on the street, and you’re trying to convince him to make it out to your show. What do you say? How do you pull it off?

Grant: “Do you want to continue to live in the darkness of not having seen this Generationals show? Come with us into the back yard of Sidebar, we will change your fucking life right now.”

Thanks ATH! You guys are radical.

ATH: No, thank you, Grant.

Generationals will be playing at Mi Casa Cantina on 3/18 @ 1 AM

FT5: Worst Trends In Indie Rock

So while recently looking back on our earliest days here at ATH, I skimmed over on an almost 2 year old post about our least favorite things in the music world.  If you don’t care to read that old piece of journalism, it was more a focus on trends in the extremely popular media world.  We ranted on myspace, the loudness of some new rock bands, and the decline of albums as an art form.  Looking back, I’d say myspace is really on it’s way out, loudness is a declining trend and albums seem to be on the rise.  We made a difference!  For today, I’d like to focus on 5 things that really erk me about our little niche known as the “indie music world”.  Of course with bands like Arcade Fire, Band of Horses, and Spoon topping the charts, these trends are slowly making the move from indie to popular.  We must put a stop to them now!  Follow the jump for more.

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SXSW In Pictures, Pt. 2

We promised you some real professional pictures from SXSW week, and that’s just what you’ll get today from ATH photo lady Mary Rehak.  Mary is well known for running around like a crazy person during the week and seeing as many bands as she possibly can.  Hell, based on her fancy photos, she may have seen more bands than the ATH crew members combined!  We’re proud to have such a hard working and creative person on the team.  Follow the jump to re-live the SXSW week through the eyes of a pro photographer.

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